The third play performed by the University of Northampton final year actors is Loveplay by Moira Buffini, described as two thousand years, ten scenes, thirty-two characters, one location and one essential question – what is love? – all packed into ninety minutes of hard-hitting comedy drama. Directed by Tobias Deacon, the production also credits Esther Bartholomew and Daniel Hubery as Assistant Directors, both of whom gave excellent performances in their final year plays at Northampton University back in 2018/19.
I’m not sure the play really asks the question what is love – more like an exposé of sex throughout the centuries. It starts from the slightly odd viewpoint of sticking to that one location, which enables the later stages of the play to be affected by ghosts of the past – which comes across as a bit hokey, to be honest. Nevertheless, it’s a very good play – very funny, occasionally shocking, often thought-provoking and always entertaining.
And the final year students do a cracking job of presenting us this show. The range of playlets and characters gives them the opportunity to play at least three roles each, and they seize them with terrific enthusiasm. It’s a clear and crisp presentation, impeccably and faultlessly performed, and full of amazing performances. From the start, Elle Dudley delights with her hilarious portrayal of the early sex worker Dorcas, rejecting the affronted Didi Stocker’s Marcus’ Roman coin as payment for sharing her virtue. Beautifully performed and very funny. She’s also extremely funny as the upright Miss Tilley being taken from underneath on the lap of the master of the household whilst attempting to impress him with her verses.
Elsewhere, I loved the Age of Enlightenment scene between Katiris Cooper’s Roxanne and Oliver Lawrence’s Man, where she wants to inspect his body from a scientific perspective – her ever-so-slightly naughty curiosity was brilliantly conveyed in contrast with his passive acceptance of what an educated woman might want to discover. Mr Lawrence, though, excelled in the Age of Empire scene as the decadent artist De Vere, manipulating his straight-laced friend into a compromising position – all in the cause of art of course. Ms Cooper also came back as one half of the Age of Innocence scene in another extremely funny performance as the sexual cynic Lynne, dismissing her lover – and life in general – as totally useless. Here she was accompanied by Harry Delacey in a fine performance as the sex-weary Gwyn; he had also stood out as the hilariously stagey Llewellyn in the Renaissance scene, which probably offered the most laugh-out-loud moments of the whole show.
Other performances that I particularly enjoyed included Marina Mikeilla as the petulant and posing dating hostess Anita, Rebecca Alice as the nun-with-a-secret Hilda, Georgia Siân Clarke as the assertive actress Helen, Kai Beavers’ outwitted Rev Buttermere, and Matthew Keeroy’s hard-to-please rapist Eric (yes, that’s the scene that made everyone feel uncomfortable).
P. S. The Martin Lawrence Awards are presented every year to the best actress and actor. Mrs Chrisparkle and I went into a judgely huddle and agreed to whom we would award our own Best Actress and Actor of the year. I’ve also chosen runners-up (because I can). My Silver Medals go to Robyn Isabelle Edwards (The Wolves) and Jimmy Ericson (Road); and our Top Dogs are Katiris Cooper (Loveplay) and Oliver Lawrence (Loveplay). Tremendous actors all – but so are many of the rest of these gifted casts. Well done to all!