Our first time of attending a Screaming Blue Murder on a Saturday night – felt kinda weird because we’re already halfway through the weekend rather than it being a welcome curtain-raiser to those hallowed subsequent two days. Nevertheless, it was sold out yet again, and they’re still persisting on having the front two rows of the audience wrap around the comics’ podium, which has pros and cons. The pros are that there are more victims, I mean guests, for the comedians to interact with. The cons include… well, see paragraph 3.
Once again MC duties were in the capably hairy hands of Dan Evans, who had plenty to contend with in the front row. It was someone’s birthday. We never found out her real name, but she was given a card addressed to “Li’l Slut” so that became her epithet of the night. She’ll always be Li’l Slut to us. It turned out that half the front rows were part of the birthday party including a lady from Mexico who got upset (quite rightly) at the mention of Brexit. Furthermore, later we had the joy to discover Mike, hiding himself away some rows back, who sold jet skis. In Northampton. You couldn’t make it up.
Our first act, and someone we’ve seen a couple of times before, was Paul Ricketts. He has a relatively laid-back style and is most at home when he’s bouncing directly off the audience. He had plenty of entertaining material for us, including his bitter resentment of anyone younger than him, observations about Luton Airport, and the very funny Four Stages of an Eastenders Actor. But here’s a thing; for some reason, a number of the punters seated around the stage felt the need to go for a wee during his act, and the only way you can get out of the Underground to get to the toilets from those seats is to march out directly under the performer’s nose – even to the extent of walking on to the stage area and off again. The first time it was quite funny, but by the time four people had separately heard the call of nature it became distracting both for Paul and for us. Nevertheless, Paul battled on regardless and gave us a good half-hour’s worth of fun.
Next up was someone new to us although I know she’s got a show at the Leicester Comedy Festival coming up very shortly – Faye Treacy. She’s the 21st century’s answer to George Chisholm in that she presents a comedy act plus trombone. The novelty value of this alone is worth the ticket but, additionally, Faye’s musical madness is totally hysterical. Her trombone-influenced material is unbeatable; Trump’s brain music and her vegetable climax had us in stitches. The non-trombone material in between is also enjoyable, but deep down you really don’t want her to put her instrument down.
Our headliner was someone we’ve seen once before and things didn’t entirely go to plan – Dan Antopolski. It can happen to anyone. This time Dan was as sure-footed as a mountain gazelle. His is a subtle, intelligent act that isn’t crammed with one-liners, and in fact often the funniest bits are the bits he doesn’t actually say – there’s clever for you. As such, when you look back over his act, it’s very difficult to pick out moments or topics that really touched the spot; it’s not that they don’t exist – they do – but there’s something ethereal about his whole approach that makes him and his material hard to pin down. I do remember – and really enjoyed – his routine about iPhone versus Samsung; as for the rest of his set – it was excellent but I’m blowed if I can remember any of it.
Next Screaming Blue is on 14th February. Prepare for lots of Valentines jokes. I’m afraid we can’t make it. But you should!