The Agatha Christie Challenge – Destination Unknown (1954)

STOP PRESS: The Agatha Christie Challenge is now available as a book in two revised volumes – details at the end of this blog post!

In which Hilary Craven, suicidal after the loss of her child and abandoned by her husband, is offered an adventure which may prove fatal – so what has she to lose? All she has to do is impersonate the wife of a missing scientist. What could possibly go wrong? Not a whodunit as such, but more a what, why and howdunit, and, as usual, if you haven’t read the book yet, don’t worry, I promise not to reveal its main secrets!

The book is dedicated “To Anthony, who likes foreign travel as much as I do”. This Anthony is Anthony Hicks, the second husband of Christie’s daughter Rosalind. Christie was clearly very fond of her new son-in-law. In her autobiography, she writes: “I do not know what I would do without him in my life. Not only is he one of the kindest people I know – he is a most remarkable and interesting character. He has ideas. He can brighten up any dinner table by suddenly producing a “problem”. In next to no time, everyone is arguing furiously.” She also reveals that Anthony came up with the title “The Mousetrap” so she clearly owed him something! Destination Unknown was first published in the UK in five abridged instalments in John Bull magazine, in October and November 1954. In the US, the novel was first serialised in the Chicago Tribune in fifty-one parts between April and June 1955 under the title Destination X. The full book was first published in the UK by Collins Crime Club on 1st November 1954, and in the US by Dodd, Mead and Company later in 1955 under the title So Many Steps to Death.

Destination Unknown is one of those curious Christie concoctions that concentrates on espionage rather than murder. Her first attempt was a rattling good read in the form of the Man in the Brown Suit; and three years before Destination Unknown she created the sparklingly entertaining Victoria Jones in the brilliant They Came to Baghdad. In comparison with these two books – both of which contain lively and spirited female leads – Anne Bedingfield and Victoria Jones – Destination Unknown is rather a damp squib. The main problem is that Anne and Victoria are such fascinating and lively characters right from the start, full of spirit and daring and not remotely scared to take risks and be, frankly, naughty. Hilary Craven, however, is a very different kettle of fish. She starts the book as a shadow of her former self (a former self that we, obviously, never meet), and when she begins to liven up as a character, it’s only because she is pretending to be someone else. So Hilary doesn’t come across as a character in her own right until much later in the book, by which time a sense of uninterest in her has kicked in. It’s not coincidental that Destination Unknown remains one of Christie’s few books yet to be adapted into TV or film.

It’s very much a book that relies on its themes rather than its characters or, indeed, its story. Christie takes the opportunity to fantasise about how a secret Communist “paradise” might present itself; a hidden, nearly Utopian environment that has no hope of succeeding because of the controls placed on the individuals concerned by the Big Brother bosses. Much has been made of the fact that the book clearly gained inspiration from the real-life scandal of involving the defection of Italian scientist Bruno Pontecorvo from his work at the Atomic Energy Research Establishment at Harwell, to the Soviet Union. Pontecorvo’s colleague Klaus Fuchs was also arrested for espionage, imprisoned for nine years and on his release emigrated to East Germany where he continued his work as a nuclear physicist. Christie cannot conceal her own political leanings with the invention of her hidden desert laboratory, and indeed the whole structure of the book is to send Hilary into this den of iniquity and somehow reveal its secrets to the British Secret Service in a joint act of loyalty and betrayal.

In many ways this is a book of two halves. The first half sets up the story, introduces us to the characters, and Christie employs much lightness of touch to keep us entertained as we delve deeper into the story. However, once the story takes us to Morocco, and Hilary – in her disguise as Olive Betterton – has to survive in the lion’s den, it’s as though Christie takes her foot off the accelerator and we just coast to a not very interesting denouement. Yes, we do find out who is in charge of the operation, and yes we do discover who is guilty of what crimes (although it’s never clear in the first half of the book that we will eventually find these things out – Destination Unknown indeed), but the surrounding characters are too under-written and/or irrelevant for us to care.

That early lightness of touch deserves a little exploration, as it’s probably the best part of the book. The first few pages introduce us to a character who Christie calls “the man behind the desk”. Obviously some form of secret agent, his identity is deliberately kept from us. Many times Christie could give us his name, but still she gives him this deliberately mysterious identity. It’s only when Mrs Betterton arrives and wants to speak to him that Christie reveals that he has a name. “Oh, Mr Jessop, I do hope – is there any news?” But even then she next refers to him as “the man called Jessop”. You’re never really sure if it’s his real name or just a nom d’espionage. It’s very nicely done.

As the first part of the book gets underway, Christie employs her usual style of writing short chapters, or short divisions within chapters, to increase a sense of speed and urgency, of excitement and building tension – and it works extremely well. There’s an amusing sequence where we’re introduced to Mlle Jeanne Maricot, seen seated in the Hotel St Louis, alongside Miss Hetherington and Mrs Calvin Baker, both of whom have important roles to play in the story. Mlle Maricot, however, is just biding her time and planning an augmentation to her sex life. She has absolutely nothing to do with the plot, but Christie gives her her moment in the sun, shares her inner thoughts and then “with long graceful steps Mademoiselle Maricot walked out of the small salon and out of the story.” It’s a lovely, artistically detached moment where the author confides in the reader that there’s, basically, nothing to see here. We don’t entirely believe Christie and keep expecting her to pop up in surprising moments, but she doesn’t.

There’s another stylistically self-conscious moment, where Miss Hetherington is seen “at a small table against the wall eating her dinner with a Fontana book propped up in front of her”, just as the reader might well be doing precisely the same thing. She’s teasing with us! But that lightness of touch ends with the dramatic bombshell that Hilary and her companions have arrived at the Communistic desert paradise laboratory ranch – and it’s a real shame. There’s evidence from Christie’s notebooks that she was planning They Came to Baghdad and Destination Unknown at the same time – and all the good bits went into the first book, sadly.

Let’s go back and examine the character of Hilary Craven. When we first meet her, she is escaping the misery of her day to day life by taking a flight to Paris. “Out of the greyness, the coldness, the dead numb misery. Escaping to the sunshine and blue skies and a new life. She would leave all this weight behind, this dead weight of misery and frustration.” But that escape is self-delusion. A few paragraphs later: “Hilary thought, “Perhaps the plane will crash… Perhaps it will never rise off the ground, then that will be the end, that will be the solution to everything.” And when she discovers that the plane to Casablanca that she should have taken from Paris – but they couldn’t get there because of fog – crashed and the passengers were killed, her first reaction is “blinding anger […] Why wasn’t I in that plan? If I had been, it would have been all over now – I should be dead, out of it all. No more heartaches, no more misery. The people in that plane wanted to live. And I – I don’t care. Why shouldn’t it have been me?” OK, we understand that Hilary has endured a huge amount of sadness and disappointment. But to present this character as the heroine of the story is very underwhelming to the reader. Rather than feeling sorry for her, or having empathy with her situation, instead you just want her to buck up her ideas and become one of Christie’s usual jovial types. It somehow just doesn’t feel right.

Now we’ll look at some of the references in this book, starting with the locations. As well as using the big names of London, Paris, Casablanca and Fez, plus Heathrow and Beauvais airports, Christie bases Betterton’s workplace at Harwell, just like the real-life Pontecorvo and Fuchs. Harwell is, of course, a large village to the west of Didcot in Oxfordshire. In Casablanca, the Hotel St Louis, where Mlle Maricot pauses to regroup, appears to be a creation of Christie; but the Palais Djamai was a grand mansion in Fez that had been turned into a luxury hotel, and even today it’s still a notable member of the Sofitel chain of hotels. But otherwise there are surprisingly few locations mentioned in this book.

As for other references: perhaps the most vital element of the story, the book refers to the discovery of ZE Fission. This is going to come as a shock, but I’m no nuclear scientist. But a quick Google suggests that Ze is a charge originally discussed by Bohr and Wheeler in 1939. I’m going to just leave that there. Olive Betterton’s last words, on the other hand, are a little clearer to understand: “Snow, snow, beautiful snow, you slip on a lump and over you go”. Whilst there are a couple of old songs that include the lyrics “snow snow beautiful snow”, I can’t find anything that includes going over a lump. So that’s a mystery to me, unless you know better?

Here’s another quote: “le long des lauriers roses révant de douces choses” – an overheard snatch of French opera, as Christie puts it. This is the Bell Song, from Lakmé, written by Leo Delibes and premiered in 1883. And there’s another: “as a garden enclosed is my sister, my spouse” – a line remembered by Hilary – which is actually Chapter 4, Verse 12 of the Song of Solomon in the Bible. Hilary is asked if she has heard of “leucotomy” – “that’s a brain operation, isn’t it?” she replies. Indeed it is – it is the surgical cutting of white nerve fibres within the brain, especially prefrontal lobotomy, formerly used to treat mental illness. It’s another word for a lobotomy, now banned by most countries.

“I sent Hilary Craven off on a journey to a destination unknown, but it seems to me that her journey’s end is the usual one after all” concludes Jessop at the end of the book, in an allusion to Shakespeare. In Twelfth Night, Feste the clown sings “Journeys end in lovers meeting” – so you can already guess that it has a happy ending.

Regular readers will know that I like to consider any significant sums of money in Christie’s books and work out what their value would be today, just to get a feel of the range of sums that we’re looking at. However, this is not that kind of a book, and there are no sums of any significance mentioned – even though the desire for great richness is a key to the why and wherefore of the plot.

 

Now it’s time for my usual at-a-glance summary, for Destination Unknown:

Publication Details: 1954. My copy is a Fontana paperback, sixteenth impression, dated June 1976, with a price of 60p on the back cover. The cover illustration by Tom Adams shows a surreal, Dali-esque landscape with figures in the mountainous backdrop (which could evoke the Atlas Mountains), a trail of pearls – which is significant – a figure with a deathly stare (might be Adams’ impression of a leper, unsure) and some frog/toad images which I don’t understand in the slightest.

How many pages until the first death: 37 – but it really isn’t that kind of book at all.

Funny lines out of context: just one, involving Christie’s favourite “E” word.

“”God bless my soul,” ejaculated the American Ambassador.”

Memorable characters:

Again, this is where the book severely falls down. Its characters are solidly one-dimensional, acting out their roles within the structure of the book but without ever bursting into interesting or remarkable life.

Christie the Poison expert:

Again, poison plays a very minor part in one aspect of the book but it’s fairly general and I don’t think Christie had to research much to include it.

Class/social issues of the time:

As discussed earlier, much of the book concentrates on what was seen as the growing threat of Communism and Christie’s imagination creates a Communist paradise where everything in the world looks good outwardly but actually is a façade, and a society that stifles and suppresses creativity. On the surface, the scientists have everything they need to perform amazing work, but in reality they find it hard to be inspired. Even the non-scientific Hilary can sense this: “she had felt first, when introduced into the Unit, a blinding panic, a horrible feeling of imprisonment and frustration, and the fact the imprisonment was camouflaged in circumstances of luxury had somehow made is seem all the more horrible to her.”

The book starts in the Secret Service offices, so the political element of the book is there right from the beginning. Jessop says of Betterton that he had the “usual left-wing tendencies at the period when everyone had them”, revealing a dismissive attitude to socialism that’s present throughout the book. When we start to meet the other team members who will be based in the Atlas Mountains secret paradise, their politics are highly questionable. Fräulein Needheim refers to the local Berber women as “a slave race. They are useful to serve their betters, but no more.” When questioned by Hilary as to the harshness of this judgment, she goes on “I have no patience with sentimentality. There are those that rule, the few; and there are the many that serve.”

It’s not just Needheim who repels Hilary with their views. Dr Barron affirms that he could destroy a continent with the poisonous content of one little phial. “She had said to him: “But could you ever do that? Actually really do it?” And he replied, looking at her with faint surprise: “Yes. Yes of course, if it became necessary.”” She accuses Peters of wanting to destroy an old world, as a result of his declaration that “we’ve got to have World Peace, World Discipline, World Order.” And Ericsson affirms to her “we must conquer the world. Then we can rule […], we few who count. The brains. That is all that matters.”

Perhaps unsurprisingly, there are a few instances of xenophobia in this book. Miss Hetherington believes that hotels abroad should only be inhabited by the English and she gets most upset when she discovers foreigners also use them. The observations made about the members of the party flying to the Atlas Mountains are very much seen in terms of their being French, American, Norwegian, German and English. There’s also a post-war throwback regarding Miss Jennson, when Andy Peters asks “did I, or did I not, catch a hint of the Heil Hitler there?”

In what is more an observation on current social issues, I was amused that there were only six people on board the flight. It’s as though they were in their own Covid times!

It doesn’t show a great sense of empathy with mental health to suggest that going on a reckless mission where you might die is a good alternative to suicide!

Classic denouement:  No, it’s a weak fizzle. Not that there’s much to “dénoue” anyway. The brains behind the Communist camp are revealed relatively early, and the final twists in the last few pages are of comparatively low interest, and if you’re looking for an unexpected individual to be responsible for some grand deception – you’ll be disappointed.

Happy ending? I guess so – Hilary finds a reason to live, which has got to be a positive outcome. And love may be on her horizon.

Did the story ring true? From my own perspective, it’s utter balderdash and complete nonsense.

Overall satisfaction rating: Despite a pacy start and some nicely written early passages, Christie quickly gives up on the narrative and I couldn’t wait for it to end. A generous 5/10.

Thanks for reading my blog of Destination Unknown and if you’ve read it too, I’d love to know what you think. Please just add a comment in the space below. Next up in the Agatha Christie Challenge is one of my all-time favourite Christie books, Hickory Dickory Dock, and I can’t wait to get back into its tale of deception and murder within a student’s hostel community. As usual, I’ll blog my thoughts about it in a few weeks’ time. In the meantime, please read it too then we can compare notes! Happy sleuthing!

If you enjoy my Agatha Christie Challenge, did you know it is now available as a book? In two revised volumes, it contains all my observations about Christie’s books and short stories, and also includes all her plays! The perfect birthday or Christmas gift, you can buy it from Amazon – the links are here and here!

Review – The Comedy Crate back in the Garden of the Black Prince Pub, Northampton, 17th September 2020

It was only two weeks ago that we last came to the Black Prince to watch a comedy night in their back garden courtesy of The Comedy Crate. But two weeks is a long time in live comedy, so it was a delight to return for another show last night. I’m still working out whereabouts is the ideal position to sit, and, for this show we sat centrally but four tables back – and on reflection that was probably a little far from the performers for Optimum Atmosphere. Note to self: get closer next time. Still, our table was a riot, with Mrs Chrisparkle on the gluten-free beer, and Lord and Lady Prosecco together with Prinz Mark von Köln tucking into the drinks delicacies on offer from both bars. I, of course, was abstemious… ahem.

 

Our MC this week was Will Duggan, someone we’ve not seen before, but he’s a lively spark and an amiable chap who strikes up a great rapport with the crowd. He devoted his stage time largely to getting to know the people near the front, and they were the usual motley crew of out-of-work singers, retirees and apparent prison inmates (not really, I’m sure.) There was also a chap who took a couple of the acts by surprise by his incredibly boyish features despite being the grand old age of 23. Indeed, he really did look like this was way past his bedtime. Mr D kept things moving at a nice pace and set up a few cunning callbacks for the comics to pounce on later.

 

Our first act was Sarah Callaghan, who has a nicely confiding (and confident) style, letting us in to the secrets and undercurrents of her domestic life, with her close relationships with both her niece and her mother – and the wisdom of being a smoker under such circumstances. Lots of intelligent but funny family-type observations, and she’s proud to be a pessimist which creates some more good sequences. She has her own take on the #metoo movement, and I very much enjoyed her parting material about flying over the Grand Canyon. We’ve seen her a couple of times before including in Edinburgh where she mixed comedy with poetry – very successfully. Perhaps she didn’t think Northampton to cope with poetry! Anyway, her act was very enjoyable and nicely paving the way for what was to come.

 

Second up was the brilliant Bobby Mair; we’d seen him at a Screaming Blue Murder three years ago. And although his characterisation is the same – that of your friendly local psychopath who can be trusted to say the wrong thing if at all possible – I’m pretty sure it was all fresh new material and absolutely top quality stuff. I particularly relished his routines about mental health – a subject matter on which many comics might teeter perilously – but he totally smashed it. One member of the audience suggested that we all have some mental illness, which was the cue for him to do a perfect putdown using a brilliant analogy. I loved his observations about narcissists and Trump (yes, the two in the same breath) – and I didn’t want him to stop. Fantastic.

 

Our headline act was the sublime Paul Sinha, whom we’ve seen a few times before, and was indeed the recipient of the Chrisparkle Award for Best Screaming Blue Murder Stand-up for both 2010 and 2012. Ever since he’s been a big name on TV’s The Chase, he’s referred to the show as part of his act to some extent, and so he did this time too. However, you could say that a lot has happened in his life over the past few years – including getting married and being diagnosed with Parkinson’s – and he’s come up with a very creative way of funnelling all that personal material into the act; by telling the story of the past few years by means of verse and (occasional) song. If the prospect of that might make you cringe a little, rest assured it works superbly. It’s such a deftly-written and structured routine, full of wonderful side cultural references, with the full range of modern day heroes from Priti Patel to Gemma Collins (I use the word heroes inadvisably on purpose) – and we all absolutely loved it. Full of hilarity but also full of pathos – an irresistible combination. After it was all over, we left the venue on a warm mental comedy high.

 

One more Comedy Crate night at the Black Prince coming up on 8th October, including the Noise Next Door whom we saw at the Leicester Comedy Festival last year and are incredible. You have to come too!

Review – The Comedy Crate at the Black Prince Northampton – again, 3rd September 2020

As this wonderful year whirls its merry way into September, a few more live events continue to emerge from the mist. Hurrah that this includes the second visit of The Comedy Crate team to the extensive back garden at the Black Prince pub in Northampton, for another night of comedy. This time Mrs Chrisparkle and I were not only accompanied by Lord and Lady Prosecco, together with heir to the Prosecco estate, Prinz Mark von Köln, but also our friend Dr Eurovision (one of our few friends to have their own nickname and not one supplied by me!) Fortunately the rain decided to give us a break but in any case we would have been protected by that big marquee so your only chance of getting wet is queueing for a beer or a Sauvignon Blanc.

 

Things started a little late as, by 7pm, scheduled kick-off time, our headline act hadn’t actually left home yet – a mere 90 miles away. Therefore we had a couple of changes, but comedy thrives on the seat of its pants! Our MC for the evening was the irrepressible Archie Maddocks, whom we’ve seen three times before doing spots at the Edinburgh Fringe (ah, Edinburgh Fringe… Où sont les neiges d’antan?) and he’s always terrific fun. He sparked off the punters in the tables closest to the stage (I say stage, I mean patch of grass) and over the course of the evening kept us entertained with his quirky observations including how he resents sharing his name with a member of the Royal Family, the behaviour of his elderly grandad, and a wonderful new take on Toy Story.

 

Our first act was Lindsey Santoro, a new name to us, a Birmingham lass with pink hair and no inhibitions. She brims with confidence as she regales us with some terrific material, mainly about sex, including a brilliant physical performance of shenanigans in a jacuzzi. Very very funny and she got the evening off to a cracking start.

 

Next up, and in a change to the advertised programme, was local comic hero Ben Briggs, whom we last saw a few months ago at the Leicester Comedy Festival (let’s hope that comes back next year but I remain doubtful at the moment!) Coaxed back to perform for us with just an hour’s notice, he admitted he was completely unprepared but his natural sense of performance and back catalogue of brilliant material still provided a very funny set of tough-delivered, heavily ironic and biting comedy. He’s in his element when bantering with the crowd and did a terrific job.

 

Our headline act was Tom Binns, in his alter ego as Hospital DJ supremo Ivan Brackenbury. Although he’s been around for a while and has had a number of TV appearances, we’ve never seen either Mr Binns or Mr Brackenbury before – our bad. He had us in riots of laughter from the very start with his appalling tactless mix of revealing the patients’ embarrassing conditions and then playing a totally inappropriate record for them. But it’s a much more clever – and funny – act than those bare bones might suggest. Like the ghastly love child of Timmy Mallett and Jonathan King, Brackenbury is a brilliant comic creation – totally convincing, terrifically creative, and more excruciating than Matt Hancock defending Tony Abbott. I didn’t want him to stop.

We all had a marvellous time, and, guess what, there’s another one in two weeks headed by the magnificent Paul Sinha. See you there!

Lockdown Armchair Travel – Latvia – A December Weekend in Riga, 2006

L is for Latvia and a weekend in Riga in December 2006 to celebrate Mrs Chrisparkle’s birthday. My overriding memory of Riga in December is that it was TOTALLY UTTERLY COMPLETELY FREEZING COLD – in fact, I’ve never felt that level of cold before or afterwards. Apart from that it was a fascinating mix of the Western and the Soviet, set in a beautiful old town that is small and delightfully compact, to walk around easily. I don’t have that many photos from that weekend but I hope this gives you a flavour of what it was like.

So what do you think of, when you think of Riga? I’ll always think of this….

Snow in RigaSnow everywhere! It’s a beautiful, stately city. Perhaps its most impressive sight is the House of the Blackheads, which isn’t anything to do with poor facial hygiene, but a 14th century guildhall for unmarried merchants, shipowners, and foreigners in Riga.

House of the BlackheadsMore modern buildings include the Freedom Monument, constructed to honour the soldiers who died in the Latvian War of Independence (1918-1920)

Freedom Monumentand the Rainis Monument, commemorating the Latvian poet – and yes he does look like Lenin,

RainisRiga has plenty of attractive bridges over the river Daugava

Bridge over riverPlus generous open spaces

Open spacelike this area beside the one of the many ornate churches. There are also stunning views from the top of St Peter’s Church

View of the cityIn many directions!

More viewsAs it was near Christmas, they had a lovely Christmas market too!

Thanks for joining me on this little travelogue. Stay safe!

The Paul Berna Challenge – The Knights of King Midas (1958)

In which we meet Charloun and his gang, who try to raise money in any way they can to support elderly people who had lost their homes in a fire; and at the same time become a thorn in the flesh of the greedy Town Clerk Monsieur Amoretti!

The Knights of King Midas was first published in 1958 by G. P. Rouge et Or under its original French title Millionnaires en herbe, which translates literally as Millionaires in Grass, with illustrations by Brian Wildsmith. Wildsmith is considered one of the great children’s books Illustrators, winning the 1962 Kate Greenaway Award for British Children’s Book Illustration; he lived from 1930 to 2016. As “The Knights of King Midas”, the book was first published in the UK by The Bodley Head in 1961, and by Puffin Books in 1964. Like the previous Puffin editions, it was translated by John Buchanan-Brown. My own copy of the book is the first Puffin edition, printed in 1964, bearing the price 3/6.

In the first two books we met Gaby and his gang; and in Magpie Corner we met Frederick; older, and more of a loner. The Knights of King Midas introduces us to another bunch of French ragamuffins, Charloun and his gang, living in the more glamorous town of Port-Biou, set in the French Riviera; Berna gently mocks the children’s Provençal accents when he notes they pronounce Coucoulin’s name as Coucouleeen. There is no such place as Port-Biou but it obviously borrows from Port-Bou on the Pyrenean coast; at one stage Berna places it as between Marseilles and Menton, and he also points out that fish caught at Port-Biou are sent to the hotels of Bandol and Sanary, two coastal resorts between Marseilles and Toulon.

Whereas Berna’s earlier books were set against either the grim and poverty-stricken Louvigny, or the manual labour of a petrol station, this book opens with a bucolic theme – stag-hunting; although that’s no less hard work, and provides an excuse for the gang to rush about noisily imitating hounds. But this rural environment feels much more positive than his previous urban settings. At first, the children’s apparent bloodlust about the stag seems cruel to our modern eyes (but then, children are cruel!) with the enjoyment of cornering the animal (“the brute”) and endangering its life (“he’s making straight for the rocks on the Pointe. What a joke if he goes over the edge!”) But once we realise they’re trailing a donkey, and have been for the past ten months, and they always make sure the donkey is safe and unharmed after their games, suddenly they seem much more childlike and playful.

There are eleven members in Charloun’s gang, plus the twelfth; unseen, in the form of the famous Mistral wind, that occasionally helps them. It’s a sign of the times that the children can take advantage of the countryside setting to decorate their boat with wildflowers picked from an island. Today, of course, that would be totally unacceptable – we’re always told not to pick the flowers! But in 1958 things were different, and there was no shortage of wildflowers. The open-air countryside aspect of this book extends out into the water too. The third chapter contains a thrilling but also strangely restful description of a fishing trip out in a boat, the boys relaxing on board until a fish bites then it’s full activity until it’s caught.

There is an fascinating portrayal of the rough (although loving) corporal punishment handed out in those days. For example, we see Amoretti attempt to kick Charloun in the seat of his pants. Wouldn’t be allowed today, of course! When she saw his dirty shorts, Angel’s mother “rewarded his carelessness with a sound slap”. Such was parenting in the late 50s. Mlle Blanc is fond of her schoolchildren and exercises her discipline in more subtle ways. Berna describes the gang thus: “the eleven of them shared a birthright which meant more in her [Mlle Blanc’s] eyes than all the virtues – whatever happened, they were never bored.”

As usual, Berna gets to the heart of what it’s like to be a member of a gang. Mlle Blanc understands that for the gang to bond together firmly, they need to have an enemy. It had been Piston the donkey – it was to become Amoretti. In this book we also see what it’s like to be on the outside of a gang: “Mademoiselle Blanc was only sorry to see how closed Charloun and his friends kept their small circle. Doudou had been expelled for cowardice two months before and they had kept their number at the awkward figure of eleven. Mademoiselle Blanc had a twelfth up her sleeve – Philippe Vial, who was bored to death because no one would have anything to do with him.” It’s a class-based decision to exclude him from their gang; he’s seen as a posh Parisian, a firm outsider, and they want nothing to do with him.

There’s also a horrendous undercurrent of sexism; when the gang decide which six of their number will be part of the Blue Danube crew, they choose “the two prettiest girls”. Ah well – as Maurice Chevalier would have said, thank heavens for little girls. When Charloun is considering which members of the gang have contributed the most towards acquiring the funds, he doesn’t count the girls. “The girls had had bright ideas and they had helped in a thousand different ways, but they were not so free as the boys to pull off the big bits of business and so that sort of thing could not be expected of them.”

Nevertheless, this is a charming book of true altruism. The children use their skills as gang members, both collectively and individually, to raise as much money as they can in order to help people less fortunate than themselves. None of them holds back, none keeps their resources to themself, none puts their own fortune above the others. As Philippe’s grandfather lawyer observes: “the children concerned combine healthy common sense with a lunatic logic. They’ve understood that you should never take anything, or give anything, without putting in a little of the small change of life which no one can see but which gives things their real worth – loving kindness.”

By so doing, they also defeat Amoretti, a somewhat pantomime villain character, who embodies greed and bullying. Like Gaby’s gang in the first two books, this is a gang that you, the reader, would really like to join. All the way through, the children benefit from the kindness and the wisdom of Mademoiselle Blanc, who subtly guides them to success, and who, too, is a beneficiary of the children’s experiences, appreciating their generosity and joining in with their innocent happiness, which you sense will nourish both her and them in the years to come.

As usual, Berna – through his translator – can sometimes come up with some beautiful lines. I loved the description of the sea at the beginning of Chapter Three, where Pastourelle and Cadusse are fondly and reflectively looking out at the water. “In the distance, the sleepy sea was streaked with glittering points of light that slowly snaked its surface as the current moved them. At regular intervals a gentle swell would lift the fifty boats moored to the jetty and would die away with a cool plop against the harbour wall.” It’s a description that appeals both to your sight and your hearing.

In Berna’s first two books, poverty was tangible in both the gang and their local environment. In Magpie Corner, there was much more money around, but it was derived from hard work and crime. In The Knights of King Midas, things are much more relaxed. “Port-Biou was paradise enough, and, rich or poor, the children did not worry about money”. The Vial family are particularly comfortable and well-off, and fortunately, innately generous. The local traders are happy to pay for a good fish supply, for example; the regatta, the quiz show, the scrap merchant are all wealthy sources that the children can easily tap into. Perhaps this level of creature comfort – albeit that some of the parents have to scrimp and save to get by – enables the children to be altruistic and generous. They don’t need the resources for themselves. This book also has less micky-taking, name-calling, cruel nicknaming than Berna’s earlier works. If there was one attribute that marks this book out, it’s probably simple kindness.

As in all of Berna’s books that we’ve looked at so far, the memory of the Second World War still lingers on in the environment. When Angel gets a dirty bottom from sitting on his stone on the beach, the dirt turns out to be rust because his stone is the top of a 12-ton cupola from the wrecked USS Massachusetts, bombarded on the day of the Allied Landings.

For a book with a number of subtle nuances – for example, the suggestion of a growing relationship between Philippe and Miqué, which Charloun simply can’t see, and which is never further touched on – there are admittedly some very clunky plot developments, no more extraordinary than Philippe’s unexpected success on a TV quiz show – although Angel’s discovery of valuable wreckage on a beach also takes the biscuit. Perhaps you have to suspend disbelief in this book more than in Berna’s previous books; but it’s written in such a winning style that you’re prepared to give him the benefit of the doubt all the way through.

Here’s my chapter by chapter synopsis of the book. If you haven’t read the book yet and don’t want to see any spoilers, here’s where you have to stop reading!

Chapter One – Big Game. Berna introduces us to the gang. Charloun, Rigolo and Miqué are going off to follow the stag; en route they meet Norine, Angel, Titin, Sandrine and Frisquet. Rouqui, Coucoulin and Rosette are missing, but Charloun expects they will join them on the stag hunt. The younger members pretend to be hounds, barking excitedly, whilst Charloun takes charge with his hunting horn, calling the pack to order. It soon emerges that it’s not a stag they’re hunting, but Piston the donkey.

Having lost the trail, a twelve-year-old boy emerges from the pinewood where the gang had located Piston. He wanders over to where Piston was standing munching a branch of wood and starts talking to the donkey. At that moment, the Mistral howls up the road and frightens Piston, so that he charges at the boy; but the boy is too quick and makes his escape. The noise this produced alerts Miqué and her make-believe hounds to resume the hunt.

But events get the better of them. Coucoulin notices a trickle of grey smoke come puffing out from the bushes. Boldly, Rigolo, Sandrine and Rouqui join him to beat out the fire with their cudgels but it’s too much for them. Charloun gives the order to “run to the shanties” and “warn the Mohicans”, but they’re too late. The fire had already engulfed the first shanty, the Pastourelles’, and all the shanty residents had rushed outside with a few possessions, trying to put out the flames with a small supply of water – and the children help in this endeavour.

Eventually three firemen arrive from Port-Biou but there isn’t much left for them to save. Unfortunately, town clerk Monsieur Amoretti overhears Madame Escoffier, one of the shanty residents, accuse the children of having caused the fire by their games. Amoretti cuffs Charloun in punishment. But it’s Miqué who realises the seriousness of this accusation and runs off to tell Mademoiselle Blanc, the schoolmistress; and the two of them go off to tackle Amoretti.

Chapter Two – The Mohicans’ Encampment. On her arrival Mlle Blanc wastes no time in establishing the innocence of the children, and accuses Amoretti of making up the story about the children causing the fire – she tells him that if he won’t stop accusing the children, she’ll accuse him in public – which would be believed because he’s always wanted to get rid of the shanty houses, home to the Mohicans – so called, because it sounds like La Mouilllecanne, the name of a little reeded-up local estuary. The firemen go into the burnt-out forest but there’s no sign of Piston, dead or alive. Charloun wants to give Amoretti a piece of his mind but Mlle Blanc talks him out of it.

Fifteen elderly people, now homeless, gather outside the Escoffiers’ cottage – the one house not destroyed. Amoretti pretends to be sympathetic – although for years there had been interest in converting the land to a holiday park or to preserve the fishing village. M. Cardusse blames Amoretti and the council for not clearing the land properly – they were powerless to protect it against the fierce Mistral. Their only hope is temporary accommodation at the schoolhouse until Casteran, the builder, can construct something for them. Charloun suspects there’ll be a back-hander in it for Amoretti.

Charloun discovers that Miqué thought she saw an additional person in the forest – presumably the boy described in the first chapter. But that’s nothing to worry about now – the main thing is for them to do all they can to help the Mohicans. Charloun orders everyone to empty their pockets – and between them they can muster five hundred and sixty francs, “barely enough to buy a small joint of beef! How much poorer can you get!” sighs Charloun. But what’s his plan? To support the Mohicans in a financial fight against Amoretti and the Council – even though many of the gang didn’t really believe they could achieve anything.

And we learn about Philippe Vial – a boy at school who’s clearly not a gang member, and is undoubtedly the boy who was also lurking in the forest when the fire started. He’s been ostracised because he is a posh outsider from Paris, and not very talkative. His mother tells him that the Mohicans’ land is ripe for development. “Philippe was appalled. He did not grasp it at all, but the fire, which had started by being rather a joke, now swelled to the size of a disaster.” Does that mean Philippe started the fire?

As the family walk around the shanties, which have been haphazardly re-erected with the help of some kindly folk, Monsieur Vial explains the history of the encampment, how it was let on a peppercorn rent, but how it’s now much more valuable and a grand hotel – The Residence, Port-Biou – has already been designed – by M. Vial himself. Amoretti and the Council will be ready to pounce. As Philippe discovers more and more how vulnerable the pensioners now are, he becomes very quiet and guiltily furtive.

Chapter Three – Rouqui’s Bouillabaisse. Pastourelle and Cadusse gaze out across the sea and regret that they may have to move away – they’ll miss this fantastic sight. Rouqui and Frisquet ask Pastourelle if they can take his boat – the Lion des Mers – out into the water to catch some fish. At first it looked as though they wouldn’t be lucky, but then the boys landed a bass, “a luxury piece” according to Rouqui. More fish are caught – perch, wrasse, dorado, even a sea-scorpion. All the ingredients for a perfect bouillabaisse.

Meanwhile Charloun and other gang members stage a public conversation, alerting eavesdroppers to the fact that there would be a splendid bouillabaisse at the Admiral hotel tonight. It has the desired effect; several unexpected table bookings result in the chef panicking. Lo and behold, Rouqui and Frisquet turn up at the hotel with two baskets of freshly caught fish and a demand for 5,000 francs. The chef reluctantly agrees this high price, and the boys are ecstatic. That’s the first lot of money to donate to the Mohicans.

7,850 francs is the total for the day; however, it’s a long way from the million francs that Charloun has worked out is needed to save the Mohicans from the workhouse. Coucoulin carelessly confesses that he has a valuable stamp in his collection – worth 80,000 francs. Sell it! cry the gang members but Coucoulin has other ideas.

Amoretti is unnerved by the sight of the gang, walking near the shanties. Could they ruin his plan to acquire the land?

Chapter Four – The British Guiana Two Cents, Green. Mlle Blanc is impressed with the children’s efforts to raise a million francs, although she cannot believe they will achieve it. Poor Coucoulin has become the target of a series of mental bullying tactics to try to get him to sell the stamp; but he’s as obstinate as Piston. However, when his sister prays that he sells the stamp, he gives in, saying that he will use the proceeds to buy real estate.

Coucoulin offers the stamp to M. Bodin, the dealer. He’s very impressed with the stamp and offers him the choice of 90,000 francs for it, or exchanging it for 120,000 francs worth of other stamps – even 130,000 francs’ worth. A very generous offer that stops Coucoulin in his tracks. But Coucoulin insists on the cash, and just as Bodin is slowly counting it out, Coucoulin’s grandfather, Toussaint, takes the cash from under his nose. Hysterical, Coucoulin shames Toussaint into giving him back the money.

True to his word, Coucoulin brings the money to Charloun and the rest of the gang, who celebrate wildly. With so much cash now collected, the gang decide to take turns to guard it carefully. Frisquet suggests that they give themselves a name – and they go with Coucoulin’s suggestion of the Order of the Knights of King Midas – owing to the gang’s golden touch.

The chapter ends with a dramatic confrontation between Miqué and Philippe; her virtually accusing him of starting the fire, him neither denying nor admitting it, but suspecting that it would be through Miqué that he might become accepted by the gang.

Chapter Five – The Gondoliers of the Blue Danube.  News of the Order started to spread like wildfire, and quickly Charloun and the gang members were teased by the adults of Port-Biou as Knights and Millionaires. Their next plan was to win the prize in regatta race in Bandol, and Charloun gave the Yacht Club Commodore the crew name, The Gondoliers of the Blue Danube. However, M. Pastourelle won’t lend the gang the use of his rowing boat – the distance is too far and the whole project is too dangerous.

However, Rigolo’s father is the local boat-builder, and knows of a few ownerless craft that the gang could use. All that was left was for them to find gondoliers’ costumes and to make the Saint-Anatole boat presentable. But the gang couldn’t compete with the rich boat owners of Bandol. Mlle Blanc suggests they decorate the boat with flowers – picked by their own hands. So Rouqui and Frisquet take the Lion des Mers out to the Ile de Biou and discover plenty of beautiful blue delphiniums that will recreate the “Blue Danube” look.

Charloun and Rigolo were to be navigator and engineer, together with the two prettiest girls, Miqué and Sandrine, and the two youngest gang members, Norine and Angel. First the boys constructed some wooden shapes to fix to the boat so that it looks like a gondola. The others decide to pick the flowers at the very last moment so that they look as fresh as possible. They get a great haul late at night, and Miqué spends the whole time silently gazing and reflecting. “I’ll never ever see anything so lovely” she sighs; and Charloun misunderstands her because he is a boy without a developed sense of empathy.

Mlle Blanc is accompanied by Philippe Vial as they watch the blue boat coasting into place. With the crew members dressed in white, the boat is a true picture. And despite stiff competition from more luxury and richly appointed craft, the 100,000 francs prize was awarded to the Gondoliers. No one can believe it, least of all the children. And as the Saint-Anatole journeyed back to Port-Biou, the sea became awash with blue delphiniums.

Chapter Six – The Troubadours of Queen Joan.  As Amoretti was reading about the children’s success in the local newspaper, Mlle Blanc had cashed the 100,000 franc cheque and had given the cash to the children. The bag that contains the loot is getting bigger all the time, and she warns them about keeping the money like that, but having a growing pile of cash is all part of the fun for the children. Amoretti wants to find out how the children are spending the money but he can’t find anything out; but the children learn that they must be careful with the money.

Meanwhile Mlle Blanc is still encouraging the gang members to allow Philippe to join them. He’d be an asset, she is sure; and would help to bring more money into the fund. Miqué alone had seen him at the site of the fire, and had never breathed a word to anyone. But now she saw the time was right to question him: ““First tell me who set fire to the pine wood”, she said abruptly, “and then we’ll see.” Philippe took his chance, while he had it. With Mademoiselle Blanc to back him up he was sure he could win her over. “I’d like to. But promise to keep it to yourself. No one will believe it but…” “All right.” Philippe put a friendly arm around Miqué’s shoulder and whispered something in her ear. Mademoiselle Blanc looked away. A broad grin spread slowly over Miqué’s face. She was thirteen, Philippe a few months older, and it was natural that she should see the funny side even of a disaster. When Philippe finished, she was doubled up with laughter that brought tears to her eyes.””

Philippe tells Miqué that a film company is making a movie in nearby La Cadière and are looking for extras – they need a boy and they pay well. Quick as a flash Miqué rushes off to tell the others. Rigolo cycles off to get the advert and the gang realise the best person for the job is Titin. Titin’s not so sure though, especially as the advert describes the role as donkey boy. Nevertheless, the next morning Titin approaches Piston’s owner, M. Mazet, to ask if he can borrow his donkey. Mazet has no objections – but Piston probably won’t like it. However, Titin treats Piston so gently that the donkey obliges him with a gentle obedience, and much to M. Mazet’s surprise, Piston walks to La Cadière with Titin on his back.

Just before their destination they chance upon a huge number of donkeys and boys, all hoping to be chosen for the role. Piston doesn’t like that one bit and charges into the crowd, demanding that the rest of the pay attention to him. The director is instantly taken with Titin and Piston and gives them the role. Titin delivers his words perfectly, but just before the actress playing the Queen can reply, Piston lets out a mighty bray and everyone falls apart laughing – except the Queen, who is furious at being upstaged by a donkey. But the scene works, the writer writes the braying into his script and the Queen has to take her cue from Piston. The scene takes three days to shoot and Titin is paid 2875 francs an hour – 70,000 francs in all.

Chapter Seven – The Treasure Vanishes. On a lovely day, Rouqui is catching fish, and Sandrine and Miqué are chatting with Mlle Blanc. Miqué is looking after the money, and her bag, which is blue, contains 295,000 francs. When Charloun tallies up the income for the day – only 800 francs – he asks Miqué for the bag so he can add the new cash to the rest. But, horror of horrors, the girl realises she has left her bag somewhere. Devastated, she bursts into tears. Charloun is furious. He jumps on Rigolo’s bike and heads towards the bench in front of the Café Vieux which is where she must have left it. He returns, dejected, without the money. The bag wasn’t there and M. Vieux had seen nothing.

The children split up to hunt for the bag – but no luck. Charloun thinks their only hope is that someone has taken the bag to lost property at the town hall – but that would alert Amoretti and that could be disastrous. Angel goes off to ask. Strangely, Miqué seems calm – with almost a smile on her lips. When Angel gets to the lost property office he’s deliberately vague but Amoretti is highly suspicious – if there’s money in the bag, there is an implication that Angel must have stolen it. But they go through every blue item in the lost property office and Angel insists that it isn’t any of them. Once Angel has gone, Amoretti gives orders to the local policeman Garidan and Cucq to search the village for a blue bag. He wants to get to the money first.

However, to the rescue comes Philippe. Despite being told in no uncertain terms that he wasn’t welcome, he reveals that he found the bag and couldn’t let anyone know about it earlier because his family had visitors and he couldn’t leave. He hadn’t touched a penny of the contents – and the gang members are enormously relieved! But what are they to do about Philippe? Should he now become a gang member? They put it to a vote – and it’s almost unanimous that he should join. And, after allowing them to waste a lot of time, they let the two policemen know that the missing bag has been found – but not without some teasing!

Chapter Eight – Big Business. The gang realise that their growing wealth has relied on some lucky breaks. Where will the next lucky break come from? One day Angel wore his best clean white shorts, and when he got home, the seat was absolutely filthy – enough for his mother to give him a slap (wouldn’t be allowed today!) The next time he wears those shorts, they’re covered with rust stains again – and this time she “smacked him on the spot”. Mme Despardieu complains to Charloun but he can’t understand how Angel is getting his shorts dirty.

Charloun and Rigolo determine to get to the bottom of the cause; and they quickly discover that it’s because Angel sits on a particular stone outside the emplacement where the gang usually meet. Rigolo investigates the stone further and discovers something potentially precious. They cover the stone with sand and the next day ask Mlle Blanc for some advice. She thinks they might have a right to ownership, but it needs to be discussed with the Harbour Board – and Rigolo’s father used to work for them at the time of the invasion. Investigations continue; M. Cabbasole and Mlle Blanc engage a lawyer to draw up a legal statement.

Charloun and Rigolo were nowhere to be seen during the Bastille Day celebrations; but just as Amoretti was congratulating himself on a nice profit from the firework display, the boys surprise him with possible information about a treasure trove. Only enough information to infuriate him of course! With Cucq on their trail, they return to dangle more information in front of Amoretti – and then turn and flee at the last moment.

Finally they tell Amoretti what they have discovered – the twelve ton steel cupola salvaged from the USS Massachusetts bombarded by the Germans on the day of the Allied Landings. Amoretti is determined that he should not have to share the value with the children – but they’ve already instructed the scrap merchant Cabassole to act for them. And their share of the loot turns out to be 405,000 francs. Charloun concludes that they have ten days left to raise 300,000 francs – and it’s only Philippe who hasn’t pulled his weight yet.

Chapter Nine – Double and Quits.  The days march on, and the gang continue to raise what money they can from odd jobs, fishing and the like. They target their efforts on a grand jumble sale but, although it raises 30,000 francs, it’s not enough. At 250,000 francs short, Miqué has the bright idea to approach the contractor to see if they can knock something off the quotation for the work.

Meanwhile, much to everyone’s surprise, Philippe turns up – on a TV quiz show! And the top prize is – a million francs. The gang all watch as one by one all Philippe’s opponents are eliminated, owing to his extraordinary general knowledge and maths ability. He wins 512,000 francs – and then is asked if he’s like to double it to 1,024,000. The gang is on tenterhooks whilst he decides – and he chooses to double! But Philippe doesn’t let them down – and is the proud winner of over a million francs.

Chapter Ten – Sprung up like Mushrooms. The gang arrive at M. Casteran’s office with all the money to instruct Casteran to build the properties for the Mohicans to move into. But he cannot do it until the end of August – and this is not quick enough to save the Mohicans from the meanness of Amoretti. However, he is moved by little Norine’s gift of three francs and does his best to order the immediate construction of bungalows for the Mohicans.

At 8pm Casteran’s men move in to start the construction work. Pastourelle can’t fathom how they were instructed or who’s going to pay for it. Casteran tells them it’s being taken care of; and only then do the gang fully appreciate the extent of their achievement. Overnight all the new bungalows are erected, and the Mohicans are free to move into their new accommodation.

But no one tells Amoretti! He wakes up the next morning, thrilled that he will finally be able to take possession of the Mohicans’ land. Arriving with his policemen in tow, he cannot believe his eyes when he gets there. Left looking both foolish and tricked, Amoretti’s plans have come to nothing.

The spare money from the fund is divided out among the Mohicans, save for a little reserve that Mlle Blanc uses to host a huge celebratory meal and party. And Philippe is able to reveal the identity of who it was that started the fire – Piston! He had stolen a charred branch from a bonfire that some locals had used to cook fish – and he had walked it back in his mouth and the burning end had set light to the shanties.

The book ends with Mlle Blanc in a reflective mood. “Her joy was tinged with sadness. Charloun, mad as he was, had held to his word and had won through; now it was all over so soon! As Miqué had said one evening not long ago, “I shall never, ever see anything so lovely.” In those simple words she had given expression to the everlasting discontent of those who seek perfection, the wish of children who live their golden age and want the world to return to it. “No!” Mademoiselle Blanc told herself. “Never have regrets. These happy times will always live in their memories and be there to cheer them, even when life is at its darkest.”

To sum up; The Knights of King Midas is full of kindness, generosity, understanding and compassion; but the opposition embodied by the character of Amoretti is rather unsubtle and two-dimensional. Despite its occasional faults it’s a very enjoyable read with a big feelgood factor; and there are some amusing insights into practices that are no longer acceptable – hitting your children and discriminating against girls come to mind! If you’ve read the book – or are re-reading it now, I’d love to know what you think about it, so please add a comment below. Paul Berna’s next book was Les Pèlerins de Chiberta, which wasn’t translated until seven years later in 1965, as The Mystery of the Cross-Eyed Man, but as we’re taking Berna’s books in the order he wrote them, rather than the year they were published in English, we’ll take that book next. I look forward to re-reading it and sharing my thoughts about it in a few weeks.

Review – The Comedy Crate Comedy Night in the Garden of the Black Prince Pub, Northampton, 6th August 2020

Not often I get the chance to start a piece of writing with the word “Review” nowadays, but, as we all know, gentle reader, these are strange times indeed. However, with commendable innovation and forward thinking, those clever chaps at The Comedy Crate set up a comedy night in the garden of the Black Prince last night, bringing live laughter back to the people and sticking two fingers up at the virus.

 

To be honest, we were a little nervous of how the whole thing would work. It was the first time Mrs Chrisparkle or I had been to a pub since early March, although our guests, Lord and Lady Prosecco, are already old-handers at the art of post-Covid public libation. The Black Prince has a big garden, almost completely covered by an extensive set of joined up marquees, with bench tables nicely socially distanced, and I must say it all felt pretty safe. One price for a table – £40 – and for that you could have up to six people sitting there. Your temperature was taken on arrival, with a kind of stun-gun affair, quick and effective, and fortunately we all passed with flying colours.

 

From where we sat, sightlines to where the comics performed were very good, and the sound system was excellent; everyone’s voices were just at the right volume and clarity. Plus the Black Prince has a good range of drinks – M’Lord and I knocked back the IPAs, M’lady had the Sauvignon Blanc and Mrs C enjoyed a few delicious gluten-free Wainwright beers (which are top quality in the world of gf beer!) All this and comedy too.

 

We hadn’t encountered most of the performers before. MC for the night was Rich Wilson, a lively, ebullient chap who started off with all guns blazing and never let up the energy all night. Of course, everyone came to this gig from a position of not having been involved in comedy for several months – both audience and comics alike. As a result, there was a big emphasis on Lockdown Survival as comedy material – but that works well, as it’s something we’ve all experienced and can all recognise. Mr W had lots of great observations about life during and after lockdown, but also threw in a few other gems, like his experience at working as a straight man in a gay sauna, for example. He has a terrific rapport with the audience, and was great fun all round.

 

Our first act, and the only one we’d seen before, was the excellent Nathan Caton. More wry observations on Covid survival, including the pressures of having your girlfriend move in with you just before lockdown, which led to a very funny poem about dealing with said situation. Mr C makes some brilliant observations about latent racism and social distancing, and his winning personality makes his set just fly by. Seemingly effortless, but I bet it’s not.

 

Next came Kelly Convey, who was on cracking form, with her stories about being working class and therefore having relatives living in Spain, meeting the man of her dreams, her encounter with a famous sex pest and a brilliant take down of TV’s Take Me Out. She has a terrific delivery, fantastic timing with some killer punchlines and all-round excellent material. We loved her and want to see her again.

 

Our headline act was Garrett Millerick, who also came on stage frothing with energy and attack and instantly achieved a terrific rapport with us all. I absolutely loved his material about Gordon Ramsey – which was 100% spot-on – and he cleverly turns a sequence about imitating a native Mandarin speaker, which, if wrongly pitched, could be dicing with racism, into a really funny observation about the nature of language and accents. Very quick-witted and full of fun, his act was a suitable culmination to an incredibly enjoyable night, all of us celebrating having made it this far.

 

Congratulations to the Comedy Crate for setting this up – it might have been a disaster, but it was indeed a triumph, and a full house too. The future of live comedy for the foreseeable future? I think so!

Lockdown Armchair Travel – Laos – March 2013

Whilst we’re not all (currently) still in proper lockdown, travel is still a risky business, so let’s continue with L – which is for Laos, one of the three countries we visited in 2013 as part of our Indochina tour. A gentle, spiritual, welcoming country with some fascinating secrets.

So what do you think of, when you think of Laos? Do you actually think of anything?! Maybe this:

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Young novice monks, seen everywhere – but more of them later. We started our five days in Laos in the capital – Vientiane.

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Of all the world’s capitals, this must have the least traffic. The statue of Chao Anouvong, the King of Vientiane from 1805 – 1828, welcomes you from his plinth alongside the Mekong.

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This is where the President, Bounnhang Vorachith, lives. Laos is a one-party, Communist state, but you wouldn’t really know it from day-to-day life. Not as a tourist, at least.

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In the centre of a roundabout is a stupa, which many believe is inhabited by a seven-headed nāga (a snake deity) who tried to protect them from an invasion by the Siamese army in 1827. If it gets in your way you can refer to That Dam Stupa – which is exactly what it’s called.

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Our tour took us first to Buddha Park, 25 km out of town, which is a somewhat bizarre place. Opened in 1958, and with so many proper temples around, one wonders why they felt the need to create a kind of Disneyland to Buddha. None of the buildings is sacred.

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Weird. But they do sell great barbecued bananas.

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Back in to Vientiane, and time to see some temples. Pha That Luang is a reconstruction of a temple that was destroyed in the Franco-Thai War and was rebuilt after the Second World War.

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Nearby is the Lao Tripitaka Research Centre, another temple/library where the monks learn and study.

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and the temple at Wat Sisaket – built in the early 1800s.

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In the centre of the city is the Patouxi Gate, built in the 1960s to commemorate the country’s struggle for independence from France. Amazing view from the top!

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Then we had a trip around the food market. At times you needed a strong stomach…

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Our final sight in Vientiane was the fascinating – and sad – COPE centre. This is a museum/visitor centre relating to the prevalence of the use of prosthetic limbs in Laos due to the amount of unexploded land mines. It makes for a sobering visit.

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The next day we flew to the beautiful city of Luang Prabang for three fantastic days. We stayed at the wonderful Xienthong Palace hotel, which was perfectly located by the banks of the Mekong – and why not, it was the last residence of the Lao Royal Family!

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The centre of Luang Prabang is very small and everywhere you want to go is easily visited on foot. Our first port of call was to visit Wat Ho Pha Bang, a Royal Temple completed in 2006 to house the Phra Bang Buddha image.

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It’s stunningly beautiful.

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With ornamental nagas

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exquisite architecture

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ornate decorations

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moody windows

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majestic columns

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and picturesque views.

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Next we went out of town to visit a silkworm factory – here are the little blighters

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and this is where they make clothes and material out of the silkworms’ hard work!

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Back in town, we visited the Wat Xieng Thong, a very striking Buddhist temple that’s now over 450 years old.

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I particularly like the ornamentation on this pink wall!

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One of the fun aspects of Luang Prabang is that there’s a good variety of bars and restaurants for an enjoyable night out!

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and I can definitely recommend:

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The next day was mainly devoted to a delightful Mekong River Trip. I could bore you with hundreds of photos of the Mekong. Here are just a few.

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During the trip we visited the Pak Ou Caves, and had lunch nearby. The caves are full of miniature Buddhist sculptures, and make quite an extraordinary sight in that particular location.

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At sunset, we did what all tourists to Luang Prabang do, and that’s to ascend Mount Phou Si and watch the sun go down over the city.

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After the sun has descended, so do the tourists, into the waiting arms of the stallholders of the Night Market.

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and our favourite watering hole, the Opera Bar. (This, however, is the Xieng Muan Garden Restaurant, also very nice!)

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On our final day we got up early to offer alms to the monks. You do this by giving them lumps of sticky rice. Sounds neither appetising nor healthy, but it’s a tradition that goes back a long way. The rice is cooked like this

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Then dried like this

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And then the monks all file out of the temple

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and collect the rice, that has been given to them by the people, in their shoulder bags

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It is then taken back to the temple kitchens for the monk chefs to prepare it into something pallatable for breakfast.

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This particular temple houses an Emerald Buddha.

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It’s actually made of glass but I don’t suppose that matters.

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I caught this boy looking wistfully out of the window. I often wonder what he was thinking. I’m not sure he was happy with his lot. I wonder what has happened to him.

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There’s a school nearby, which looks surprisingly modern in comparison with the simple lifestyle of the monks.

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Later we took a trip out to the Kuangsi Waterfall Park

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which also houses the To Tat Kuang Si Bear Rescue Centre

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and those bears have a great, safe time!

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The waterfalls are beautiful and are a great place for people to relax.

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Coming for a swim?

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At the end of the day we headed to the airport to get our flight to Hanoi, more of which in a few weeks time! On the way we stopped at a rather sad little craft village where desperate villagers made all sorts of desperate attempts to sell you their rather desperately underwhelming products. Wasn’t a great experience, to be honest.

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Mind you, it was worse for the rats

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And there you have it – Laos in a nutshell. I remember its beauty, its tranquillity, and its sense of humour, which you could see everywhere!

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This is where you go for remedial treatment for venerteal disease – nasty!

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I didn’t fancy the testes of tea

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Two more things – incredible spiders!!

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and the usual quirky sights – novice monks everywhere

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hard-working fishermen

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vintage cars outside restaurants as a promotion feature

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egg delivery by moped

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beware of the bridge!

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Thanks for accompanying me on this lookback of a few days in Laos. Next regular blog will (probably) be back to the theatre programmes and some shows I saw from November 1982 to March 1983. Stay safe!

 

 

The Agatha Christie Challenge – After the Funeral (1953)

STOP PRESS: The Agatha Christie Challenge is now available as a book in two revised volumes – details at the end of this blog post!

In which diligent family solicitor, Mr Entwhistle, enlists the help of his friend Hercule Poirot to get to the bottom of the death of one of the late Richard Abernethie’s relatives shortly after the family meet to attend Abernethie’s funeral. Who killed the relative, and was Abernethie’s death murder too? After Entwhistle does the initial groundwork it is up to Poirot to assist Inspector Morton in solving whatever crimes have been committed. As usual, if you haven’t read the book yet, don’t worry, I promise not to reveal whodunit!

The book is dedicated “For James, in memory of happy days at Abney”. The James in question was Christie’s brother-in-law James Watts, who had married her sister Madge. Abney was the Gothic Victorian house where they lived, and on which Enderby Hall, the home of the Abernethie family in this book, is clearly based. After the Funeral was first published in the US in forty-seven parts in Chicago Tribune magazine, between January and March 1953. In the UK, the novel was first serialised in the weekly magazine John Bull in seven abridged instalments from 21 March to 2 May 1953. The full book was first published in the US by Dodd, Mead and Company in March 1953 under the title Funerals are Fatal, and in the UK by Collins Crime Club on 18th May 1953.

Like They do it with Mirrors before it, After the Funeral was used as the basis for a Margaret Rutherford Miss Marple film, this time Murder at the Gallop, but Poirot is replaced by Marple, and although there are some similarities between the two stories, there are also a large number of differences. However, the identity of the murderer is largely the same in the film as in the book, so reading the book might spoil the film for you (and vice versa). And it would be a shame to have this book spoilt, because it’s an absolute cracker, that starts relatively quietly but builds up an incredible pace to create a genuine page-turner. Christie uses the device of short mini-chapters within longer overall chapters to build up suspense and excitement. And as for the identity of the murderer, well I hadn’t the faintest idea and the story preserves their anonymity right up to the end of the denouement. What’s frustrating – and incredibly clever – is that you know the reappearance of nuns making charitable collections is a clue – but your brain can’t quite join all the links and tell you exactly why it’s a clue, and to whom the clue directs you (or should do!)

The character of Poirot has been pretty well established by Christie over the years, and there are few surprises in our understanding of how he operates in this book. When Entwhistle first approaches him he won’t discuss the case at all until they have demolished a splendid repast – tummy always comes first with Poirot. His vanity, as always, knows no bounds: “I am in my own line a celebrated person – I may say a most celebrated person. My gifts, in fact, are unequalled!” Perhaps one unexpected observation from the great man was his assertion that “women are never kind […] though they can sometimes be tender”. Makes me think that Poirot never met the right woman.

There are two other significant people in this book; Entwhistle, whose curiosity and sense of family duty encourage him to act as an amateur sleuth in the early parts of the book, and Inspector Morton of the local constabulary, brought in to solve the crime. The first chapter, to be fair, is seen from the perspective of Lanscombe, the faithful Abernethie retainer who’s seen them all come and go over the years. After a few pages he hands the perspective over to Entwhistle, who, after a nicely prompt opening murder, and after being encouraged to take an active role in sorting out the initial investigations by Morton, takes it on himself to visit all the family members. Entwhistle is very much in charge of operations for the first seventy-odd pages, and you do wonder exactly why he’s throwing himself into the investigation quite so fully. Morton himself is another relatively understated fellow. Christie describes him as “a quiet middle-aged man with a soft country burr in his voice. His manner was quiet and unhurried, but his eyes were shrewd”. To be fair he never really becomes interesting.

This was also the second appearance of the private detective Mr Goby, whom we met in The Mystery of the Blue Train and who will come back in Third Girl. Christie says of Goby that he was “small and spare and shrunken. He had always been refreshingly nondescript in appearance and he was now so nondescript as practically not to be there at all.” Poirot has a lot of time for Goby’s skills, and he’s not known for prizing others’ achievements and abilities, so we can assume that he’s very good at his job.

As well as unravelling a fascinating crime story, Christie also adds many moments of social commentary. As always, she weighs up the good old days with today’s post-war weariness and finds in favour of the past. She admires tradition, distrusts the labour party, has little time for either the lower classes or people with mental health problems, and as for the modern police, well…! I’ll look a bit closer at all of those later in this post. But you do get a big sense of regret for the old days passing. This will turn out to be the last time Christie creates a splendidly old-fashioned butler, for example. Grand old family estates are being broken up, modern houses are featureless and ugly, and life isn’t what it should be. The character of Miss Gilchrist embodies this, with her hankering after the good old times of running a tea shop; her attitude reminded me very much of Chekhov’s Three Sisters, for whom life could be great again if only they could get back to Moscow. You sense many people involved in this story have their own private Moscows.

Let’s have our usual look at some of the references in this book, starting with the locations. Usually Christie weaves an elaborate web of fictitious places that clearly, or maybe not quite so clearly, relate to real-life equivalents. However, in After the Funeral, this policy seems to have gone out of the window. Cora Lansquenet is seen in the buffet at Swindon, Miss Gilchrist takes the bus to Reading, George Crossfield goes betting at Hurst Park Racecourse (in West Molesey, Surrey, which closed in 1962), and Miss Gilchrist’s gallery of pictures are of Brixham, Cockington Forge, Anstey’s Cove, Kynance Cove, and Babbacombe – although Polflexan is made up, I think. Poirot sends Entwhistle by train to Bury St Edmunds, and Miss Gilchrist dreams of opening up a teashop in Rye or Chichester. Only the central location of Lytchett St Mary, which Christie asserts is in Berkshire, is fictitious – even then, it takes its name from St Mary’s Church in Lytchett Matravers, the Dorset village –  and the made-up neighbouring town of Market Keynes, which nicely combines the original village location of Milton Keynes with Maynard Keynes’ philosophies of the Economy.

There are only a handful or other references to mention. Entwhistle makes an ironic mention – quoting the infamous rhyme of the time – of Lizzie Borden, who was tried and acquitted of the axe murders of her father and stepmother in Massachusetts in 1892. In a paragraph where he reflects on other famous murderers, Christie refers to Seddon, Smith and Rowse, Armstrong, Edith Thompson and Nurse Waddington. Frederick Seddon was hanged in 1912 for the arsenic poisoning murder of his lodger Eliza Mary Barrow, Rowse Armstrong was a solicitor who murdered his wife and attempted to murder a professional rival (hanged 1922) – and also quoted in Why Didn’t They Ask Evans?, Edith Thompson was also discussed in Mrs McGinty’s Dead, Nurse Dorothea Waddington was hanged in 1938 for the poisoning by morphine of nursing home patients for the inheritance, and Smith was probably George Joseph Smith, also mentioned in Why Didn’t They Ask Evans?, hanged in 1915. What a gruesome lot!

I’m familiar with a Pouilly Fuisse such as imbibed by Poirot and Entwhistle on their gorgeous feast before discussing the case, but they also drank a Corton which was new to me. My ignorance! It’s a Cote de Beaune from the Burgundy district of France. My bad. The other interesting reference is to the fact that George Crossfield was a member of OUDS. In fact, so was I. It’s the Oxford University Dramatic Society. But you knew that already. There’s also a reference to Lord Edgware Dies – Poirot admits to having been “nearly defeated” – and a Pangbourne case, but I’m not sure to what Inspector Morton is referring there.

Regular readers will know that I like to consider any significant sums of money in Christie’s books and work out what their value would be today, just to get a feel of the range of sums that we’re looking at. There are a few sums mentioned in this book, mostly of (relatively) low value for a Christie. Cora is delighted to discover that she will have an income of £3000-4000 a year, which today would be the equivalent of £58,000 – £78,000, which is perfectly reasonable; considering she is said to have just £500 in the bank, which is £9760 at today’s rate. Crossfield won £50 at the races – the equivalent of £976. According to the nun collecting for charity, most people gave between 2/6 and 5/-, which today would be roughly £2.50-£4.50, and the lavish £1 tip that Poirot gives the telegram boy would be worth about £20 today. No wonder he was dumbfounded!

Now it’s time for my usual at-a-glance summary, for After the Funeral:

Publication Details: 1953. My copy is a Fontana paperback, eighth impression, dated November 1969, with a price of 4/- (20p) on the back cover. The cover illustration by Tom Adams shows a concerned-looking nun and a bloody axe beneath a glass dome, with an illustration of a harbour in the background. That covers a number of clues!

How many pages until the first death: 19 – unless you count Richard Abernethie who dies before the book starts. Thus you don’t have to wait too long before your home-sleuthing act has to get into gear.

Funny lines out of context: two, both of which play on a more modern meaning of an otherwise straightforward word.

Wondering whether George Crossfield has a criminal streak in him: “Had he felt instinctively, as Mr Entwhistle felt, that George was not straight?”

And Timothy puts it to him more bluntly: “he suspected you of not being straight, didn’t he?”

Memorable characters:

The characterisations are, again, perhaps not the strong point of this book. There are a couple of exceptions: I did like the polite interferences of Entwhistle, who’s a well-drawn and interesting character in his own right. And the gruff grumpiness of the hypochondriac and hypocritical Timothy also makes for an entertaining read. Christie starts the book with a family tree and it’s very useful for reference as the book develops because I found it hard to distinguish some of the less interesting characters.

Christie the Poison expert:

Entwhistle gets involved in quite a complicated discussion with Dr Larraby regarding the possible causes for Abernethie’s death, where Larraby affirms that if it wasn’t due to natural causes, “some kind of narcotic would be indicated. There was no sign of cyanosis” – which is the bluish tint to the skin that can be caused by a drug overdose, like heroin, but for sure the condition is also associated with cyanide. Abernethie’s vitamin supplements contained adexoline – today normally referred to as adexolin – but this is not considered in any way a dangerous drug.

There is a dose of arsenic that laces a slice of wedding cake, but I’ll say no more of that incident as I don’t want to spoil any surprises for you!

Class/social issues of the time:

There’s quite a lot of social unhappiness going on in this book, as I suggested earlier. Britain is still getting its act together after the war; Miss Gilchrist complains about the scarcity of eggs, and the fact that they’re foreign – more on the general xenophobic elements of this book shortly. Poirot adopts a pretend character – M. Pontarlier, whose job is to assist refugees. And the reaction to that? “Rosamund, however, had only said vaguely, “Oh! Refugees all over again, I’m so tired of refugees.” Thus voicing the unspoken reaction of many, who were usually too conventional to express themselves so frankly.”

This lack of kindness, of selfishness even, can be seen in other ways. There’s a continued lack of tolerance for mental health issues. There’s condescension towards Greg for having been a voluntary patient at a mental home, even from his wife who stops herself just in time from calling him “batty”. Poirot extends the kindness as far as it can be with his description of Greg as “unbalanced”. Earlier in the book, when guessing who might have committed the murder, Susan affirms “it’s got to be a certain kind of person […] a brutal, perhaps slightly half-witted type – a discharged soldier or a gaol bird […] one has to have a motive for murder – unless one is half-witted”. There’s no kindness in Susan;s comments, but it is interesting, however, that she perceives that ex-soldiers or ex-prisoners can suffer with what we now realise to be PTSD.

There are other societal pressures. Timothy blames “that damned Labour government” under Attlee from 1945-1951, and even under Churchill he still perceives the government to be “mealy-mouthed, milk-and-water socialists”. They can’t get servants, because they now ask for too much money; the daily woman went home at the end of her working day much to Timothy’s despair: “does that class of woman care? Not she? With any decent feelings she’d have come back that evening and looked after me properly. No loyalty any more in the lower classes.” Timothy is universally disgruntled with life.

The police are not exempt from the criticism. There are many suggestions that they’re no longer up to the task, despite Entwhistle’s stoic defence of them. Susan again: “you remember that woman who was murdered in Yorkshire last year? Nobody was ever arrested. And the old woman in the sweet shop who was killed with a crowbar. They detained some man, and then they let him go! […] it shows that there must be a lot of these sorts of people going round the countryside, breaking into places and attacking lonely women – and the police just don’t bother!” Timothy is the same: “I’ve no faith in the police nowadays – the Chief Constables aren’t the right type.” For these characters, progress is a backward step.

There is, of course, the usual dollop of xenophobia. One of our first insights into the old butler Lanscombe is his regret that Cora married a Frenchman “and no good ever came of marrying one of them!” Janet, the kitchenmaid, tars foreigners with the same brush. After Poirot had asked her some questions, her reactions are: “these foreigners! The questions they asked. Their impertinence! […] what business was it of some foreign doctor coming along and nosing around?” Later in the same conversation: “Lanscombe was courteous but distant. Less resentful than Janet, he nevertheless regarded this upstart foreigner as the materialisation of the Writing on the Wall. This was What We Are Coming to!” Lanscombe implies in the conversation that if foreign refugees were to live at Enderby then he wouldn’t be able to stay. He doesn’t warm up to Poirot later in his stay either. ““Foreigners!” thought Lanscombe bitterly. “Foreigners in the house! […] I don’t know what we’re coming to.””

Miss Gilchrist has a different kind of prejudice against foreigners. She feels she doesn’t have to maintain a polite or well-behaved character in their presence. In conversation with Poirot: ““You see, I listened!” “You mean you happened to overhear a conversation? “ “No.” Miss Gilchrist shook her head with an air of heroic determination, “I’d rather speak the truth. And it’s not so bad telling you because you’re not English.” Hercule Poirot understood her without taking offence.” There’s also an unfortunate use of the N word, in connection with the woodpile simile, spoken by Crossfield.

One final interesting example of a tradition that plays a significant part in the story; that of placing a piece of wedding cake under your pillow as a sure hope that you will find the man of your dreams. It could save your life!

Classic denouement:  Yes! This one’s a thriller. It’s in two parts – Poirot assembles everyone in the library and you think it’s going to be the big showdown but in fact he is just gathering further information. Ten pages later he assembles everyone again, but this time in the drawing room – including the murderer – who inevitably gives themselves away.

Happy ending? Yes, although you get a slight sense of it being an appendix rather than an organic conclusion. One person is going to have a baby, another is going to follow their heart and their dreams.

Did the story ring true? As always, there are a few far-fetched moments, but on the whole it fits together nicely and you can absolutely believe that what is said to have happened, has happened.

Overall satisfaction rating: I thought this was a terrific read and see no reason not to give it a 10/10!

Thanks for reading my blog of After the Funeral and if you’ve read it too, I’d love to know what you think. Please just add a comment in the space below. Christie’s next book in her whodunit canon was A Pocket Full of Rye, which I’ve already written about – as it was the first of hers that I ever read. Therefore, the next book in this Agatha Christie Challenge is her next book after that, which is Destination Unknown, one of those Christies that feature none of her usual sleuths. I can’t remember anything about this book, so I’m looking forward to catching up with it. As usual, I’ll blog my thoughts about it in a few weeks’ time. In the meantime, please read it too then we can compare notes! Happy sleuthing!

If you enjoy my Agatha Christie Challenge, did you know it is now available as a book? In two revised volumes, it contains all my observations about Christie’s books and short stories, and also includes all her plays! The perfect birthday or Christmas gift, you can buy it from Amazon – the links are here and here!

Lockdown Armchair Travel – Jordan – Amman, Mount Nebo, Karak, Petra, Wadi Rum and Jerash – November 2008

Having shared the delights of Japan and Jersey with you, now it’s time for Jordan. We went there on a tour in 2008 that continued on into Syria – but more of that some other time. Jordan’s a beautiful, friendly place, full of amazing sights.

What do you think of, when you think of Jordan? Petra, right? Naturally. But I’m going to take you through these holiday snaps in order, so we start off in the capital, Amman.

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Our first visit was to Mount Nebo, where Moses got to see the Promised Land but got no further.

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There it is – the Promised Land (in the distance)

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Amazing mosaics in the church in Madaba

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Then we negotiated the windy road up towards Karak

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with the extraordinary Jordanian landscape

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until we got our first sight of the castle at Karak

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Which is great fun to explore!

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But you were right the first time – it’s all about Petra.

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To get to the exciting part of Petra, you have to walk down a narrow path called the Siq.

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And after a while you’ll get your first glimpse of The Treasury

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And then your second glimpse

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and your third

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getting nearer

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almost there

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and finally, you see the Treasury in all its glory!

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It’s as though you’ve opened layers and layers of gift wrapping until finally getting to the big present!

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See how massive the building is in comparison with the heights of the visitors!

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Petra enchants you with its other-worldness

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The mosaics are remarkable

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And I was so grateful for this kind gentleman to wander into my shot to make it complete

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Straight out of Lawrence of Arabia. Talking of which:

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That’s the famous Seven Pillars of Wisdom. We’re now on the road to Wadi Rum.

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A desolate, desert landscape en route, but when you get to your destination…

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There’s always a bedouin to make you some tea.

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Ever wondered what it might be like on the surface of Mars?

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More dramatic landscapes

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that conceal an abundance of ancient art

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After overnighting in a tent, we were on our way to Jerash, the Pompeii of the East.

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That’s the ancient Hippodrome.

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But there are numerous amazing sights in the ruins of this Greco-Roman city.

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Including some musicians who played Amazing Grace for us on their bagpipes. They needn’t have bothered. I was only grateful they didn’t go on to perform Scotch on the Rocks.

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It’s nice just to get lost amongst the ruins

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After Jerash we followed the road north into Syria – but those photos are for another blog post. In the meantime, here’s our driver and our poppet pocket rocket space cadet tourism policeman, who accompanied us everywhere we went, looking concerned.

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Yes he does look about 17. And, as always, all destinations give opportunities for quirky photos.

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So we say farewell to Jordan

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Thanks for accompanying me on this little jaunt around Jordan. Next blog may, or may not, be another return to some old theatre productions in the summer of 1982. Stay safe!

 

Lockdown Armchair Travel – Jersey, 1995

Still with J, and almost – but not quite – abroad, it’s Jersey. I’ve been there twice, the most recent time was in 1995 for two weeks of summer sunshine – and it really was glorious. Most interesting, however, was that our visit coincided with VE Day – which in Jersey meant the 50th anniversary of the liberation of the island. As you can imagine, they celebrated big style!

So what do you think of, when you think of Jersey? Probably things that I didn’t photograph! But try this for size:

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The Jersey flower industry is an important part of the island’s economy. And they make the island look beautiful!

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I was surprised to discover the island has a really chic little racecourse

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And somebody made a lot of money that day!

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It’s an island of lovely beaches

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Castles… (this is Gorey)

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and coastlines

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But watch out for those waves.

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That craggy coast can look austere at times

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Here’s St Brelade’s Bay, where I went on hols in 1982

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But St Helier is where it’s at. And, as I said earlier, we were there for the 50th anniversary celebrations!

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The place was packed and very excited

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We were there when the Prince of Wales arrived

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And the marching bands played

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The Red Arrows had a field day

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Parties went on into the night, and fortunately no photographic evidence remains! Suffice to say we went to a 70s disco with DJ Bri-Nylon. It was brilliant!

There’s lots of amazing sights in Jersey and I’m sorry not to be able to show them here, I’ve lost a number of photos it appears. Still we know that the coast is rugged

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And so are the men

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And who knew this was the resting place of this popular old policy?

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Thanks for accompanying me on this little trek around Jersey. Next blog will be back to the old theatre shows, and some memories from October 1981 to July 1982. Stay safe!