With the return of live theatre looking further and further away let’s immerse ourselves in these memories. A couple of concerts here too, but, as I have the programmes, I might as well include them!
- Joseph and the Amazing Technicolor Dreamcoat – Royalty Theatre, London, 23rd December 1986
We’re used to seeing Joseph come round every couple of years or so nowadays, but I think back in ’86 a London production was quite a rarity. The Tomorrow People’s Mike Holoway starred as Joseph in this brash and bright little production, which we remember enjoying but in comparison with all the big shows we’d seen throughout the year, it was perhaps slightly underwhelming. I’d like to be able to say more about this production, but I’d be making it up. The Royalty, if you’re wondering, is now the Peacock.
- Carmen – English National Opera at the London Coliseum, London, 3rd January 1987
Miss Duncansby’s first exposure to the world of opera. You can’t go wrong with Carmen – wasn’t it Stephen Sondheim who described it as the best ever musical? This was a heavily criticised production that the purists loathed, as it brought the famous cigarette girl kicking and screaming into the twentieth century, with a translation by Anthony Burgess. Carmen was sung by Sally Burgess, Don José was John Treleaven, Micaela was Rosamund Illing and Escamillo David Arnold. We really enjoyed it, and were patronised by the pompous asses around us for doing so.
- The Maintenance Man – Comedy Theatre, London, 14th February 1987
This was the most self-indulgent Valentine’s Day celebration ever, with Miss D and I going to the Equatorial Restaurant for lunch (a Singaporean place that was a favourite, sadly long gone) and the Paradiso e Inferno on the Strand for dinner (now replaced by a similar Italian restaurant) and fitting in The Maintenance Man (so to speak) for its first house in between. A comedy by Richard Harris, best known for his TV writing, it starred John Alderton, Gwen Taylor and Susan Penhaligon.
Divorced Bob can’t stay away from his ex-wife’s house, much to the annoyance of his new girlfriend. I remember it being very bittersweet (much more bitter than sweet) and without that many laughs. This performance was right at the end of the run. No wonder we remember the meals more that day.
- Dr Evadne Hinge and Dame Hilda Bracket in The Arkley Barnet Show – Comedy Theatre, London, 24th March 1987
Filling the gap left by The Maintenance Man, the “Dear Ladies” launched themselves on the Comedy for a short season with their Arkley Barnet Show, an excuse for some wonderful Hinge and Bracket shenanigans, which if you loved, you loved, and if you hated, you hated. I loved them. Their act managed to mix the historical and the modern in a really clever way. I remember at the time that fear of AIDS was everywhere, and many much-loved performers were sadly losing their lives to it. This prompted Dr Evadne to modernise the old song A little of what you fancy does you good into A little of what you fancy kills you off. Sharp intakes of breath all round, as you can imagine – but devilishly brilliant.
- When I Was a Girl I Used to Scream and Shout – Whitehall Theatre, London, 2nd April 1987
We saw this with our friends Mike, Lin and Barbara, and I remember we were very late leaving the restaurant beforehand so we had to run to make the curtain up, and thus sat there panting and sweaty for the first half hour, which is never a great start to a show. The play had won Sharman Macdonald the Evening Standard Award for Most Promising Playwright, and I remember it going down with the audience very well, but not much else.
It’s very much a young woman’s play, involving understanding relationships, disappointing parents and struggling to discover yourself. Maybe it didn’t speak much to me? Not sure. Mrs C can’t remember anything about it either. Fabulous cast though; Sheila Reid, Julie Walters, Geraldine James, John Gordon Sinclair.
- The Mystery of Edwin Drood – Savoy Theatre, London, 18th May 1987
Tipping a wink to a touring production of A Chorus Line that we saw in April for my birthday, at the Apollo Theatre Oxford, and starring Caroline O’Connor as Cassie (and with a young Ruthie Henshall as Maggie), our next London show was The Mystery of Edwin Drood, to which we also brought the Dowager Mrs C, and she really enjoyed it. A moderate success in New York but a flop over here, Rupert Holmes’ inventive and interactive musical, took Dickens’ unfinished novel and challenged the audience to solve the murder. Notable for the star billing given to comedy legend Ernie Wise as the Chairman, the production also boasted such talents as Lulu as Princess Puffer, Julia Hills as a cross-dressing Edwin Drood, David Burt as John Jasper and Martin Wimbush as my namesake, the Reverend Crisparkle. This should have been a hit, and I’m still not quite sure why it wasn’t, but it only lasted ten weeks.
- Kiss Me Kate – Royal Shakespeare Company at the Old Vic, London, June 1987
Another of the Dowager Mrs C’s favourite shows, we took her to see this RSC production, which I think was played heavily for laughs with a relatively straightforward production by Adrian Noble. By far the best thing about it was Nichola McAuliffe’s fantastically tempestuous Lilli, almost matched by Paul Jones’ smarmy Fred. Interesting to note that Tim Flavin and Cyril Nri appear in the cast, in relatively minor roles. Thoroughly enjoyable, but there again it would have to be a bad production of Kiss Me Kate that wasn’t thoroughly enjoyable.
- Three Men on a Horse – National Theatre Company at the Vaudeville Theatre, London, 3rd October 1987
This highly successful production, directed by Jonathan Lynn, had transferred from the Cottesloe earlier in the year. John Cecil Holm and George Abbott’s comedy premiered in 1935 and concerns a mild-mannered chap who discovers he has a supernatural gift of picking the winning horse, provided he doesn’t watch the race. A fantastic cast was headed by Geoffrey Hutchings, and also included Toyah Willcox, Ken Stott, Desmond Barritt, Cyril Shaps, Alison Fiske and Nicholas le Prevost. Extremely funny and it deserved its success.
- The Spinners – Civic Centre, Aylesbury, 6th November 1987
Miss D (as she still was) was very keen to see the Spinners as they had been part of her childhood, being a Liverpudlian who grew up in Australia – the connection couldn’t be stronger. I knew nothing about them, apart from the fact they tended to have late night shows on BBC TV when there wasn’t anything much else to watch. I think you had to be a real fan to enjoy this show – and there were plenty of those in the audience.
- Incantation – Civic Centre, Aylesbury, 10th November 1987
We were both huge fans of Incantation, the group that arose from the band that played the music for Ballet Rambert’s Ghost Dances, and who had a number of hits with their Pan Pipes of the Andes style. Incantation took their music very seriously and did much research on the streets of Cuzco to achieve truly authentic performance quality, as their line-up consisted of three Brits and three Chileans at the time. Timeless music, brilliantly performed.