I really must keep up to date with these entries. I’m disappointing myself.
Sunday March 28th saw us at the Lilian Baylis theatre at the Stage Door of Sadler’s Wells to see the Lost Musical, Paris, by Cole Porter. If you don’t know, Lost Musicals is a fantastic thing. They dig up shows that haven’t seen the light of day for yonks and then perform them on an empty stage with just chairs and a piano. We’ve seen seven or eight of these over the years and they never fail to delight. This year’s show, Paris, (it’s the one where “Let’s Do It, Let’s Fall in Love” first appeared), is one of the funniest and most entertaining we have seen. The cast includes the wonderful Anne Reid who completely steals it. All hail the miraculous Ian Marshall Fisher who puts these things together. There are two more on this year, I confess we haven’t booked for them and I fear it may be too late to get decent seats. Ah well, there’s always next year.
Good Friday, April 2nd, we saw Hedda Gabler at the Oxford Playhouse. Front of House at the Oxford Playhouse were obviously having a bad hair day. It’s always been a wonderful theatre, I remember it from when I was a teenager going there with Mum. And as a student, I was their College Rep. Happy days. But it’s not a good idea to have just one position where you can buy programmes when it’s a full house, and then only when they require you to have the correct change…. And why have they removed the signs that say Seats 1-10 this way, Seats 11-20 that way, we were all walking over one another to go in the right direction. Sigh.
Anyway it was a very good production of Hedda Gabler; Ms Gabler herself played by Rosamund Pike was a very dismal person right from the start. It was never a good idea to let that woman anywhere near those pistols. It was great to see Tim McInnerny again, I last saw him in a student production of Measure for Measure on the very same stage and I am pleased to say I gave him a glowing review in a student newspaper. My hunch was right, he came good. I didn’t enjoy the show quite as much as I thought I would, and it brought back memories of a more thrilling Janet Suzman in the role circa 1977, maybe it was my age!
Then last Sunday, April 4th (Easter Day, you may remember) we saw a celebration for Stephen Sondheim’s 80th birthday at the Derngate in Northampton, with the Royal Philharmonic Orchestra and the wonderful Maria Friedman, with the also wonderful (if not quite as much) Graham Bickley and Daniel Evans. It was a most jolly and entertaining affair. They started off with a concert version of Merrily We Roll Along, none of which I had heard before and it certainly made me want to see The Real Show. Much of the rest of the evening brought back memories of Side by Side by Sondheim, but with some twists: a gay version of “Getting Married” – with Amy now Jamie – which worked pretty well. Daniel Evans and Maria Friedman in bed doing “Barcelona” was a hoot, and her “Send in the Clowns” was most moving. There was a fabulous symphonic suite containing about three songs from Sweeney Todd; and then some more Todd songs, including A Little Priest in which Ms Friedman forgot the lyrics, which shows that even the divine are human. It was a great night and left you buzzing for more.