Review – Screaming Blue Murder, Lola’s Bar at the Royal and Derngate, Northampton, 17th November 2024

The only constant is change, they say, and nowhere is that more obvious than in the various transformations our local treasure Screaming Blue Murder has undergone in the last few months. Now in the comfortable and atmospheric setting of Lola’s Bar, adjacent to the Royal and Derngate theatre, it’s an intimate location with top quality drinks (always helps) and a small stage area decked out like Beverley’s living room in Abigail’s Party.

However, one thing that is as constant as the northern star, and that’s the presence of Dan Evans as MC for the evening. Warmly welcoming and irrepressibly cheeky in equal measure, Dan wasted no time in digging deep into the lives and loves of John the psychotherapist from Brixworth and Dylan and Emma still in the first flushes of romance. Where would we be without him?

Our first act, and someone we always look forward to seeing, was Mary Bourke, one of the surest hands in comedy, with her blistering, sometimes dangerous, often withering delivery of her cracking observations. Hers is an act honed to perfection; what might seem to be a throwaway line is in fact an exquisitely crafted and carefully chosen selection of words designed to have the maximum impact. Among her finest material on Sunday were memories of a book festival with Liz Truss (ouch), dealing with incels and how a renowned American comic came to grief in Glasgow (it can happen). Always expect the unexpected with Mary Bourke; a terrific start to the show.

After the interval, Dan welcomed James Cook, whom we’ve seen just once before, down the end of a Zoom screen on those dark days of distanced comedy during Covid lockdown. An engaging, jolly personality, he delivers his material with warmth and confidence; and although many of his topics are perhaps rather familiar – such as being the parents of small children – his observations and fresh and original and makes you see those familiar things from a new perspective. I loved (and was indeed rather shocked) at his material about the seismic change that has affected the world of pass-the-parcel, and his home-made method of returning to the good old days of porn (that sounds iffier than it is, honest). He sets up an excellent rapport with the crowd and his set finished all too soon.

There’s one more Screaming Blue Murder this year – in December – which is currently scheduled to take place back in Screen 2 of the cinema, but hopefully the powers that be will see the wisdom of returning to Lola’s Bar for a genuine Northampton Fringe experience. And then – in 2025 – it’s back to the Royal and hopefully, the freshly reinvigorated (and hopefully now safe from RAAC) Underground space where SBM has always thrived. Can’t wait!

Review – Comedy Crate and Rock The Atic Together on a Zoom Comedy Gig – 28th February 2021

It was the fourth of the February Sunday gigs last night – which was to be the last of the series, but they’re continuing into March, so hurrah for that! Back in the driving seat was Ryan Mold,making us all welcome with some fun material about car boot sales and selling on Facebook Marketplace – I’d already concluded I’d never do that and he proved me right.

Our first act was James Cook, who admits he suffers from having a common name so that you can’t find him on social media! He was new to us and I really loved his throwaway style of delivering a punchline, which can make a joke last twice as long as you expect. Some great material about the least appropriate site for a Sea Life Centre, what a communal teddy bear can get up to at the weekends, and a wonderfully funny take on the Shamima Begum situation, which could have been iffy but was actually brilliant. Would really like to see him again “when everything gets back to normal”.

Next up was Esther Manito, whom we’ve also never seen before, and, of all the comics that we’ve seen plying their trade through the medium of zoom, she’s the one who’s absolutely nailed the technique, using the camera to great effect – most notably during her material about having sex with Matt Hancock (no, really). Some excellent comic observations, including how you can misunderstand the word Lebanese, and a terrific presence – she’s someone else we need to see again before too long.

Five acts this week (you spoil us, Mr Ambassador) and in the middle slot was Mike Cox, whom we saw in another Comedy Crate/Atic gig a couple of weeks ago. Some of his new material didn’t quite hit the mark (but that’s always the case when you try new things out, otherwise how can you find out!) but I really enjoyed his shopping at Aldi material, and how cruel a trip to Chessington World of Adventures can really be. He’s a naturally funny guy with great delivery and a strong presence – and he has great interaction skills with the audience.

Another new name to us was next, Yuriko Kotani, Japanese but based in Britain – which must be a source of great culture clash comedy. I particularly liked her observations about the differences between the nature of the Japanese and English languages, and she has a very warm and winning personality that shone through. There’s also a rather delicate use of the surreal, evidenced by her slightly bizarre material about creating dried flowers. Very enjoyable!

Our headline act was Larry Dean, whose star has been in the ascendant for some time but we haven’t seen for about seven years, and I confess when I first saw him I wasn’t certain how much I liked his material. But seven years is a long time in comedy and last night he was bright, self-deprecating, insightful and hilarious. He uses his range of accents to terrific comic effect and has such fluidity in his delivery that it just washes over you, so you bask in pure comic refreshment. Very nice material contrasting British and American elections, and also some very funny asides about his new chap. Really enjoyed his set and will look forward to seeing him again.

So, more Sunday night zoom gigs in March? I think so!