Constant as the Northern Star, it was time for another Screaming Blue Murder at the Royal and Derngate – scheduled to be the last in the old Royal theatre before moving back to its proper home in the freshly de-RAAC’d Underground in April. Also, as firmly identified with Screaming Blue as Heinz with Baked Beans, was our regular host and MC Dan Evans, suffering from the sniffles, but there’s a lot of it about. Fortunately a kind lady to my left was able to offer him the occasional tissue. I could have given him a whole packet, but didn’t want to draw attention to myself.
Dan set about mingling his way through the crowd, which seemed largely made up of escapees from tough and dangerous East Side Northampton – NN3 to the cognoscenti. We also met Ginny, the English student who doesn’t attend uni – a somewhat complicated arrangement – and Ryan, the crime lecturer who didn’t return for the final act and, thereby, as is always a risk if you do that, missed the best bit. We also met Roger from Northern Ireland, whose unexpected mime for the reason he’s now in Northampton left Dan appropriately speechless.
Showing how our cup ranneth over with talent in this line up, our first act, normally a headliner, was Roger Monkhouse, someone we’ve admired and enjoyed many times over the years. Celebrating his 60th birthday apparently, his young fogey persona is now distinctly becoming at least middle-aged; I can’t say he’s now an old fogey, because he’s still younger than me. He delivers his material as almost a stream of consciousness, that fools you into thinking he’s making it up on the spur of the moment; but in fact it’s meticulously crafted to give that effect. His material centres on that recognisable confusion of living in the modern world as a no-longer modern bloke, with some lovely relatable observations on how we all just manage to plod on despite our brains and bodies letting us down. Always a delight.
Our next act, and new to us, was Dee Allum, who introduces herself from the start as a trans woman, and whose material centres on her life and the problems she faces, but also you can see the joy her new identity brings her. She has a relatively quiet style, occasionally feeling a little tentative until she gets the vibe of the audience but then grows in confidence as her set progresses. There’s a lot of refreshingly new and innovative material here; I loved her deliberately long and immaculately phrased story involving Kurdish and Yorkshire, and there are some terrific insights into managing a relationship when you come out as trans during the relationship. She ends her routine with a brilliant tale of sperm donation. I’m tempted to say we’ve all been there, but of course we haven’t; but if you have, you really get it. Definitely One To Watch.
After two gently delivering wordsmiths, our headliner was Phil Nichol who gave the evening a hugely energetic kick up the backside. Buzzing with excitement, he exploded around the stage with his uniquely unrestrained hilarity; a bit like the most endearing spoilt kid you ever met. He radiates a strange blend of danger and affability, mixed with oodles of cool, and a quick comedy brain that seizes any opportunity. Armed with his guitar, he gave us some excellent rock parodies, and fixated on poor second row Luke, upon whom he (literally) thrust his faux-sexual advances. Luke proved his worth later when he joined Phil on stage and showed what a good sport he was. Extremely funny throughout and a great way to end the night.