Welcome again to the glittering excitement that is the announcement of this year’s annual Chrisparkle Awards. The whole team has diligently assessed each and every eligible performance (i.e. I’ve thought hard about them) to create longlists then shortlists and then finally the ultimate prize for some splendid practitioners of their arts. Eligibility for the awards means a) they were performed in the UK and b) I have to have seen the shows and blogged about them in the period 11th January 2018 to 7th January 2019.
Are you all sitting comfortably?
The first award is for Best Dance Production (Contemporary and Classical)
Last year the Committee decided to combine all the dance productions seen in the year, both at the Edinburgh Fringe and in other theatres, and this year we have decided to continue this practice. That gives us seven shows to consider, and it’s been remarkably difficult to come to a conclusion, but we have.
In 3rd place, the two hilarious and skilful programmes that made up the triumphant return of Les Ballets Trockadero de Monte Carlo (The Trocks to you and me) at the Peacock Theatre, London, in September.
In 2nd place, the immaculate and riveting performances of the dancers from the Richard Alston Dance Company at the Royal and Derngate, Northampton, in October.
In 1st place, never failing to hit the mark on technique, emotion and sheer entertainment, Matthew Bourne’s Swan Lake at Sadler’s Wells, London, in December.
Classical Music Concert of the Year.
We only managed five classical concerts in 2018 but the quality was, as usual, excellent, so it was extremely difficult to whittle it down to a top three. Nevertheless, the Committee insisted, so here goes:
In 3rd place, Alan Buribayev Conducts Chopin, with an exciting programme of Czech, Polish and Finnish music including Chopin’s Piano Concerto No 2 in F Minor played by Alexander Romanovsky, and the Royal Philharmonic Orchestra, at the Royal and Derngate, Northampton, in April.
In 2nd place, Michael Petrov Performs Tchaikovsky, including a magical performance of Mendelssohn’s Symphony No 4 in A Major, and Michael Petrov giving us a spellbinding performance of Tchaikovsky’s Variations on a Rococo Theme, with the Royal Philharmonic Orchestra conducted by Rory Macdonald, at the Royal and Derngate, in February.
In 1st place, A Night at the Ballet, a superb programme of ballet music including Delibes’ Sylvia Suite and Saint-Saens’ Danse Macabre, with Nathan Fifield conducting the Royal Philharmonic Orchestra, at the Royal and Derngate, in June. A clean sweep for the RPO!
Best Entertainment Show of the Year.
This means anything that doesn’t fall into any other categories – for example pantos, circuses, revues and anything else hard to classify. Very few contenders this year, and it looks remarkably like last year’s awards, but here’s the top three:
In 3rd place, the unstoppable Damian Williams starring in Peter Pan at the Lyceum Theatre in Sheffield in January 2019.
In 2nd place, the humour-enhanced reincarnation of the Burlesque Show at the Royal and Derngate, Northampton in January 2018.
In 1st place, the utter filth and pure showbiz hilarity of Snow White at the London Palladium in December.
Best Star Standup of the Year.
Eight big-name stand-up comics qualify for this year, and it’s very difficult to judge because they were all excellent in their own way, so I can only rank them in the order that I enjoyed their show. I only listed a top three last year but this time I need a top five:
In 5th place, the beautifully constructed and thought provoking Choose Your Battles tour from Lucy Porter, Underground at the Royal and Derngate, Northampton, in April.
In 4th place, the fearless use of a range of awkward subjects brilliantly mixed up by Paul Chowdhry in his Live Innit tour, at the Royal and Derngate, Northampton, in March.
In 3rd place, the quirkily intellectual and extremely clever Total Eclipse of Descartes tour by Rob Newman, at the Royal and Derngate, Northampton, in November.
In 2nd place, and the winner of last year’s best Screaming Blue stand-up, the sheer delight of Daliso Chaponda and his What The African Said tour, at the Royal and Derngate, Northampton, in February.
In 1st place, on unbeatable form, the fantastic Devil May Care tour by Marcus Brigstocke, at the Royal and Derngate in October.
Best Stand-up at the Screaming Blue Murder nights in Northampton.
It’s been a great year of Screaming Blue Murder nights; a longlist of seventeen comics brought forward a shortlist of seven and here are the top five:
In 5th place, hilarious and outrageous as always, Robert White (28th September)
In 4th place, for his ability to invest a room with such sheer happiness, Jonny Awsum (13th April)
In 3rd place, always expect the unexpected with the extraordinary Russell Hicks (16th February)
In 2nd place, a new name to me and a superb talent with refreshing material, Stefano Paolini (12th October)
In 1st place, again, a first timer at Screaming Blue (I believe) but what a gifted way of weaving comedy magic out of some tough material, Sean Meo (14th September)
Last year, the Committee introduced a new category; as we continue to see so many stand-up comedy acts in other clubs, such as the Leicester Comedy Festival, Bluelight Comedy, Upfront Comedy Shows and Edinburgh Try-outs in various locations, here’s the Best of the Rest Stand-up Award. Again, a long longlist of nineteen was whittled down to a shortlist of ten, and here’s the top five:
In 5th place, the sheer professionalism and endless inventiveness of Patrick Monahan, in the Edinburgh Try-out of his show, Goals, at the Comedy Crate Festival, Black Prince, Northampton in July.
In 4th place, the fantastic delivery and fresh material of Drew Fraser (Upfront Comedy) at the Royal and Derngate, Northampton, in November.
In 3rd place, the musical madness and effervescence of Friz Frizzle, Song Ruiner (Leicester Comedy Festival, Late Night Jokes On Us, Manhattan 34 Bar, Leicester) in February.
In 2nd place, the fantastic comedy character creation that is Barbara Nice (Upfront Comedy Slam) at the Royal and Derngate, Northampton, in February.
In 1st place, a solid gold discovery of great confident delivery and material, Kane Brown (Upfront Comedy Slam) at the Royal and Derngate, Northampton, in February.
I saw seventeen musicals this year, and only – perhaps – three weren’t really up to scratch. So that meant it was a tough choice to come up with a top five. But I did it!
In 5th place, and still very fresh in the memory, the superb production of Kiss Me Kate at the Crucible Theatre, Sheffield, in January 2019.
In 4th place, the invigorating and hugely emotional revival of Barnum, at the Menier Chocolate Factory, London, in February.
In 3rd place, the stunningly technological revival of Chess at the London Coliseum that we saw in May.
In 2nd place, the visually and musically overpowering experience that is the new look Les Miserables, at the Curve Theatre Leicester, in November.
In 1st place, believe the hype, it simply blew us both away; Hamilton at the Victoria Palace Theatre, London in December.
Best New Play.
Just to clarify, this is my definition of a new play, which is something that’s new to me and to most of its audience – so it might have been around before but on its first UK tour, or a new adaptation of a work originally in another format. I’ve seen 14 such plays this year; one of which we left at the interval, but most of the rest were very good indeed. Here’s my top five:
In 5th place, Alan Bennett’s quirky, funny and sad examination of the current state of the NHS in Allelujah, at the Bridge Theatre, London in July.
In 4th place, the very challenging and in many ways absolutely bonkers A Very Very Very Dark Matter, at the Bridge Theatre, London, in October.
In 3rd place, a production which most other people didn’t seem to appreciate but I thought was masterful in so many ways, Kiss of the Spider Woman at the Menier Chocolate Factory, London, in March.
In 2nd place, the abstract, fanciful, and totally adorable, Flying Lovers of Vitebsk, at the Royal and Derngate, Northampton, in April.
In 1st place, the heart-stopping, tragic, hilarious and exciting The Lovely Bones, at the Royal and Derngate, Northampton, in October.
Best Revival of a Play.
I saw twenty revivals, the majority of which were absolute smashers. Eight made the shortlist; here’s the top five:
In 5th place, the immaculate characterisation and brilliantly realised humour of The Merry Wives of Windsor by the RSC in Stratford in August.
In 4th place, the powerful performances and clarity of story-telling of Timon of Athens, by the RSC in Stratford in December.
In 3rd place, the brilliantly clever updating of Tartuffe by the RSC in Stratford in September.
In 2nd place, the eye-opening and redefining version of Hamlet by the RSC touring to the Royal and Derngate, Northampton, in February.
In 1st place, the fabulously funny and joyful revival of The Fantastic Follies of Mrs Rich, by the RSC in Stratford in April.
A clean sweep for the RSC is pretty amazing! However, as always, in the post-Christmas season, time to consider the turkey of the year – and my biggest disappointment was the tedious and generally pointless production of Macbeth, also by the RSC in Stratford in April.
Now we come on to our four categories specifically for the Edinburgh Fringe. The first is:
Best play – Edinburgh
We saw 20 plays in Edinburgh, and here are the top 5:
In 5th place, the individual tour-de-force of and by Alison Skilbeck in Are There More of You? (Assembly Hall)
In 4th place, another gripping solo performance in Fear No Colours’ Tonight with Donny Stixx (The Space @ Jury’s Inn)
In 3rd place, the very funny and beautifully written Gayface, written by Chet Wilson (The Space on North Bridge)
In 2nd place, the anarchic and hilarious Holy Sh*t by Jack Fairhurst (Paradise in the Vault)
In 1st place, the play that had us in stitches for the first 75% and then tears for the rest of it, Sheffield University Theatre Company’s incredible My Mate Dave Died by Mike Alexander (Greenside @ Infirmary Street)
Best Individual Performance in a Play – Edinburgh
As always, a really hard one to decide as so many Edinburgh plays are true ensemble efforts. Nevertheless, here are the top three:
In 3rd place, Wilf Walsworth for My Mate Dave Died (Greenside @ Infirmary Street)
In 2nd place, Alison Skilbeck for Are There More of You? (Assembly Hall)
In 1st place, Chris Duffy for Tonight with Donny Stixx (The Space @ Jury’s Inn)
Best stand-up comedy show – Edinburgh
Only eight shows this year gives this top three:
In 3rd place, still as funny as ever but this year eclipsed by a couple of truly brilliant shows, Spank! (Underbelly Cowgate)
In 2nd place, a comic we have seen many times before but never on fire like this, the fantastic Abigoliah Schamaun in Do You Know Who I Think I Am?! (Underbelly Cowgate)
In 1st place, someone who tickled our funnybone in a way it hadn’t been tickled before, Olaf Falafel – There’s no I in idiot (Laughing Horse @ The Pear Tree)
Best of the rest – Edinburgh
A short list of ten provides this top five, which was agony to choose, so I decided to favour new talent over more established artists:
In 5th place, the always hilarious and increasingly popular Foil Arms and Hog, Craicling (Underbelly Bristo Square)
In 4th place, the emotion-packed and fantastically musical, John Partridge – Stripped (Assembly Checkpoint)
In 3rd place, always worth getting up early for a bizarre version of Taming of the Shrew with Shakespeare for Breakfast (C Venues, Chambers Street)
In 2nd place, a brilliant comedy find from the likeable Patrick McPherson and Zac Peel – Camels (Underbelly Bristo Square)
In 1st place, throwing away all the rule books, the brilliant Garry Starr Performs Everything (Underbelly Cowgate)
This year’s Edinburgh turkey, which was so awful we had to walk out at a convenient break (along with the majority of the audience), was Hillary’s Kitchen (The Space @ Surgeon’s Hall)
Best Local Production
This would normally include the productions by the University of Northampton students, the Royal and Derngate Actors’ Company, the Youth Companies, local theatre groups and the National Theatre Connections. However, of these groups, I only saw productions by the University students, so they sweep the board!
In 5th place, the 2018-19 3rd Year Students’ production of A Christmas Carol at the Isham Dark Studio in December.
In 4th place, Ytho’s production of O,FFS that they took to Edinburgh, but which I saw at the University in October.
In 3rd place, from the Flash Festival, Blue Shift Theatre’s production of Deciding What to do with Dad.
In 2nd place, again from the Flash Festival, Open Eye Theatre’s production of Drained.
In 1st place, the 2017-18 3rd Year Students’ production of Accused at St Peter’s Church in February.
Best Performance by an Actress in a Musical.
Time to get personal. Here are the top five, they were all fantastic in their own way:
In 5th place, Sharon Rose as Eliza Hamilton in Hamilton at the Victoria palace, London, in December.
In 4th place, Alexandra Burke as Svetlana in Chess at the London Coliseum in May.
In 3rd place, Rebecca Lock as Lilli/Katherine in Kiss Me Kate at the Crucible Theatre Sheffield in January 2019.
In 2nd place, Laura Pitt-Pulford as Charity in Barnum at the Menier Chocolate Factory, London in February.
In 1st place, Caroline Quentin as the Duchess of Hareford in Me and My Girl at the Festival Theatre, Chichester in August.
Best Performance by an Actor in a Musical.
Nine performances in the shortlist, producing this top five:
In 5th place, Ash Hunter as Alexander Hamilton in Hamilton at the Victoria Palace, London, in December.
In 4th place, Killian Donnelly as Jean Valjean in Les Miserables at the Curve Theatre Leicester, in November.
In 3rd place, Tim Howar as Freddie in Chess at the London Coliseum in May.
In 2nd place, Dom Hartley-Harris as George Washington in Hamilton at the Victoria Palace, London, in December.
In 1st place, Callum Francis as Lola in Kinky Boots at the Royal and Derngate, Northampton, in September.
Best Performance by an Actress in a Play.
Fourteen in the rather long shortlist, but here’s the top five:
In 5th place, Penelope Keith as Mrs St Maugham in The Chalk Garden, at the Festival Theatre, Chichester, in June.
In 4th place, Sophie Stanton as Mrs Rich in The Fantastic Follies of Mrs Rich, at the Swan Theatre, Stratford-upon-Avon, in April.
In 3rd place, Zoe Wanamaker as Meg in The Birthday Party at the Harold Pinter Theatre, London, in February.
In 2nd place, Kathryn Turner as Timon in Timon of Athens, at the Swan Theatre, Stratford-upon-Avon in December.
In 1st place, Charlotte Beaumont as Susie in The Lovely Bones at the Royal and Derngate, Northampton, in September.
Best Performance by an Actor in a Play.
Another long shortlist, with eighteen contenders in my shortlist, but here is the top five:
In 5th place, a short appearance, but what a masterclass, Sir Antony Sher as Nicolas in One for the Road, part of Pinter One, at the Harold Pinter Theatre, London, in October.
In 4th place, Ben Whishaw as Brutus in Julius Caesar, at the Bridge Theatre, London, in March.
In 3rd place, Jude Owusu as Tamburlaine in Tamburlaine the Great, at the Swan Theatre, Stratford-upon-Avon, in September.
In 2nd place, Toby Jones as Stanley in The Birthday Party at the Harold Pinter Theatre, London, in February.
In 1st place, Paapa Essiedu as Hamlet in the RSC’s Hamlet, at the Royal and Derngate, Northampton in March.
Theatre of the Year.
For the fourth year running there’s no change in the Number one theatre but we have a new Number two! Continuing to present an extraordinary range of drama and entertainment, this year’s Theatre of the Year is the Royal and Derngate, Northampton, with RSC’s Royal Shakespeare Theatre/Swan Theatre as runner-up.
Didn’t quite exceed last year’s record number of shows seen but still managed to do quite well with 178 productions in all. Thanks to you gentle reader for continuing to read my theatre reviews. Let’s look forward to another wonderful year of theatre in 2019!