Review of the Year 2020/21 – The Eleventh Annual Chrisparkle Awards

No one knew when the Committee sat to determine the Tenth Annual Chrisparkle Awards in January 2020 what was to befall us all in the future months. In March 2020 theatregoing ground to a halt, only to resume fifteen months or more later, on a tentative basis. At the moment, no one quite knows what the future looks like in the arts world – all we can do is cross every available digit and hope that we carry on unscathed.

So it is my pleasure to welcome you again to the artistic event of the year, the announcement of the annual Chrisparkle Awards for 2020/21. Adding the first part of 2020 to the second part of 2021 very nearly gives us a full year’s worth of productions to consider. Now, this may be controversial, but I’ve made the executive decision to exclude online performances. I never really got on with the whole online arts scene and didn’t see that many productions, so whilst I know there was a huge amount of talent and effort put in during 2020 to keep the arts alive, I can’t really integrate it into the rest of the awards, so soz about that. Eligibility for the awards means a) they were performed in the UK and b) I have to have seen the shows and blogged about them in the period 14th January 2020 to 17th January 2022. Naturally, some awards have had to be withdrawn this year, due to a lack of shows – but we’ll cross that bridge when we come to it.

 

Are you all sitting comfortably?

 

The first award is for Best Dance Production (Contemporary and Classical)

In 2018 the Committee decided to combine all the dance productions seen in the year, both at the Edinburgh Fringe and in other theatres. However, that still only means we saw two shows this year, so I’m simply going to hand this award to Dance to the Music at the Cresset Theatre, Peterborough, in March 2020, the final show in Kristina Rihanoff’s final dance tour.

 

Classical Music Concert of the Year.

Only three concerts attended, all performed by the Royal Philharmonic Orchestra. Again it seems only fair to announce the winner, which is their fantastic From The New World concert at the Royal and Derngate, Northampton, in February 2020, conducted by Kerem Hasan, with Romanian piano soloist Daniel Ciobanu.

 

Best Entertainment Show of the Year.

This means anything that doesn’t fall into any other categories – for example pantos, circuses, revues and anything else hard to classify. Six contenders this year, and here are the top three:

 

In 3rd place, the fun extravaganza that was Pantoland at the Palladium, at (obviously) the London Palladium in December 2021.

In 2nd place, the most entertainment that can possibly be crammed into a pantomime, the legendary Sheffield panto experience that was Sleeping Beauty at the Lyceum Theatre, Sheffield, in January 2022.

In 1st place, the unique theatrical experience that created drama out of verse – T S Eliot’s Four Quartets at the Royal and Derngate, Northampton, in June 2021.

 

Best Star Standup of the Year.

Twelve big-name stand-up comics qualify for this year, and the following five all gave five star performances:

 

In 5th place, the intelligent and extremely funny insight into motherhood by Josie Long in her Tender Show, at the Royal and Derngate, Northampton, in March 2020.

In 4th place, on fantastic form, the brilliant Tez Ilyas in his Vicked Show, Underground at the Royal and Derngate, Northampton, in November 2021.

In 3rd place, the inimitable and irrepressible Sarah Millican in her Bobby Dazzler show, at the Royal and Derngate, Northampton, in November 2021.

In 2nd place, the sunny hilarity of Chris Ramsey in his 20/20 tour, at the Royal and Derngate, Northampton, in September 2021.

In 1st place, always a pleasure to see a true master at work, John Bishop in his Warm Up show at the Royal and Derngate in March 2020.

 

Best Stand-up at the Screaming Blue Murder/Comedy Crate nights in Northampton.

For one year only (I think) the award for Best Screaming Blue Murder comic has also been extended to the Comedy Crate shows that we saw in the garden of the Black Prince in those pandemic summers. Out of countless comics we saw, a longlist of nineteen provided the following top five:

 

In 5th place, the intelligent and brilliant Dan Antopolksi (SBM – February 2020, CC – January 2022)

In 4th place, the sublime and supremely crafted Paul Sinha (CC – September 2021)

In 3rd place, the self-deprecating, but killer punch-lined Bennett Arron (SBM – September 2021)

In 2nd place, the incredible hospital DJ supremo Ivan Brackenbury (CC – September 2021)

In 1st place, the ridiculously funny and inventive thespian Anna Mann (CC – August 2021)

 

In the absence of other opportunities to see comedy festivals or Edinburgh try-outs, the Best of the Rest Stand-up Award is suspended for this year, as are all the Edinburgh Fringe awards.

 

Best Musical.

I saw twelve musicals this year, a combination of new shows and revivals. One stinker, one disappointment, one slightly meh, and the others were all varying degrees of excellent. Here’s my top five.

 

In 5th place, not a show I’m normally fond of, but this was given a terrific new production; Chicago, at the Royal and Derngate, Northampton, in October 2021.

In 4th place, the funny but powerful storytelling of Gin Craze at the Royal and Derngate, Northampton, in July 2021.

In 3rd place, another blistering production that brought new relevance to an old show, South Pacific at the Festival Theatre, Chichester, in August 2021.

In 2nd place, a beautiful show that is a warm breath of positivity and kindness, the brilliant Come From Away at the Phoenix Theatre, London in December 2021.

In 1st place, no surprise really as it is my favourite show of all time, and given a new production with choreography and direction that’s sympathetic to the original, the revival of A Chorus Line at the Curve Theatre, Leicester in December 2021.

 

Best New Play.

Just to clarify, this is my definition of a new play, which is something that’s new to me and to most of its audience – so it might have been around before but on its first UK tour, or a new adaptation of a work originally in another format. Nine contenders, easy to identify a top five, not so easy to decide the winner.

 

In 5th place, the RSC’s far from perfect but nevertheless fascinating insight into the history of slavery, The Whip, at the Swan Theatre, Stratford-upon-Avon, in February 2020.

In 4th place, a strong play about stage censorship and much more, Indecent at the Menier Chocolate Factory, in September 2021.

In 3rd place, a fresh look at the Courtroom drama genre set in the 18th century, The Welkin at the National Theatre Lyttelton Theatre in January 2020.

In 2nd place, the amazing adaptation of Andrea Levy’s riveting examination of slavery, The Long Song, at the Festival Theatre, Chichester, in October 2021.

In 1st place, the constantly surprising, crammed with mic-drop moments, White Noise, at the Bridge Theatre, London, in October 2021.

 

Best Revival of a Play.

I saw ten revivals, with an obvious top four; here’s the top five:

 

In 5th place, the inaugural production by the Nigel Havers Theatre Company, Noel Coward’s ever-youthful Private Lives at the Festival Theatre, Chichester, in November 2021.

In 4th place, the clear and classy production of Blue/Orange at the Royal and Derngate, Northampton, in November 2021.

In 3rd place, Greg Hersov’s gripping and relevant production of Shakespeare’s Hamlet at the Young Vic, London, in October 2021.

In 2nd place, the emotional and telling production of The Normal Heart, at the National Theatre Olivier Theatre, London, in October 2021.

In 1st place, the mesmerising production of Samuel Beckett’s Rough for Theatre II and Endgame at the Old Vic, London, in February 2020.

 

As always, in the post-Christmas season, it’s time to consider the turkey of the year – and my biggest disappointment was the RSC’s The Magician’s Elephant in November 2021, which, like the lift that stops on every floor you don’t want it to, was wrong on so many levels.

 

Best Local Production

This would normally include the productions by the University of Northampton students, the Royal and Derngate Actors’ Company, the Youth Companies, local theatre groups and the National Theatre Connections. However, I only saw three shows that come under this heading, the three plays that were performed at the Royal and Derngate Northampton by the Third Year University Students in May 2021 – and the best of those was Loveplay.

 

Best Performance by an Actress in a Musical.

Time to get personal. Here’s the top five:

In 5th place, Faye Brookes as Roxie in Chicago at the Royal and Derngate, Northampton, in October 2021.

In 4th place, Lizzy-Rose Esin-Kelly as Diana in A Chorus Line at the Curve Theatre, Leicester in December 2021.

In 3rd place, Debbie Chazen as Moll and Queen Caroline in Gin Craze at the Royal and Derngate, Northampton in July 2021.

In 2nd place, Carly Mercedes-Dyer as Cassie in A Chorus Line at the Curve Theatre, Leicester in December 2021.

In 1st place, Alex Young as Nellie in South Pacific at the Festival Theatre, Chichester in August 2021.

 

Best Performance by an Actor in a Musical.

Eight performances in the shortlist, producing this top five:

In 5th place, Samuel Holmes as Christopher Belling in Curtains at the Royal and Derngate, Northampton, in February 2020.

In 4th place, Miles Western as Bernadette in Priscilla Queen of the Desert at the Royal and Derngate, Northampton, in August 2021.

In 3rd place, Rob Houchen as Cable in South Pacific at the Festival Theatre, Chichester in August 2021.

In 2nd place, Julian Ovenden as Emile in South Pacific at the Festival Theatre, Chichester in August 2021.

In 1st place, Layton Williams as Jamie in Everybody’s Talking About Jamie at the Royal and Derngate, Northampton, in March 2020.

 

Best Performance by an Actress in a Play.

Eleven in the shortlist, and here’s the top five:

In 5th place, Tara Fitzgerald as Gertrude in Hamlet, at the Young Vic, London, in October 2021.

In 4th place, Maxine Peake as Elizabeth Luke in The Welkin, at the National Theatre, Lyttelton Theatre London in January 2020.

In 3rd place, Tara Tijani as Young July in The Long Song, at the Festival Theatre, Chichester, in October 2021.

In 2nd place, Cush Jumbo as Hamlet in Hamlet, at the Young Vic, London, in October 2021.

In 1st place, Llewella Gideon as Old July in The Long Song, at the Festival Theatre, Chichester, in October 2021.

 

Best Performance by an Actor in a Play.

Like last time, this is this year’s most hotly contested award, with fifteen contenders in my shortlist, and here is the top five:

In 5th place, Ben Daniels as Ned in The Normal Heart, at the National Theatre Olivier Theatre, London, in October 2021.

In 4th place, Michael Balogun as Christopher in Blue/Orange at the Royal and Derngate, Northampton, in November 2021.

In 3rd place, Ken Nwosu as Leo in White Noise, at the Bridge Theatre, London, in October 2021.

In 2nd place, Alan Cumming as B/Hamm in Rough for Theatre II and Endgame at the Old Vic, London, in February 2020.

In 1st place, Daniel Radcliffe as A/Clov in Rough for Theatre II and Endgame at the Old Vic, London, in February 2020.

 

Theatre of the Year.

I normally nominate a Theatre of the Year but I think in this pandemic/post-pandemic era, every theatre that mounted a production is a winner!

Congratulations to all the winners and nominees – and thanks for sticking with me, gentle reader. Hopefully 2022 will be a full and exciting programme of stage success!

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