What’s that phrase about little acorns and big oaks? It was seven years ago when we attended our first Comedy Crate Weekender, held in local Northampton pubs; even then they were getting top quality acts to perform. Now they’ve really hit the big time with two big shows over two nights – Friday at the Milton Keynes Theatre (in collaboration with the Comedy Cow team) and now Saturday in the imposing Derngate auditorium, where most of its 1500 capacity seats were sold. And what a night it was…

Our host for the evening was the deceptively hilarious Boothby Graffoe – I say deceptively, because he comes on stage like he’s dressed for a night in front of the telly, and you ask yourself if this chap is ready for the job ahead – and boy, is he ready. Fantastically self-deprecating, he mines brilliant humour out of his guitar and mouth organ without ever overdoing it; he’ll offer us half a song and leave it hanging with lyrics that deliberately finish early because there’s nowhere else to go with them, and it’s simply side-splitting. He’s adapted one of Tom Lehrer’s patter songs listing loads of countries rattled off at tremendous speed – and then tops it off with a devastating final line; and even his parting words at the end of the show about where you could follow him had us in hysterics. Great work, Mr G.

First out was Marcus Brigstocke; I’ve always loved his comedy, but the last time I saw him he threw a Babybel at me – it was at his Cheese and Whine show at the Edinburgh Fringe and I guess I just whined too much. No matter, all is forgiven, and he gave us a great set featuring concerns about the Royal Family, the difference between news coverage now and in The Good Old Days, and a truly hilarious segment about asking idiots to comment on current affairs: watch out, The Jeremy Vine Show. Packed with terrific observations and quite a few funny voices, it’s intelligent, powerful, thought-provoking comedy that lands every time. A superb start to the night.

Next up was Josie Long, whose Tender show we saw four years ago on tour, a winning and hilarious look at pregnancy and motherhood, mixed with some irresistible left-wing lambasts. Now, she’s still offering comic observations of family life with some very clever and recognisable set-ups. Her wry, quieter style of comedy possibly suits a more intimate environment than the vast Derngate stage and didn’t lead to quite the same level of belly-laughter that the others achieved. Nevertheless, it was an enjoyable set with plenty of great lines.

Our mega-headliner was Omid Djalili, whom we’ve seen many times and never fails to delight. The man irradiates stage presence and had us in the palm of his hand within seconds. He has an unerring ability to lead you up a garden path with a story only to whip it around and take you somewhere completely different. Great use of his own physicality, with his fantastic ear for accents and the power of intonation; but what also comes across is his essential kindness, nowhere seen more clearly than in his valedictory observations about the humour of the late Barry Cryer and Sean Lock. He’s not afraid to tackle very serious subjects head-on; at least twice he discussed with appropriate sobriety the appalling killing that’s taking place in Israel and Gaza, but even then he manages to rein it back and cloak it in a comedy setting, without comprising either the seriousness of the situation or the humour. A truly skilful comedian, and he sent us all home with an uplifted spring in our step.

A great night of comedy. Nice people at the Comedy Crate, can we do it again please?