These final six songs are already guaranteed to be there on the Saturday night without any further possibilities of elimination. As the performance order is not yet decided I’m going to take them in alphabetical order. As usual, each preview will have its own star rating and its bookmaker odds courtesy of oddschecker.com, as at 24th April. Stick with it, you know you want to.
France – Alma – Requiem
Last year France came up with an absolute smasher of a song that was far and away my favourite for 2016. Well darn me, they’ve very nearly done the same again this year, with a thoroughly entertaining treatise about the ins and outs of love delivered superbly by the bewitching Alma who captured my heart at the London Party. She saw me out of the corner of her eye, gave me a huge smile and dedicated her entire performance to me. (Well, two out of three ain’t bad.) I was uncertain about her vocals at first but she can really sell this song and it ought to do really well. The video takes the concept of dancing underneath the Eiffel Tower to a new level. 20/1 – 33/1. *****
Germany – Levina – Perfect Life
Now here’s a song that splits people. Levina redefines what constitutes a perfect life with her look at making mistakes and learning from experience. It’s a relentlessly catchy arrangement and she sings it beautifully; the only thing that maybe doesn’t quite make the grade is how the lyrics seem to end up at the same place where they started. Nevertheless, I think this is a vastly underrated song and Germany’s best entry since Cascada. 100/1. ****
Italy – Francesco Gabbani – Occidentalis Karma
If you’ve not been anywhere near Planet Eurovision over the past three months you won’t have yet encountered the source of this year’s hype, Francesco Gabbani’s San Remo-winning satirical take on how the west look to the east for some easily digestible spirituality. Ever since it won it’s been the one to beat, and Francesco’s fantastic performance at the London Party did nothing to weaken his chances. The only downside is how brutally they’ve cut the San Remo version to make it fit inside Eurovision’s stipulated three minutes; but what the eye doesn’t see the heart doesn’t grieve, and anyone hearing it for the first time on the Saturday night won’t know what they’re missing. Since the original video was posted on 9th February it’s now had more than 100 million looks which is unheard of for a Eurovision song. Unquestionably this year’s best entry; funny, dancey, uplifting, and there’s an ape. Clear favourite. 10/11 – 11/8. *****
Spain – Manel Navarro – Do It For Your Lover
Three superb songs, then along trundles Spain. Whether you think Manel won the Spanish selection by fair means or foul (foul being by far the popular vote), he made himself no friends with his reaction to the audience’s reaction (not very dignified), and Spain ends up being represented by three minutes of repetitious tedium that last a lifetime. To be fair, it starts quite promisingly, but then rapidly falls apart. Spain’s like that – for every Pastora Soler there’s a Rodolfo Chikilicuatre, and I’d estimate this as one of Spain’s worst entries of all time. When you get to my age there’s no way you can do it for your lover that frequently in so short a time. 100/1 – 200/1. *
Ukraine – O. Torvald – Time
Time is what the writers of this entry should be doing for crimes against music. O. Torvald – subversive name for a group – have a lot of energy on stage and were entertaining to watch at the London Party but the song is execrable. I don’t think we’ll be in Kyiv two years on the row. 50/1 – 125/1. *
United Kingdom – Lucie Jones – Never Give Up On You
Let’s look at the positives. Lucie is a tremendous singer and performer and was by far the best contender at the UK National Selection. She’s been touring in Rent to fantastic reviews so holding her own on that stage should be well within her grasp. The song is plaintive and heart-warming but sadly not memorable. It’ll need a good spot in the running order and fabulous staging to have the remotest chance of getting noticed. My guess is that it’ll be everyone’s 15th favourite song, so nul points (or not far off that) wouldn’t at all surprise me. 25/1 – 66/1. ***
In previous years, I’ve analysed the number of looks each song has received on Youtube’s Official Eurovision channel but there doesn’t seem much point as there’s a large discrepancy between how long some of them have been uploaded – so it doesn’t make a fair comparison. For what it’s worth my favourite is Italy, with Estonia second and France and FYR Macedonia battling it out for third.
Have a great time watching the show on May 13th, wherever you are – at home with some crisps, at a party, or in Kyiv. May the best song win!