Edinburgh Fringe 2024 Reviews – Joe Wells: Daddy Autism, Lessons on Revolution, Trawled – When Adventure Becomes Survival, One Man Poe: The Black Cat and The Raven, Pete Heat: Bogus, and Ryan Cullen: Cullen in the Name Of!

Joe Wells – Daddy Autism, PBH’s Free Fringe at the Banshee Labyrinth.

4-stars

Always a must-see on a visit to the Edinburgh Fringe, Joe Wells is back with Daddy Autism, a show inspired by both the fact that he and his wife are expecting their first baby, and that this has caused Joe to think more about his relationship with his own father, who seems to be on a one-way ticket to death. But this is in no way a morbid show! There’s some very recognisable comedy about what a nightmare a trip to the tip can be, and Joe’s dad has a very positive conclusion about the right way to deal with a situation when you don’t know the rules. A finely structured set with some first-rate callbacks; there are even a few glimpses of Joe’s old penchant for political comedy.

Lessons on Revolution, Summerhall.

4-stars

Revolutions don’t come along quite as often as buses, but arguably they are cyclical; primarily because the reasons for revolution never really go away. Sam Rees and Gabriele Uboldi meet as students who share a flat in London. They also have come up with Lessons in Revolution, an examination of the student protests in 1968, which started at the London School of Economics, and that unrest spread all around the world. There’s also a parallel account of Sam and Gab’s own situation, living in an HMO whose licence has been withdrawn because it’s not fit for habitation and is a fire hazard. Cleverly structured as a lecture rather than a play, this is an engagingly presented, entertainingly interactive production that gives us the facts behind those LSE protests and allows us to consider them and draw our own conclusions.

Trawled – When Adventure Becomes Survival, TheSpace at Venue 45.

3-stars

On a whim, Eoin Ryan signed up to work on a trawler in the Coral Sea, off Australia; having spent a lot of money enjoying the Aussie craic on a visit down under, he needed cash to fulfil his dream of flying to Peru and visiting Machu Picchu. Without any experience, but with the ability to bluff his way through an interview procedure, he ends up catching prawns on the high seas with Stu, Tom and Peter – who turn into the fishermen colleagues from hell. Tough work, bullying, the threat of violence and physical injury take him to the extremes of endurance; but he survives. Presenting his story as a one-man play, Mr Ryan expresses the sheer pain and exhaustion of his work and daily existence, and the frustrations of being imprisoned against his will. A gripping story told from personal experience; my only criticism would be that perhaps those feelings of peril, fear and agony could have been conveyed even more powerfully and viscerally.

One Man Poe: The Black Cat and The Raven, Greenside at Riddles Court.

4-stars

Stephen Smith brings his One Man Poe to the Fringe with two one-hour shows, each telling two of Poe’s most famous and eerie works. At the show we saw, he gave us his dramatization of The Black Cat and The Raven, both rivetingly performed in the darkness of Riddle’s Court Clover Studio. The Black Cat takes us into the world of an alcoholic who cannot control his anger and resentment when under the influence of drink; the family black cat bears the brunt of his villainy, but when his fury gets completely out of hand – can a cat take revenge? The Raven is one of Poe’s most famous poems, where a lover is confronted by a terrible truth: Quoth the raven, nevermore. Mr Smith commands our attention throughout and brings both life and terror to these portentous tales. Totally engrossing and unmissable, and a brilliant way of keeping Poe’s legacy alive for a new generation.

Pete Heat: Bogus, Pleasance Dome.

We all know that magic isn’t really magic… but Pete Heat makes it as near perfectly magical as possible in his new show, Bogus. A series of extraordinary tricks, using playing cards, smartphones, word games, star signs, and a cuddly toy; surely there isn’t such a thing as genuine mind reading, but if there is, then Mr H is the master of it. All presented with terrific humour by the tallest man in magic, his feats simply defy logic and understanding. Impossible to describe – you just have to see it!

Ryan Cullen: Cullen in the Name Of!, Underbelly Bristo Square.

4-stars

Ryan Cullen wastes no time trying to butter us up with some moderately nuanced jokes to start the gig; he goes straight for the jugular with topics that lesser comedians simply wouldn’t dare to consider. Delivered with amazing attack and confidence, I don’t think there’s a subject that Mr C wouldn’t touch – and, because his material is extremely funny, he gets away with it. Not for the easily offended; in fact, ideal for anyone who likes to get offended! This was our first exposure to Mr Cullen but certainly won’t be our last. Rapid, daredevilish comedy with superb and unexpectedly friendly crowd work. I loved it!

Edinburgh Fringe 2023 – Reviews – Joe Wells: King of the Autistics, 3rd Rock from the Pun: Darren Walsh, Married at First Sleight, Pina Bausch at the Playhouse with The Rite of Spring/common ground[s], and 99 Red Hot Kitties and a Cockatoo.

Joe Wells: King of the Autistics, PBH’s Free Fringe @ Banshee Labyrinth.

Joe Wells’ new show is a comedic exploration of all things autistic, including how autistics are perceived and treated, and what are the qualities that make good parents of autistics. He also tells us how he accidentally upsets a wide range of people, including listeners to his podcast and Christians; probably also people who use e-scooters, but don’t press him on that. Earlier this year he came to the decision to step down as self-styled King of the Autistics – shame, I think he should rule on! Joe always comes at comedy from a good place and leads you down unlikely alleyways to subvert your expectations. A delight as always!

4-stars

3rd Rock from the Pun: Darren Walsh, Laughing Horse @ Bar 50.

For his new show, Darren Walsh has scoured the Internet for Artificial Intelligence – and all the media he uses – video, audio, etc, has been created by AI. That doesn’t include the jokes; fortunately for Darren, AI is rubbish at making you laugh. Darren is a superb exponent of the art of the pun and will make you cringe, gasp, groan, and laugh ecstatically at a series of inventive, outrageous, or downright corny puns assembled together to explain the development and history of the Universe as seen through AI eyes. Friendly, fast, and funny!

4-stars

Married at First Sleight, Gilded Balloon Patter Hoose.

Hudson and Hudson, the married magicians, base their act on the fact that she’s quirky and cheeky and he’s a bit of a dickhead (her words). Their magic tricks are brilliant, and their mind-reading stunts are out of this world. There’s a sequence when the ghost of Cat’s late aunt comes to the stage to assist her with a couple of tricks; you come away realising that the power of suggestion is an amazing force and it is very spooky how these tricks worked so well. However, they seemed to find it difficult to establish a rapport with the audience and we never felt comfortable with, or really believed, their faux-argumentative stage personas. This may be why their jokes and humour that frame the tricks fell flat. And that’s a big shame, as you felt that the show as a whole became hard-going for them. Fortunately, the magic outweighs the laughs, but it does need to be snappier and crisper.

3-stars

 

 

The Rite of Spring / common ground[s], Pina Bausch Foundation and Ecole des Sables, Edinburgh Playhouse.

The evening starts with Common Ground[s], a two-hander choreographed and danced by Germaine Acogny – co-founder of the Ecole des Sables in Senegal – and Malou Airaudo, who had worked closely with Pina Bausch. It’s a dignified, elegant and controlled piece of choreography and dance, reflecting the many moods shared between two people over a lifetime of dance. It manages to be both supportive and light-hearted; I won’t pretend to understand all the interactions it depicts because this is essentially a private piece that offers us little insights and flashes of recognition.

After the interval – a good twenty minutes or more where the backstage team transforms the stage from its opening bareness to the peaty plains of Africa – it’s time for Pina Bausch’s stunning Rite of Spring, an extravaganza of movement and rhythm, accompanied by Stravinsky’s mesmerising music, where opposing groups of men and women come together to perform a sacrificial rite where one young girl dances herself to death. It’s an astonishingly vivid spectacle, and takes your breath away with its beauty, bravery and sheer bravado.

P. S. Don’t try to take a half-drunk bottle of water into the auditorium. Security will insist you tip it away. If they do that to ensure that you buy another one at their bar, it didn’t work with me.

P. P. S. Our performance was very nearly ruined by an arrogant, entitled git of a man who took photos and videos of Rite through almost the entire performance, despite the protestations of a) his nearby theatregoers, b) the front of house team and c) Security. I really thought there was going to be a punch-up at the end, so badly had he aggravated everyone around him. And the lesson to be learned is – don’t waste Security’s time checking for half-empty bottles of water, get them to eject antisocial audience members as soon as they become a problem.

99 Red Hot Kitties and Cockatoo, The Space @ Niddry Street.

Apparently every night is a different line up for this little burlesque show – I can only say that perhaps we went on an off-night. There were a couple of acts that were decent – a lady depicting a black widow spider who staples a black ribbon to her body, and another lady who cheers up a bad day at the office by stripping to her scanties. But on the whole it was rather underwhelming, and I have to say that some of the audience members were a little more well-oiled than was good for them.

The Edinburgh Fringe All Month Long – 18th August 2023

Let me tell you what we’ve got lined up in Edinburgh today! And it isn’t all Fringe!

Here’s the schedule for 18th August:

12.00 – Joe Wells: King of the Autistics, PBH’s Free Fringe @ Banshee Labyrinth. From the Edinburgh Fringe website:

“Rise up against your neurotypical overlords! ‘One of my favourite comics’ (Frankie Boyle). ‘Some of the most surprising and thought-provoking material coming from any comedian’ (Guardian). Over 2.5m views online for his video ‘Having a non-autistic brother’. As seen on BBC2, BBC3, C4 and Dave. **** (Chortle.co.uk). **** (BroadwayBaby.com). ***** (NeurodiverseReview.co.uk). A stand-up show about representation, role models and the fight for autistic rights.”

King of the Autistics? King of pretty much all the comedians too! Never turn down an opportunity to see Joe Wells, and make sure you get there with plenty of time!

13.45 – 3rd Rock from the Pun: Darren Walsh, Laughing Horse @ Bar 50.

“Like puns? Like space travel? Of course you do. Join Darren for an hour of silly jokes and visuals as he takes us on a journey from the origins of life to our place in the universe. The first-ever Fringe show created using AI! Please only come if you like puns. Seriously, there’s a lot of puns. Stuff like: ‘Black holes suck, big time’. That kind of thing. ‘Punbelievable!’ ***** (Mirror). Winner of Joke of the Edinburgh Fringe, Joke of Leicester Comedy Festival and the UK’s first Pun Champion.

Darren Walsh is (imho) the absolute master of the pun. This is going to be terrific!

15.40 – Married at First Sleight, Gilded Balloon Patter Hoose.

“What happens when two magicians get married? Is life full of magic surprises or do they still have petty arguments over who’s taking the bins out? Can you ever relax when your partner is constantly playing tricks on you in the middle of a boxset? Alan and Kat Hudson from Britain’s Got Talent, winner of Penn & Teller: Fool Us and star of West End’s Wonderville, join forces for the first time as a double act in a magic comedy show that could lead them to fame and fortune. Or divorce.”

I’ve heard a lot about the Hudson and Hudson double act and am really looking forward to seeing them live. If they won Penn & Teller: Fool Us then they’re going to be pretty brilliant.

19.30 – The Rite of Spring / common ground[s], Edinburgh Playhouse.

“The UK premiere of Pina Bausch’s The Rite of Spring was performed in 1978 at the International Festival. This year, it returns with the original choreography and a cast of 34 specially assembled dancers from 14 African countries. In this pioneering work, on an earth-covered stage, dancers clash and engage in a wild and poetic struggle to the music of Igor Stravinsky. Discover more about The Rite of Spring in our blog ‘What is The Rite of Spring all about?’.

To open the evening, the new work common ground[s] is performed and created by two remarkable women: Germaine Acogny, the ‘mother of contemporary African dance’ and Malou Airaudo, who has performed leading roles in many of Bausch’s early works. This is the duo’s first collaboration; a poetic and tender piece that examines their shared histories and emotional experiences.”

Very excited to see this as it will be the first time we have seen anything by Pina Bausch and she comes very highly recommended! I’m also really fond of The Rite of Spring music. This should be a terrific show.

21.55 – 99 Red Hot Kitties and Cockatoo, The Space @ Niddry Street.

“Cheeky and spirited, 99 Red Hot Kitties and a Cockatoo possesses an endearing seductiveness, with time-honoured burlesque and fan dances. Features a mix of seasoned performers and local, new, up-and-coming performers loving the skin they are in. This show is highly energetic and will leave audiences spellbound.”

Not seen much in the way of Burlesque this Fringe so far, so it’s high time that changed!

Check back later to see how we enjoyed all these shows!

The Edinburgh Fringe Full Monty (nearly) – Day 16, 20th August 2022

Another day in Edinburgh heavy on comedy!

Here’s the schedule for 20th August:

12.00 – Joe Wells: I Am Autistic, PBH’s Free Fringe @ Banshee Labyrinth. From the Edinburgh Fringe website:

“Joe is not a “person with comedy”; he’s a comedian. Nor is he a “person with autism”; he’s autistic. His video Having a Brother Who is Not Autistic went viral, with over 2 million views. Support for Frankie Boyle and Alexei Sayle. ‘Some of the most surprising and thought-provoking material coming from any comedian’ (Guardian). As seen on BBC Two’s Ouch! Storytelling Live, BBC Three’s Quickies and Dave’s Comedy Guide to Life. Writer for Have I Got News For You. A show about being proud of your weird brain.”

We first saw Joe Wells at the Fringe a few years ago on the strength of word of mouth and were blown away by his brilliant incisive observations. We never miss a chance to see him! I’m sure this will be as good as ever.

UPDATE: Always one of our favourite comedians, Joe is on fantastic form with a show that gives rise to pretty much non stop laughter, mainly about autism – and yes I know it sounds unlikely. He’s a truly gifted comedian, with a beautifully crafted set, and there’s no better way to start your Fringe day! ⭐️⭐️⭐️⭐️⭐️

14.45 – Trevor Lock’s New Show, PBH’s Free Fringe @ Bannermans.

“The UK’s number-one comedian returns to the Fringe with a brand-new show that, as usual, will probably be entirely different each day. ‘Blew me away – an absolute masterclass in comedy performance’ ***** (Scotsman). ‘The most fun you can have without taking your clothes off’ (Mirror).”

Trevor Lock is new to us, so it’s a bit of a punt but he gets good reviews, so here’s hoping!

UPDATE no 1: in a change to the advertised programme, we’re going to see Oleg Denisov, Escaped Artist, instead!

UPDATE no 2: Oleg’s a funny guy, with great material, solid, reliable delivery, and I liked how he looked the Ukrainian conflict head-on, there’s no point trying to deny or ignore it.  Plenty of good jokes that stem from being a foreigner, living overseas, trying to make a living from comedy. He’s also trying to be feminist, which creates more comic delights. Very good indeed. ⭐️⭐️⭐️⭐️

16.15 – Richard Stott: Afterparty, Underbelly Bristo Square.

“Richard Stott returns to the Fringe with a brand-new show filled with trademark storytelling and joyously acerbic one liners. The runner-up in Dave’s Jokes of the Fringe 2019 talks about stripping down for a documentary, club nights that turned into afterparties and then into crime scenes, and finally starting to grow up and beginning to like the adult he’s become. All while living with a disability… perhaps. As seen on ITV2’s Stand Up Sketch Show. ‘Definitely one to watch out for’ (BroadwayBaby.com). ‘Thoroughly enjoyable’ (Skinny). ‘Reminiscent of Jonathan Pie’ (ThreeWeeks).”

More comedy, again from someone we don’t know but again they get good reviews. You have to take a risk in Edinburgh!

UPDATE: First of all, I see absolutely no similarity between Jonathan Pie and Richard Stott! A very well structured show, where Richard is coming to terms with being in his mid-30s without being ready to accept it yet. Afterparty becomes a metaphor for those bleak years after the fun of your 20s. Likeable and easy to identify with, Richard has a good attacking style, although some of the material could do with a bit of sharpening up. Nevertheless, very enjoyable! ⭐️⭐️⭐️

18.40 – Pear, Underbelly, Cowgate.

“You have a one in 250 chance of being an identical twin, so for Hugo and Patrick McPherson, they started life by being a bit unusual. And that’s not all: 6’8″, benders of the truth, and standing at 6’7″, these enormous twins now launch their debut show, Pear. A riotous, absurd and hilarious collection of sketch comedy and wacky characters. There was originally cultural commentary; it got cut for time. But it was as brave as much as it is now not in the show. An unapologetically original hour of comedy.”

Fringe favourite Patrick McPherson, whom we’ve already seen once this Fringe, returns with his brother for a series of sketches.

UPDATE: “Are there twins in the audience, oh oh, oh oh, are there any twins in?” 🎵 🎵 I guarantee you’ll be singing that for ages.

Patrick and Hugo do an amazing double act, with a nicely structured, incredibly silly, beautifully funny show, with perfect callbacks and audience interaction. You don’t stop beaming from start to finish! Is there nothing these McPhersons can’t do?! ⭐️⭐️⭐️⭐️⭐️

21.15 – Adults Only Magic Show, Assembly George Square Studios.

“Winner of Best Magic Show and Adelaide Fringe Weeklies. Prepare to be wowed out of your seats in this jam-packed, 18+ spectacular! Featuring an array of raucous comedy, mind-bending illusions and a cheeky hint of nudity seen on stages all across the globe! The Penn & Teller of Australia! ***** (GlamAdelaide.com.au). ‘Wildly hilarious, wonderfully confident and wickedly inappropriate!’ ***** (TheatreTravels.org). ‘This duo is a force to be reckoned with!’ ***** (WeekendNotes.co.uk). ‘Magic at its finest and funniest! **** (FringeFeed, FringeWorld.com.au).”

Always up for a bit of naughty magic! This show has been going for some time but we’ve never seen it – first time for everything.

UPDATE: Sam and Justin have put together some amazing magic and framed it within this “adult only” naughty presentation, to the delight of everyone. Very funny, very naughty and very incredible! Not a clue as to how any of it was done. ⭐️⭐️⭐️⭐️⭐️

23.20 – A Shoddy Detective and the Art of Deception, The Space on North Bridge.

“A bumbling detective is called upon to uncover the mystery of a priceless stolen painting, but when he cannot solve it himself he is forced to enlist the help of an old nemesis. Together, the pair must interrogate the many characterful suspects that reside at the manor, in order to catch the conniving culprit and solve the crime of the century. A multi-roling, slapstick comedy bringing the classics of comedy to the 21st century. **** (LondonPubTheatres.com).”

From the comedy whodunit genre – let’s hope it’s more hit than miss!

UPDATE: They may call themselves Shoddy Theatre, but there’s nothing shoddy about this brilliant piece of nonsensical, physical theatre, packed with terrifically ludicrous scenes, hilarious characterisations, knockabout humour and superb stage fighting! Loved every minute of it. ⭐️⭐️⭐️⭐️⭐️

The Edinburgh Fringe One-Weeker 2019 – Joe Wells Doesn’t Want to Do Political Comedy Anymore! 20th August 2019

Our first show of the day is one of the best reasons to come to the Edinburgh Fringe – it’s Joe Wells Doesn’t Want to Do Political Comedy Anymore! at PBH’s Free Fringe @ Sneaky Pete’s, at 12:05 on Tuesday 20th. Here’s the blurb: “The news is too horrible to joke about, so Joe’s looking for a new shtick. Support for Frankie Boyle, Stephen K Amos and Alexei Sayle. Writer for BBC1’s Have I Got News for You. As seen on BBC3’s Quickies. ‘Some of the most surprising and thought-provoking material coming from any comedian’ (Guardian). ‘A genuine hidden treasure of the Fringe’ **** (Chortle.co.uk). ‘Recommended’ (Heat).”

We started catching Joe Wells at Edinburgh a few years ago as a word of mouth success, and, boy, was that word of mouth correct. If you like your comedy intelligent, incisive, and on the nose, he’s your man. Check back around 1.15 pm to see if he’s as great this year as in previous years (no pressure, Joe). By then the next preview blog should be available to read too.

Another cleverly crafted show where Joe regrets that political comedy is virtually redundant in this Trump/Johnson age, so searches deeper into his family and childhood to mine more great comic insights. Intelligent and incisive as always, and I loved the metaphor for not having labels in life. It’s not spoiling anything if I say Mrs Chrisparkle chose the can… Highly recommended!

Review – Screaming Blue Murder, Underground at the Derngate, Northampton, 12th October 2018

Another Friday night, another sold-out Screaming Blue Murder comedy club night. Last time, our genial host Dan Evans never made it to Northampton as his old jalopy gave up the ghost at Milton Keynes, and Meryl O’Rourke bravely stepped up to the mark. But lightning never strikes twice, etc, so surely he’d be there on time this week….surely…. But a 45-minute delay on the trains meant we were denied the pleasure of Dan’s company until the first interval. I dunno…. beginning to get a complex here.

Instead it fell to opening act and all-round political comedian par excellence, Joe Wells, to act as his own MC warm up before delivering his own 20-minute slot. With Mr Wells, you’re in a very safe pair of hands. We’ve seen him twice in Edinburgh, where you have to queue early to be sure of getting in, such is his word-of-mouth success. Us Northampton comedy crowds aren’t known for our fondness for political comedy, so I did wonder a little how well he would go down. I needn’t have worried. His brilliant political observations, as well as the other gems in his act were as well received as I have ever seen any Northampton audience respond to political comedy. What I love about his material, and his delivery, is the way he swipes the comedic rug from under your feet and sends you hurtling in directions you never foresaw. And hats off to Mr Wells for being complimentary about Northampton. Quite right too.

After the first interval Dan finally emerged out of the murkiness that is London Northwestern Railway to give us a slightly belated warm up. He had his hands full with front-row Angie, ebullient and no inhibitions, and they were a pretty good match for each other. There was also Architect Nick with his plans for a million-pound rugby club in Towcester. We weren’t impressed. But we were all aghast at Dan’s tale of the delay at Wolverton station being punctuated by the sight and sound of a guy opposite him in the train clipping his nails; not discreetly into a free newspaper but proudly on to the floor. We all retched.

Next up was someone we’ve also seen before a few times, Susan Murray – something of a Screaming Blue regular, this was the sixth time we’ve seen her here! She delivers a lot of great material based on accents – as she herself confesses, her Brummie voice isn’t an accent that goes skiing – and there’s a lot of mileage to be gained from her relationship with her strongly Glaswegian parents. She delivered a suitably savage put down to front-row Angie which hit home perfectly. Always very funny and quirky.

Our headline act was someone completely new to us – although he’s been on the circuit for yonks – Stefano Paolini. He truly does have a gift for accents and vocal gymnastics, and we loved his “foreign languages in British regional accents” section, as well as his reminiscences of his interview with the school careers adviser, which were every bit as useless as mine was all those years ago. And he beatboxes – but not just in a show-off way like every other beatboxer, but integrating it into comedy routines which works a treat. He brought the house down and I’d definitely look out for him in the future.

Next Screaming Blue in two weeks’ time. Two questions – will you be there? And will Dan?

The Edinburgh Fringe One-Weeker 2017 – Joe Wells: I Hope I Die Before I Start Voting Conservative, 21st August 2017

After a late night, it’s a late start on Monday morning, I mean afternoon, with the latest show by Joe Wells, Joe Wells: I Hope I Die Before I Start Voting Conservative, at Sneaky Pete’s, at 12:05 on Monday 21st. Here’s his blurb: “Received opinion says that we become more right-wing as we get older. Joe Wells (support for Frankie Boyle and Alexei Sayle) is determined to grow up without selling out. Joe’s third solo stand-up hour after the critically acclaimed Night of The Living Tories and 10 Things I Hate About UKIP. ‘Some of the most surprising and thought-provoking material coming from any comedian’ (Guardian). ‘Recommended’ (Heat). **** (BroadwayBaby.com). **** (Chortle.co.uk). Writer for Have I Got News For You (BBC One) and The Revolution Will Be Televised (BBC Three).”

We saw his 10 Things I Hate About UKIP last year which was a word-of-mouth hit and I wasn’t surprised. Mr Wells has a brilliant turn of phrase for political comedy and he often turns it back on his audience too, so left-wingers needn’t sit there all complacent either. If this is anything like last year it should be a brilliant show. Check back around 1.20pm to see how much we laughed. By then the next preview blog should be available to read too.

Once again Joe Wells has constructed a brilliant piece of comedy that turns all preconceptions on their various heads. Some fantastic notions and observations that make the hour fly by. It’s like watching a master craftsman. Simply superb.

The Edinburgh Fringe One-Weeker 2016 – 10 Things I Hate About UKIP, 27th August 2016

Sadly the production of Irons I had been hoping to see was cancelled the day before which left us with a gap to fill in our programme. Mrs Chrisparkle had noticed that 10 Things I Hate About UKIP was getting great word-of-mouth reviews and everyone said you had to get there early to be sure of a seat. So we arrived at T-Bar a good 45 minutes before it was due to start; but twenty minutes later the queue had already got longer than the venue could accommodate, and Joe Wells was regretfully turning people away. Why was it so successful? Let’s read the blurb: “Joe Wells believes that you should treat all people with love and respect, but does that include UKIP voters? Follow up to the critically acclaimed **** (Chortle.co.uk), **** (BroadwayBaby.com) debut show, Night of The Living Tories, Wells presents an hour of stand-up about trying to love people whose politics you hate. ‘Some of the most surprising and thought-provoking material coming from any comedian’ (Guardian). ‘A hidden gem of the Fringe’ (Chortle.co.uk). ‘Recommended’ (Heat Magazine). Seen supporting Alexei Sayle and Frankie Boyle, heard on BBC Radio 4 Extra. Warning: contains graphic descriptions of Nigel Farage.”

No wonder this is a word-of-mouth success. I’m always appreciative of intelligent, well thought out political comedy, and there’s loads of that to appreciate! Cunningly structured, Joe starts with the self-satisfied smugness of “I’m left wing so I’m a nice person” and self-deprecatingly gives us example after example of why he’s actually not. Really clever and funny stuff – top quality political stand-up!