The first of my armchair reminiscences of travel in the pre-Covid times featured A is for Argentina and Buenos Aires. Next up, A is also for Australia, a country I’ve been lucky enough to visit four times. The first time was in July 1985, with a stopover in Singapore, followed by two weeks in Sydney and a few days on the way home in Perth. Personally significant, you might say, as it was on this trip that I first encountered the young Miss Duncansby who would later become Mrs Chrisparkle!
Anyway, here’s a few sights of Sydney 35 years ago.
That’s Sydney’s most iconic sight – taken from the ferry.
Nuns in a scrum was how it was described to me. I can see what they mean.
It can also provide the perfect backdrop for a moody male model shot.
All Sydney’s major sights are within a stone’s throw of each other, because it really is a city based on the water. The Harbour Bridge looks dramatic from any angle.
Here’s Mrs Macquarie’s Chair – a rocky outcrop near the Opera House carved into a chair by convicts so that Mrs Macquarie could watch the ships go by in relative comfort. All right for some, isn’t it.
Another of my favourite places on that trip was Taronga Park Zoo. The contrast between the zoo animals and the backdrop of the Sydney Cityscape is, in zoo terms, pretty hard to beat.
Even without animals, the view is breathtaking.
I was rather taken with its front entrance too.
Today, Sydney is a very modern, rat-racey city, but in 1985 it had a charming built-in sleepiness. Even though the horizon is full of skyscrapers, you never felt far away from somewhere restful.
Here’s St Mary’s Cathedral from a jaunty angle.
And the heart of Sydney’s heritage district, The Rocks.
And finally, an out-of-town shot. Here’s Wattamolla, in the Royal National Park, a stunningly beautiful lagoon which I also got to visit thirty years later!
There you go, a little taster of what Sydney looked like 35 years ago. Tomorrow it’s back to reminiscing about old shows – from 1971 and 1972. See you then!
Into the final furlong now with seven more songs that by virtue of their parentage or previous success have made it direct to the Saturday night spot without having to appeal to the midweek crowd as well. As the performance order is not yet decided I’m going to take them in alphabetical order. (I know, I’m so conventional.) Again each preview will have its own star rating and its bookmaker odds courtesy of oddschecker.com, as at 13th May. You know you want to.
Australia – Guy Sebastian – Tonight Again
Do you need me to explain why Australia is in the contest this year? Course you don’t, so let’s move on. The first time I heard this – in fact by the time I’d got to the first chorus – I said, that’s it, game over, Australia has won. Then after a few hearings, little parts of it started to annoy me; specifically the “do whatchya whatchya whatchya want” sequence, which is just some meaningless verbal equivalent to a huge clearing of the throat before the chorus starts; and – no surprise – that final “again”, which has fourteen syllables. I know. I counted them. However, everything else about it is chock full of contemporary fabulousness, and I really do think this has a strong chance of taking the grand prix to Adelaide. (OK, Germany then, because it has been decreed that they won’t host the show next year down under if they win). For all those countries who put their timid little inexperienced people in front of the massive Eurovision audience and then wonder why they crack on the night, take note. Guy Sebastian is the new Dima Bilan; he is a massive star and (according to Wikipedia so it must be right) has 51 platinum and six gold certifications, with combined album and single sales of over 3.7 million in Australia. You always knew those competitive Aussies would take it seriously. He gave a fantastic performance at the London Eurovision Party. I said hello to him in a corridor. He said hi back. Friend to the famous. 7/2 – 5/1. *****
Austria – The Makemakes – I Am Yours
Tricky one this. The host nation goes to the opposite extreme from the campness of Conchita Wurst and ends up with a soft-rock threesome who look and sound as gloomy as hell. The song trudges along without ever lifting its head above the parapet. If you think you like the tune, it’s because you’ve more or less heard it several times before over the decades performed by others. “Let it Be” written by a less talented hand; Coldplay with a cob on. I think they’ll give a good performance because they looked and sounded professional at the London party; but I can’t see this doing anything. This isn’t what people watch Eurovision for. 80/1 – 125/1. **
France – Lisa Angell – N’oubliez Pas
Hurrah for another experienced singer giving us a moving song with dignified lyrics about the effects of war and invasion, and inspired by the centenary of the First World War. Sadly I think it’s let down by a not particularly interesting tune, but I reckon Lisa will give it all she’s got. It’s written by the same nom-de-plume as Natasha St-Pier’s Je n’ai que mon âme, so that’s a pretty good pedigree. 80/1 – 200/1. ***
Germany – Ann Sophie – Black Smoke
Richmond-upon-Thames’ very own Ann Sophie sings this year’s song for Germany, Black Smoke, co-written by Ella Eyre who features on Rudimental’s 2014 BRIT award winning single Waiting All Night (I’m so trendy, me.) This is most definitely a grower, it didn’t impact me much on the first couple of hearings, but Ms Sophie’s performance at the London Party was a bit of a knock-out, and now I rather like it. It’s a song about love gone wrong, with more than its fair share of fire, flame, burning and smoke analogies. They missed a trick by not mentioning ashes. Spiky and quirky. 66/1 – 150/1. ***
Italy – Il Volo – Grande Amore
Winners of this year’s San Remo festival, this operatic boy band have been together for five years now, and have enjoyed no mean success with their three studio and two live albums, the first of which charted in several countries around Europe (and indeed in Australia) so plenty of the televoters will already know these guys. Their EP version of Grande Amore has gone double platinum in Italy too. For the first time ever, I finally like a Eurovision popera song. Normally it’s a genre that gives me a pain in the aria, but this one is a little gem. Actually the full San Remo version at nearly four minutes is a big gem, and it has suffered a little by undergoing the necessary pruning to get it into the permitted time. The song was originally written in 2003 with the hope of going to San Remo but it was shelved as the writers thought it was simply too old-fashioned. Times change. Certainly Italy’s best entry since their recent return. 3/1 – 11/4 (second favourite). *****
Spain – Edurne – Amanecer
Another stunning lady with another stunningly dramatic song. Amanacer means daybreak, but apparently it’s a song about heartbreak – I wish they’d make their mind up. Edurne is a product of the Operacion Triumfo stable, has had a few hit albums and a couple of notable singles, and is also a TV actress and presenter. When she’s not singing and acting, she’s Manchester United goalie David de Gea’s WAG. The song didn’t do much for me at first, but it’s yet another grower. Great for annoying the neighbours when singing in the shower. No tigers were harmed during the making of the video; the bloke, I’m not so sure about. 28/1 – 66/1. ****
United Kingdom – Electro Velvet – Still in Love with You
And finally we come to the UK entry. Ever since its first appearance, subtly introduced to the world by the magic of the Freeview red button, it’s been a matter of some controversy. Certainly if you were hoping for the UK to come up with a contemporary song that can hold its head up in Europe this is Not It. However, in a year where there are a number of similar sounding entries, this is the only one with a novelty sound, which I think can only help it. Many of my francophone friends rate this very highly, and having seen them sing it live twice now I can definitely confirm that they have excellent voices and give confident, fun performances. It does stick in your head, although maybe not for always the right reasons. I have a fiver bet with a friend that it will finish lower down the table than Australia. What can I say, the friend really likes this song. Alex and Bianca are a lovely friendly couple and I wish them loads of luck in Vienna. I really hated it when I first heard it – but now I like it quite a lot. Despite those terrible trite lyrics. And the be-bap-be-bap-be-bap-a-doo nonsense. 33/1 – 50/1. ****
As ever, I do a little counting up of the number of hits each song has received on the Eurovision.tv youtube channel, not that it means anything at all on previous experience. 10th – Belarus (954692)
9th – Israel (988442)
8th – Italy (1058514)
7th – Belgium (1180352)
6th – Spain (1119215)
5th – Australia (1262238)
4th – Armenia (1480922)
3rd – United Kingdom (1819826)
2nd – Azerbaijan (3499640)
1st – Russia (4108146)
Last year Conchita’s song came 2nd in this table, second and third placed Netherlands and Sweden were not in the top ten and Armenia’s fourth placed Aram MP3 came top of this table. Azerbaijan, Italy, Spain and the UK were also in the top ten of youtube views, just as they are this year. The big difference this year is the massive number of views for Polina Gagarina. Do those Russians know something we don’t?
Have a great time watching the show on May 23rd, wherever you are – at home with some crisps, at a party, or in Vienna. No doubt we’ll have some kind of post-mortem at the end of May. May the best song win!