Royal and Derngate Northampton Subscription Season Launch 2012

Last year Mrs Chrisparkle had a “business thing” to attend, and so missed the launch event, which was a shame as it’s an excellent opportunity to whet your appetite for the season ahead, as well as to hob and to nob with the great and the good. Fortunately this year she was able to come too, so we both headed off to the Royal eager with anticipation.

Our host for the evening again was Laurie Sansom, not only Artistic Director of the Royal and Derngate, but also director of, inter alia, such treats as the recent Eden End, Duchess of Malfi and Spring Storm. Thank heavens he shows no sign of wanting to move from Northampton.

Starting at the end of the season, he first took us through the three plays that will make up the Festival of Chaos productions, which will themselves be part of the London 2012 Festival, and part of the Cultural Olympiad. It’s great to have Northampton and the R&D recognised at this level. All three are to be directed by Mr Sansom – as they’re his three favourite plays of all time. A new version of Euripides’ Bacchae is the first of the three, and the first surprise of the evening is that it will be presented at the Chronicle and Echo building, in the disused printing area. Dionysus alongside industrial machinery? Sounds atmospherically intriguing, and I’m really excited about this one.

The second Chaos show, if I can call it that, which will be played in rotation with The Bacchae, is an adaptation of Lorca’s Blood Wedding by Tommy Murphy. I’ve never seen a straightforward production of Blood Wedding and I don’t think this will be one either. Mr Murphy wrote “Holding the Man” which came to London a while ago, which I didn’t see, but I understand was both desperately funny and desperately sad, which sounds like a decent mix for Lorca.

The third Chaos production is to be Ibsen’s Hedda Gabler, which Laurie Sansom said can be likened to the Female Hamlet. We saw the production at the Oxford Playhouse a couple of years ago which was quite good, with Rosamund Pike and Tim McInnerney. Ms Pike was a miserable presence from the start, which I’m sure is one way of reading the role but I wonder if a Laurie Sansom version might have more light and shade. It’ll be good to have some meaty drama though. These three plays are nothing if not meaty.

Working back, Laurie Sansom then introduced us to Shaun McKenna who has adapted the Judi Dench and Maggie Smith film Ladies in Lavender for the stage. It’s all about how two rather stale lives are changed by the sudden appearance of a third person – washed up on the beach. This sounds like it should be an extremely classy production, as the second – and most major – surprise of the night is that the Judi Dench role will be played by none other than Hayley Mills. That is some coup. If that wasn’t enough Ms Mills joined us by Skype from New York for a brief interview. If I have a slight concern, I wonder who will play the Maggie Smith role – will the production manage the right balance between the two characters? Time will tell, but on the face of it this looks amazing.

And bringing us back to almost the present, Emma Rice came on to tell us about the new Spymonkey production, Oedipussy, which opens in February. I’ve not seen Spymonkey before but I think I am going to like them. It sounds like it’s going to be well wacky, and then some. The four Spymonkey actors later came on stage themselves and introduced their idea of the play in their own way within a superbly funny playlet. The impetus to go Greek was apparently as a result of a damning comment by a critic who basically thought they should grow up and do something adult. Gosh, I do hope I like the show otherwise they might wreak their revenge. According to their website, the show contains incest, violence, mutilation, strobes, nudity and chorus work. I’m not certain their clowning backgrounds will help you with your Classics degree – expect more Greeks Behaving Badly.

In other news, there is to be a new friends’ scheme called The Artistic Director’s Circle which gives you enviable access to the backstage world of the theatre; and an encouraging announcement that 2012’s Christmas play in the Royal will be Dickens’ Christmas Carol. I understand it’s currently pre-embryonic in development but I’m sure it will fit perfectly in the Royal environment.

So there it is, 2012’s Made in Northampton season in a nutshell. We’re very lucky to have such a destination theatre in our midst and I am sure it will be a season to remember. Can’t wait!

Review – Screaming Blue Murder, Underground, Derngate, Northampton, 20th January 2012

A funny thing happened at the Screaming Blue Murder last Friday night, which is no less than you would expect with a great compere, three excellent acts and two alcohol-fuelled intervals. We’ve not been able to attend the last couple of shows so it was with some surprise that Dan Evans, compering, said he was still on the search for “the man who has been writing about him on the internet”. Mrs Chrisparkle’s penny dropped as she shuddered and whispered “keep quiet!” “So where is this Chris Sparkle?” Dan continued. It was The Moment of Outing. “It’s me!” came my voice from the third row. “You? At last I meet my nemesis!” shrieked Dan as his body contorted in a combination of victory and agony. Aaargh, I thought, this could be a very bumpy ride. But there’s no free speech without responsibility, so I faced it head on. I admit, I have been guilty of whingeing about Dan’s repeating the same jokes time and again in this blog, but then not quite as much as Dan is guilty of the afore-mentioned repeatings.

But actually Dan turned this very much to his advantage and was able to frame the compering of the show around my impertinent requirement for fresh material, which very nicely took the mick out of both of us. There was a great moment during one of his sessions when a lady from the front row suggested he did his joke about Luton and the book. A two-pronged attack! In response to which he did a great routine about why doing that joke would not work – and it was very funny. Maybe that should be a regular feature when Dan is compering in future – a request slot? Someone could ask for their favourite Old-Tyme Dan joke. Might go down a storm. As a peace-offering, at the end he gave me a copy of his book, which was very kind. But I had to return it after the show as I already bought a copy over a year ago.

Anyway, to the acts, and they were really great this week. First was Colin Owens, who had very funny insights into bad sex experiences and a nice line in combining this with his progression to baldness; very bright and inclusive, perhaps with just slightly too long a pause between some of his deliveries that made me think “oh no, please don’t lose it, it’s going really well”; but he didn’t, and it did. I loved his observations about having a Bar Mitzvah at Madame Tussauds.

Second was Susan Murray, who we had seen here before doing a lot of accent-based gags, but who did largely new material (take note!) and handled a heckler very amusingly. Mrs C appreciated her observation that you only have a landline so your mother can ring it. Good stuff, and she kept the act moving really well.

Headline act was local lad Andrew Bird. What a discovery! I don’t think any of the comics who have entertained us over the three years we’ve been coming to Screaming Blue Murder have achieved such gold-standard delivery. His timing was immaculate, pacey and flowing but never rushed, giving just the right window to appreciate the now before moving on to the next; his self-confidence meant you never had a moment’s concern for how he would structure the act although this didn’t mean he was in any way big-headed but instead was immensely likeable; and you really identified with him in the comic situations he described, because his observations were so spot-on. Mrs C and I had a prolonged good laugh walking home as we remembered his account of putting the baby in the dishwasher. It’ll have to be a very special performance that snatches this year’s Chrisparkle award from Mr Bird.

So a great night, with a huge and appreciative crowd, slightly weird for me with my unexpected role in the evening’s entertainment, but we’re really looking forward to the next one!

That difficult first post

Good morning, good afternoon, good evening; delete whichever does not apply. Allow me to introduce myself – I am Chris – “The Real Chrisparkle” – as opposed to any other Chrisparkles you might encounter. This picture is me, aged 3.

The Real ChrisparkleEvery year I always allot myself the same New Year’s Resolution – to have more fun. I work on the theory that no one ever died wishing they’d had less fun. And for the past few years I have largely achieved this resolution. But this January I felt like I should strive for something further – and I resolved to be more creative. So I thought I would try my hand at writing a blog.

I have read many other blogs with pleasure over the years and I know I have to work hard to make it a good one. Hopefully you’ll get a bit of sparkle out of it anyway.

A few things about me – and these are what I expect to be the recurrent themes of my blog – I like theatregoing and have done since I was a wee lad. Plays, musicals, Shakespeare are all grist to my mill. Dance productions too – dance done magnificently just about beats anything you can see on a stage. Dance that isn’t can be extremely tedious.

Music was my first love, and it will be my last – but I have this weird thing about Eurovision I’m afraid, so that will also play a prominent role in the blog (to mirror the role it plays in my life). Literature – yes I’m into that, but I don’t read anywhere near enough. Travel – yes, I can tell you all about my holidays, I know you’ll find that riveting. Sport – yes, to an extent; I’ll share my woes when my favourite football team loses and will be enthralled at Olympics and World Cup time. I want to improve my photography skills, so maybe you can help with that – I’ll let you know. Oh and just generally going out and having a good time. There’ll probably be quite a lot of that.

God this looks really dull. If you can stick with me through this introduction, I promise I will stick with you too. Let’s be supportive!!