Review – The Grapes of Wrath, BA Acting Third Year Students at the University of Northampton, Royal and Derngate, Northampton, 28th May 2023

Grapes of WrathSteinbeck’s Grapes of Wrath suits adaptation well, with its strong story line and fascinating characters. Published in 1939, the famous film adaptation appeared a year later, and there’s even an opera which came out in 2007. The Tony Award winning play, however, first appeared in 1988, written by Frank Galati, and it’s a popular choice for schools – so in many ways it’s an ideal play for the Third Year Students to grapple with.

Meg MayersBack in 2019, I saw a production of Macbeth at the Chichester Festival Theatre; well, I half-saw it. During the first act, one of the cast members accidentally smashed the glass floor of the stage (perhaps an unnecessarily fragile item of set design!) and the second act had to be cancelled. Blow me down, but at the end of the first act of what was proving to be a most enjoyable production of Grapes of Connor DadgeWrath, the elegant fire curtain of the Royal Theatre thundered down with an almighty clunk and, try as they might, the backstage team couldn’t get it back on its runners and they couldn’t raise the curtain for the second act! So the rest of the show was cancelled. Why is it always the good shows where this happens?

I feel particularly sorry for the cast who have obviously put in a tremendous amount of work to make this production a success, and with only three performances scheduled, Achanti Palmerit really reduces the chance of their work being seen.

That said, I can report that there were some terrific performances taking place; none more so than Connor Dadge as the central Kain Waldencharacter, Tom Joad, who carries the story along effortlessly, is hugely believable in the role and has a superbly charismatic stage presence, without ever having to force the performance too hard – a true natural. Also dominating the first part of the proceedings is Achanti Palmer playing the ex-preacher Jim Casy, with a fine singing voice and a characterisation full of hidden depths – another very watchable performance. Kain Walden is excellent as Pa Joad, a tough, ruthless but loving father; as is Meg Mayers as Ma, whose weary indomitability was really starting to shine through when the show had to finish early. But all the cast were putting in a tremendous ensemble performance, and it was really shaping up to be a first rate show.

These things happen!

P. S. The Martin Lawrence Acting Awards are presented every year to the best Actress and Actor. My choice for Best Actor for the year would be Connor Dadge.

Review – One Day Son, Full Circle Theatre, Flash Fringe Festival, University of Northampton 3rd Year BA Acting Students, Northampton Playhouse, 28th March 2023

One Day SonIt’s a pleasure to be back watching the University of Northampton 3rd Year Acting Students present their Flash Fringe Festival plays! This year they are taking place at the little Playhouse Theatre on Clare Street, as well as at the Creative Hub on the Waterside Campus. If all goes well, I hope to see all ten plays that are at the Playhouse.

This is how One Day Son is described in the programme: “A naturalistic play where 2 families must battle tragedy: both the ordinary and the extraordinary. This piece presents a world identical yet very different to our own, and we learn as our characters do that not everything is at it seems.”

Dylan MorrisIt’s a suitably intriguing description for a distinctly intriguing play. Written by cast member Dylan Morris, it’s a neatly structured, thought-provoking and highly emotional piece. Teenage friends Ashley and Izzy suspect that their fathers – who work together felling trees – are not telling the entire truth about the nature of their work; but if they question them, Ashley’s father Marcus clams up and Izzy’s father Eli gets angry. Marcus’ wife Rose is expecting another baby, but their happy plans turn to a nightmare when the birth is premature. Can some kind of external pressure lead the way to a successful birth?

Stephanie Eva RadcliffeMr Morris has a great ear for domestic conversation, and how sometimes the important message within a conversation is left unsaid. I enjoyed how our understanding of the unfolding situation grew with each scene, so that what is deliberately confusing at first becomes clear as a bell at the end. The play doesn’t shy away from grappling with some very difficult subjects, and its themes of trust and betrayal, and the nature of “playing God” is very well handled.

George HastrupSimply, but well staged, the play also boasts some excellent performances; George Hastrup as Eli has terrific stage presence and performs with great assurance and authority, and I really enjoyed the emotion-packed performance of Stephanie Eva Radcliffe as Rose, sorrowfully trying to keep her family together in the face of the most unexpected adversity.

It was a shame that the camera that Marcus uses to capture his training video with Eli still has the lens cap on – that took away from what had otherwise felt like a very realistic production. Nevertheless it’s a good production of a great piece of writing, which absolutely held the audience’s attention throughout. And yes, I did shed a tiny tear at the end!