Tag Archives: Comedy Crate

Review – British Comedian of the Year Semi Final, The Comedy Crate at the Charles Bradlaugh, Northampton, 19th November 2023

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Once again the Comedy Crate put the laugh into Bradlaugh with another fun-filled evening of top quality comedy. And once again they host a round in the British Comedian of the Year – progressing from a heat last year to a semifinal this year – next year, surely, they’ve got to host the Final! There’s always a great vibe at the Bradlaugh for Comedy Crate nights, but for this show there was a tangible sense of occasion too; everyone was really up for a great night of comedy – and the eight contestant comedians rose to the challenge.

Our host, new to us, as were all but one of the acts, was Jake Steers, Hemel Hempstead’s finest export, and he had plenty to contend with; second-row Lee sending him a series of curveballs and the accountants’ night out in the front row not being the easiest bunch from whom to coax comedy gold. He explained the set up would be three comics then an interval, then another three, and an interval, and finally the last two comics and the voting. We could all download a QR code which would take us to an online voting form, where we could select our favourite two performers. Northampton’s comedy scene is nothing if not high tech.

The winner receives the numerically palindromic sum of £10,001, which I note hasn’t gone up with inflation. If I were this year’s winner, I’d complain. Each contestant gets approximately ten minutes to deliver their best short sharp routine, and despite the lineup being a little short on diversity (eight white men, but that’s no one’s fault) the variety of material and styles was truly impressive.

First up – and in a change to the advertised billing – was Currer Ball, a genial Glaswegian with a likeable personality and a confident manner, who based his routine on his girlfriend who doesn’t exist, and on the consequences of playing games, including an agonising round of Twister. Very good delivery, although some of his material didn’t quite land properly. Act Number 2 was Dean Coughlin, a Liverpudlian with a deceptively laid-back manner and presentation, who had the audience in fits of laughter many times during his short set, with a combination of excellent material and spot-on delivery.Act 3 was Michael Shafar, who has a more sophisticated and cosmopolitan air to him, and whose set revolved around his survival from testicular cancer and being Jewish. Some fairly hard-hitting jokes there, and you have to be right on top of your material to get away with holocaust humour, but he went down well with the audience and nailed most of it.

Act 4, and the only comedian we had seen before, was Mike Cox, who delivered a great, confident set about his domestic relationships; some fairly familiar subject matter but spun in a completely different direction which was absolutely brilliant.Act 5 was Stephen Cookson, a slightly more mature kind of guy who has a stock of one-liners and tends towards the absurd. He has a very warm approach to the audience though, and the one-liners that worked were fantastic. We won’t mention the ones that didn’t.Act 6 was Fred Ferenczi, a quietly spoken, dour chap whose humour is based on the difference between the persona he presents and his subject matter. He laments that he is from Aylesbury and slags it off mercilessly. It makes a change from comedians coming to Northampton and slagging our town off. However, I lived in and around Aylesbury for decades and it really isn’t that bad.

Act 7 was Garrie Grubb who has an excellent presence but never quite hit his stride; and when he suggested that some of the audience might be homophobic that was a bit of a turn-off for all of us. Northampton audiences are all sorts of things but homophobic is not one of them. Our final act was Dane Buckley, a fascinating mix of Indian, Irish and gay, with a sprightly delivery and some excellent and inventive material, including possibly the best joke of the night involving his coming out to his Indian grandmother.

We had five minutes to vote and the runner-up was Dean Coughlin and the winner Mike Cox. It was a fabulously entertaining evening and the audience clearly loved every minute of it. Good luck for Messrs Cox and Coughlin for the rest of the competition and commiserations to everyone else. Normally if you were to see a mixed bill of eight comedians you might expect to see at least one dud amongst them – but not last night. The standard was very high. If I were to choose a third placed comic it would be Dane Buckley – I think he was unlucky to have such high quality competition.

Our next Comedy Crate gig will be back at V&B’s bar on Tuesday 5th December. Should be another great night!

Review – Comedy Crate at V&B, Northampton, 17th October 2023

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Back at the Comedy Crate and my first time seeing a gig in the upstairs room at V&B in glitzy, cosmopolitan, downtown Northampton. A fun, intimate venue and top quality drinkies! What more could you ask? Well maybe some top quality comedy too, and they had that in abundance.

Our host for the evening was local lad Pete Teckman (I say lad – by the sound of it we both celebrated our 60th birthdays during Lockdown 1.0). He gets an easy rapport with the audience, and quickly got to know Amber, Joseph and Dan in the front row, as, indeed, we all did. Comedy newbie Amber gradually learned that it’s easy to give too much personal response to the niceties of the comedian on stage; Dan, on the other hand, never really came to terms with this concept. Pete treated us to some excellent material and kept the whole thing going with confidence and nicely turned self-deprecation.

Our first act, someone we’ve seen many times and it’s always a delight, was Mary Bourke; brimming with attitude and always teetering on the edge of comedy disdain, she gave us her hilarious insights into life in Crouch End, dealing with consensual banter, winning the battle over a disabled parking space, and much more. Her timing is always immaculate; she radiates a tiny sense of danger which only adds to the comic frisson of her material. And, may I say, a beautiful use of similes – she’s a terrific wordsmith. A great way to start the night.

Next up, and new to us, was Birmingham’s own Hasan Al-Habib, a young chap with a tremendous range of entertaining voices that he uses to great effect. Most of his material centres on his Arab appearance and heritage, playing on prejudices and cultural differences, which in an inexperienced hand could go awfully wrong, but Hasan nails it perfectly with delicate precision and a keen sense of identifying the funny side in everything.

Our headliner, and someone we’ve only seen in a Zoom gig before (thanks Covid) was President Obonjo, dictator of the Lafta Republic, a brilliant comic creation and a vision in intimidating combats. He is able to both take the rise out of your “typical” African dictator – an Idi Amin crossed with a Bokassa and a bit of Mugabe chucked in for good measure – and also cast a critical eye over current British democracy for comparison. I love the idea that he is based in St Albans, that just seems so bizarre; he also picked out good-natured Jordan in the second row for special “shared race” treatment, which worked superbly. And he quickly identified front-row Dan; I doubt he’ll ever get a visa to visit Lafta.Fearless, challenging, and incredibly funny; I also love the way he occasionally lets the façade drop a little to reveal the real person behind the mask. A tremendous end to a superb night.

It’s always a delight to be able to write up a comedy night that was a winner from start to finish. More Comedy Crate gigs coming up soon, with a new act new material night at Saints Coffee on the 25th, and a return to V&B on 5th December, with Roger Monkhouse topping the bill.

Review – Comedy Crate at the Charles Bradlaugh, Northampton, 12th October 2023

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A slightly odd night of comedy with the Comedy Crate at the Bradlaugh on Thursday, with a hit and miss line-up and a curiously under energised audience. Our host for the night was Jesus lookalike Jay Handley, whom we saw at the British Comedian of the Year heat at the very same venue last year, when he was a huge hit. This time, he started the show with some curiously misplaced material about the homeless which I think took some of us aback. He was on firmer ground with chatting to audience members, including Jack the folk/blues band manager,and creating a mock argument about the worthiness of the charities that two different audience members worked for, only to discover they were married, leading to a delightfully embarrassed reaction sequence.

Our first act was Peter Brush, whom we’d seen once before at a Screaming Blue Murder night seven years ago and enjoyed, although I thought his act might turn out to be a little underpowered for the audience. How wrong I was – he absolutely smashed it, in the modern vernacular. Mr Brush is a retiring, quiet-looking, young-fogey type, who packs a brilliant punch with his unexpected punchlines. Beautifully self-deprecating and deliciously misleading, story after story landed perfectly showing that being mild-mannered does not result in bland comedy. I particularly loved his observations about Essex girls, turning a stereotype on its head to terrific comic effect, and his hilarious routine about what you can do with a toaster. First class!

Next up was someone new to us, Jenny Hart. Here’s where things start to get tricky. To accentuate the positive, she has a strong stage presence, excellent comic timing and is clearly a naturally funny person. She’s an out and proud transwoman – quite right too! – and integrates every aspect of that as an essential part of her routine. However, her material was not at all my cup of tea. I really don’t think I’m a prude, but I found the content of her set very crude, somewhat aggressive, and often in very dubious taste, with a couple of stories that I thought were totally unsuitable for sharing. Maybe I was way too sensitive for her material; to be fair, on the few occasions where she delivered some throwaway lines unrelated to her pre-prepared material, she made me laugh a lot. The chap in front of me absolutely loved her, and there were a few sections of the audience who were laughing riotously at her. But I’m afraid I couldn’t wait for it to end.

Our headliner was Jordan Brookes, also new to us, and what an unpredictable nugget of comedy gold he is! Breaking all the established rules by discarding the microphone, sitting among the audience, dragging a chair around the stage for every purpose apart from sitting on it, his is a fresh, constantly surprising, anarchic style, but never alienating us from either his material or his personality. As to that material, he’s one of those extraordinary performers whom you love to see and laugh at everything he says – and then the next day, you can’t remember one word of it. It’s a great way of ensuring you want to see him again! A superb ending to a slightly lopsided night of comedy.

More Comedy Crate gems to come next week when they take over V&B’s wine bar in Northampton on Tuesday. Can’t wait!

Review – The Comedy Crate Presents Troy Hawke Work in Progress, The Charles Bradlaugh, Northampton, 24th September 2023

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Where would comedians be without the opportunity to present a Work in Progress show? The chance to try out some new material with a willing, eager audience who let you know just how funny you’ve been by the volume of their laughter – or indeed by the silence of their response. Troy Hawke had already taken a new jumble of comic ideas to this year’s Edinburgh Fringe for a few nights to sort the wheat from the chaff, in preparation for next year’s no doubt bumper blockbuster show. And on Sunday night he visited the humble folk of Northampton to give us a sneaky peek into what he’s got up his satin sleeve.

Troy Hawke is well on his way to becoming a national treasure, if he isn’t already there. Elegantly decked out en smoking, he embodies that terrific comic ability to combine refinement and poise with unexpectedly cracking punchlines, or varying his delivery from sophisticated Surrey to excitable Scouse. He effortlessly gets to know a few members of the audience, confiding in them, complimenting them (if appropriate), and, perhaps surprisingly, eliciting one couple’s safe word –  yellow! (which, alarmingly, was the colour of his shirt).

The nub of his new show concerns small talk – what it really means, how it happens, and how to cope with having to do it. On the way we meet football legends Jan Molby and Jack Grealish, gain an insight into scrabble scores and discover what Troy really thinks of psychiatrists. As you might expect, there’s a good dollop of Greeters’ Guild anecdotes, as he spreads what can only be described as pure Troy outside a TK Maxx. He still needs to work up a proper ending – which is almost always a common theme with WIP progress shows – but it was a brilliant hour packed with comedy gold.

Review – The Comedy Crate at the Charles Bradlaugh, Northampton, 14th September 2023

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It’s back for another big dollop of laughter at the Charles Bradlaugh, courtesy of those nice people at the Comedy Crate. It’s always exciting when all the acts are new to us, because the evening becomes a smorgasbord of unexpected delights. Our host for the evening was Alex Farrow, a smart super-confident chap who quickly gains a terrific rapport with the audience, and quickly elicited the fact that we were all rich beyond the dreams of avarice – well, it may have seemed that way at least.But there can’t be that many people who have access to two yachts! Very quick witted, he bounced off all the comedy nuggets that the audience gave him, and kept the show moving at an enjoyably fast pace. I made a note in my brain that we must catch his full solo show one day.

First up was Steve Hall, whose material is firmly based on his family life with his no-nonsense wife and two delightful children, who have discovered the art of homemade tattoos.There are lots of very recognisable family-based comic observations, many of which are illustrated with pictures including life from his own childhood as well as his own kids. If this sounds a little cosy, it’s peppered with many surprisingly sharp moments and there’s lots of big laugh-out-loud punchlines. An excellent start to the evening.

Next came Kathryn Mather who has wisely moved on from being a children’s entertainer. She has a nicely awkward stage persona and an excellent use of self-deprecation, talking about her lack of success with men and some entertaining stories about trying to attract the opposite sex. We hear about her (slightly predictable) encounter with the Dreamboys, and the perils of speed dating. From the sound of the laughter there was lots for women to recognise, if not quite so much for the guys. But she went down very well with the audience.

Our headliner act, and someone whose career we will definitely follow with interest, was Sarah Keyworth, a naturally funny comedian who mines comedy gold from her appearance and sexuality in an effortlessly hilarious way. She delivered not only the best pronouns gag out there, but also the best definition of non-binary, which had us all in hysterics. She has a marvellous running thread about being in a lesbian foursome, including the obligations one would feel about being the perfect host whilst entertaining three other women, and a brilliant sequence about inviting a male stripper to a hen party in a caravan in Devon. She completely blew us away with her superb audience interaction – occasionally checking in with second-row John to make sure it was going ok – and pinpoint perfect material. Another excellent night of comedy.

Review – Harry Stachini and Emmanuel Sonubi – Edinburgh Previews – The Comedy Crate at the Lamplighter, Northampton, 24th July 2023

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Another night, another Edinburgh Preview show. This time we relocated to the Lamplighter pub which has an excellent downstairs stage area and works very well as a comedy venue. There had been a relatively late change of cast for the lineup for this show, as is often the case with Edinburgh Previews, but fortunately those nice people at the Comedy Crate have a wealth of comedy contacts up their sleeve, so you never need worry that you’ll be shortchanged!

Our first act was a new name to us, Harry Stachini, preparing his new Edinburgh show, Grenade. He’s a thoroughly likeable young chap with an engaging personality and his show is an easy-going, happy, laughter-filled hour centred on the notion that we all have a grenade in our lives on which we ought to pull the pin. For him, it was his long-term relationship with Jess (and their dog); for others it could be your job, your health worries, your relationship, or anything. Fascinating that the dog knew they were splitting up before either Harry or Jess did! The show also brings in several comedy nuggets such as his parents’ relationship, teachers’ experiences of dealing with difficult kids, and a dreadful secret that the Virgin Mary might not have kept from Joseph. Mr Stachini is a naturally funny guy, has great material – although, as with nearly all the comedians we have seen over these previews, he knows he needs to get a proper ending sorted! This will be a very good show when it gets to Edinburgh.

After the interval it was time for our relatively last minute change to the advertised programme, Emmanuel Sonubi, previewing his Edinburgh Show Curriculum Vitae. We saw Emmanuel on his first Edinburgh show last year, Emancipated, a very enjoyable romp through his life and times. Now he has a new show, full of brand new material, which also tells the story of his life and times but just from a slightly different perspective! He’s able to get a lot of comic mileage out of his larger than life physical presence, which he can either use to be intimidating, or to play the coquette, which is even funnier – stop looking at my magnificent triceps, stop, honestly, what are you like?! I loved his material about banging gym and wetting you up – who knew? – and he incorporates themes from his time in various careers including being a bouncer, musical theatre and working in IT. Very effective and funny use of music to open and end the show, and there’s loads of laughs in his act as a faux-humble man – you’ll just have to see his show to appreciate it. There’s not much here that needs tightening up for Edinburgh, and he went down a storm at the Lamplighter.

That’s me done for Edinburgh Previews for this year – the main event is looming north of the border in a week’s time. But there are still a few more Comedy Crate shows coming up over the next week or so!

Review – Jo Caulfield and Paul Sinha – Edinburgh Previews – The Comedy Crate at the Northampton Town Centre Hotel, 22nd July 2023

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It only seems like a moment ago that we were at that town centre hotel in Northampton, inventively named the Northampton Town Centre Hotel (I kid you not) to see Gareth Mutch and Tom Stade wow us with their Edinburgh Previews. And we were back there again on Saturday night to see Jo Caulfield and Paul Sinha do the same! Such is the appeal of both the artists and the event that they held two shows on that day – a 5pm teatime affair and an 8pm grown up’s gig – although I’m sure the material was pretty much the same for both shows. That said, you can’t be sure; as these are Work in Progress shows, they might have risked a few lines at 5pm that bombed and were never heard of again – as indeed might have happened at the 8pm show. Basically, you can look on these shows as a helping hand for the comedians whacking their show into shape, and a serving suggestion for the audience as to what the final product might look like.

We started off with Jo Caulfield, a very experienced performer in the world of comedy, preparing her new Edinburgh show, Razor-Sharp. Checking back, I think this will be the 21st time that she’s taken a show to Edinburgh, so I think it’s safe to say she knows what she’s doing – she’s as much part of the place as Arthur’s Seat itself. She admits that all her shows are basically her catching up on ideas and reactions to things that have happened to her over the past twelve months, so you always get a sense of a very personal connection with her material. And much of her material is inspired by the life and times of her husband, of whom I think it is fair to say, she is lovingly critical. She has a hilarious routine about going along to what her husband calls “a night out with the lads” much to their (the lads) uniform horror. Even though it’s a WIP, she’s assured, polished, and superbly caustic. For my own taste, occasionally I find she drifts into the almost cruel with some of her observations, but she does it so nicely that she gets away with it! She also gave a reading from her new book The Funny Thing About Death which I think was in preparation for an appearance at the Book Festival. It doesn’t dovetail into her Edinburgh show but hopefully it helped her decide on which passages she should read there. But if you’re a fan of Jo Caulfield then her new show will definitely be one to watch.

After the interval we welcomed Paul Sinha, previewing his Edinburgh Show Pauly Bengali. We’ve seen Paul Sinha many times before and his is one of the most creative and telling comedy brains on the circuit. This show was like a game of two halves; in the first, we had some of Paul’s classic takes on being a gay Asian with Parkinson’s and his affiliation (or otherwise) with leafy Luton, and in the second, he concentrated on his experience with attending last year’s TRIC awards and his interaction, for want of a better word, with the awards’ sponsor, the one and only GB News. Proudly woke (and why wouldn’t you be?) he’s no friend of KGB News, and there are loads of comedy nuggets to appreciate including why he’s not on Mark Dolan’s Christmas Card list – and probably not Adrian Edmondson’s either. One thing you can say about Paul Sinha, he’s always delightfully indiscreet about people who don’t come up his standard. He has plenty of good words to say about Milo McCabe though – again, why wouldn’t you? Interspersed with all this he gives us some comedy songs on the bontempi and ends up with a comic assassination of someone I’d never heard of but who has clearly been stealing his jokes – which is always a no-no in the comedy world. It needs a little more shaping up and editing but I’ve no doubt that Pauly Bengali will be a big success in Edinburgh.

And there’s more to come – another Edinburgh Preview tonight at The Lamplighter; we’ll be there, will you?

Review – Gareth Mutch and Tom Stade – Edinburgh Previews – The Comedy Crate at the Northampton Town Centre Hotel, 13th July 2023

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Hot on the heels of last weekend’s mammoth and super-successful Comedy Crate Weekender, we’re down for three more evenings of Edinburgh Previews this month, starting with Gareth Mutch and Tom Stade at the newly branded Northampton Town Centre Hotel (that’s the old Park Inn if you’re still working in pounds, shillings and pence). Whilst you couldn’t say that the room where the show took place was glamorous – and indeed our two performers started their acts by acknowledging as much – it is functional, comfortable, and adjacent to a good bar and excellent toilets so you can’t say fairer than that.

First up was Gareth Mutch – a name new to me, preparing for his Edinburgh show Belter. He’s a big, likeable lad, nicely self-deprecating about his self-confessed “odd” shape, and he uses his relaxed story-telling style to deliver some fun material about someone he met on a train and a creepy front-row comedy club fan. Very much in Preview territory – as he would be the first to admit – so not every punch landed, possibly because we were an older demographic than he is targeting. He’s great at setting up a rapport with the audience and found just the one fellow vaper – good old Balpreet. He has excellent material concerning vaping, by the way, all of which was fresh and fun and which I can’t remember hearing mentioned by another comic, so it’s a good subject to develop! An enjoyable and entertaining hour which I’m sure will grow into an excellent Fringe show.

After the interval it was time for Tom Stade, previewing his Edinburgh Show Natural Born Killer. It’s to my shame that I’ve never seen Tom Stade before and boy, have I been missing out. Few comics can aspire to his clearly innate ability to be funny from the very start. I know it’s a cliché, but the man could stand on the stage and read a shopping list and it would be hilarious. There’s very little brushing-up required to make this show Fringe-perfect; he has an amazing rapport with the crowd, chatting with many of us including me (that’s Chris, 63) and my father-in-law aka Lord Prosecco, Bill, 80.) I mention the ages because it’s a vital part of this show – setting yourself in your formative decade and never growing up afterwards. He has brilliant material about the words you can and cannot use today – and it’s not in a GB News-type right-wing moany way but in an incredibly inventive, challenging way that sees the funny side of it all. Packed with superb observations, terrific asides, and way more than a laugh a minute. Can’t wait to see him again!

More Edinburgh Previews ahead – we’ve just booked to see Paul Sinha and Jo Caulfield on Saturday, should be great!

Review – The Comedy Crate Weekender, Northampton, 8th & 9th July 2023

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Correct me if I’m wrong, gentle reader, but it’s six years since the Comedy Crate held their first weekend festival hosting Edinburgh Preview acts for the pleasure of Northampton audiences. It’s also the first year that Mrs Chrisparkle and I have been able to be present for both days – and it really is an incredible bargain – £40 buys you ten shows from a choice of twenty-five. Your comedy dollar stretches a long way here. 25 acts, 3 venues and loads of laughs. Everyone’s experience will be different, depending on their choices of shows – but here’s what we got up to!

Saturday 8th July

2 pm – Chloe Petts: If You Can’t Say Anything Nice (Black Prince)

I’d heard a lot about Chloe Petts, so was naturally intrigued to see for myself! And her new show is a very enjoyable hour where she examines how she’s a nice person but nevertheless she has anger issues. She’s clearly naturally funny, with an engaging persona even if at time she tries to deliberately put you against her – for example, I loved how she singled out “men who sit in the front row at comedy gigs” as being the worst of the worst, but she also says she hates her own fans – but with a fair justification. I loved her routines about therapists and football, and she has some brilliant material about catching the bouquet at a wedding. Still work in progress, as all these shows are, and it needs a little tightening up and refinement, but I’m sure this will be one to watch when it comes to the Pleasance Courtyard Edinburgh.

3.30 pm – Matt Bragg: Has Nothing Wrong With Him (Black Prince)

We’d seen Matt Bragg once before when he did a ten-minute slot in an otherwise car crash of a show at the Leicester Comedy Festival in 2019 and I picked him out then as One To Watch. Now preparing his debut tour, I can certainly agree with the title that Matt Bragg has absolutely nothing wrong with him at all, in fact this was a tremendously fluid, confident, and extremely funny hour. Mr Bragg’s accent puts you in mind of a younger Frank Skinner and the two bear fair comparison. Extremely engaging and likeable, he puts a fresh angle on some familiar themes, incorporating some excellent callbacks. I loved the story of the Japanese hating Grandad, and the idea of the type of people who name their wedding tables after places they’ve been on holiday – so true. To be honest, if you’re going to include a story about Auschwitz in a comedy routine it’s vital to nail it devastatingly, and that wasn’t quite there yet; the show also needs a stronger ending, but that will come. This isn’t an Edinburgh preview as such, although he is part of an Edinburgh mixed bill line-up that will definitely be worth seeing. I’m predicting Mr Bragg will go from strength to strength and be a big name in the future.

5 pm – Darren Harriott: Roadman (Charles Bradlaugh)

Much to my surprise this was the first time we’d seen Darren Harriott, although he already has a great reputation for stand up. Another very likeable and engaging personality, he has a relaxed but confident way about him that instantly puts you at ease and ensures you’re in for a good time. He explains how he has moved on from being a Roadman (Urban Dictionary is your friend) to being the real him. He also tells us about the ikkk – I think that’s the right spelling – which is the moment that you know that the person you’ve met has just turned you off bigtime for a minor etiquette transgression; look forward to one of the best callbacks of all time. He has some very enjoyable material about his experience on Celebrity Mastermind and why he is satisfied it will never get repeated on TV. When all his comedy ideas have gelled together this will doubtless be an Edinburgh hit at the Pleasance Courtyard in August.

7 pm – Thomas Green: End of Daze (Charles Bradlaugh)

A last minute replacement, Thomas Green is new to me although he’s been on the comedy scene for a few years now, and his show End of Daze, although not going to Edinburgh, is touring the country from September. And if you’re going to see the show, you’re in a for a treat. He’s an outstanding comedian, hugely likeable, a superb communicator, deftly incorporating all the little elements that an audience throws at him, and we didn’t stop laughing the entire hour. The show is based on his Australian upbringing within a very controlling and strict church and how he eventually broke free and became a teacher in Nottingham (where else?) Mrs C was brought up in Australia, and also knows a lot about the church there so there was lots to recognise. There are some lovely moments, like the first time he saw snow (?) and the first time he saw a radiator! Absolutely loved this show and will definitely seek him out in the future. Highly recommended! Book tickets for his tour here.

8.30 pm – Josh Pugh: Existin’ La Vida Loca (Lamplighter)

Purely as an aside, you can’t beat Josh Pugh for coming up with inventive titles for his shows! Battling the extreme heat of the upstairs room at the Lamplighter, which Mr Pugh would be the first to agree was not the most conducive environment to enjoying comedy, he nevertheless treated us to some terrific comedy ideas that will go to form his new show which is scheduled to be a Work in Progress when it reaches the Monkey Barrel in Edinburgh for the early part of the Fringe. Josh is a terrific wordsmith and always brings new observations to familiar situations. His new show is about coping with all the stresses and strains of life now that he and his wife have a young child in the mix. Early days for this Work in Progress but I have no doubt that this will be another cracker on the way.

Sunday 9th July

2 pm – Mark Simmons: New Jokes (Charles Bradlaugh)

I’m a real sucker for Mark Simmons’ brand of comedy – rapid one liners, but delivered at a gentle pace. Trying out all sorts of new material for his Edinburgh show at the Liquid Room, what makes him so effective a comic is the brilliant contrast between his charmingly mild-mannered appearance and delivery and the sometimes savage content of his punchlines. There’s plenty of new examples of this in his new show, which of course I won’t spoil for you, but if you’re a fan of his previous work you’ll certainly love the new stuff. It’s not to everyone’s taste – one gentleman left early, much to the surprise of everyone else in the room, apart from Mark himself, who was kindness itself in accepting that his style isn’t for everyone. Shame – he missed out on some terrific stuff! When Mark’s decided on the final bunch of new jokes for Edinburgh, it’s going to be a blast!

3.30 pm – Ian Smith: Crushing (Charles Bradlaugh)

We’ve seen Ian Smith twice before, so I knew we were going to be in for a good time with his new show, Crushing, which he’s taking to the Tron (Monkey Barrel Comedy) in Edinburgh this year. Ostensibly about going with his hairdresser to smash a car up in Slovakia and watch it crushed by a tank – but there’s lots more to it than that. It’s a very funny collection of routines that are largely based on the idea of stress-busting solutions, plus the problems in life that create the stress in the first place. Mr Smith has a quirky, unpredictable style; there’s a sequence, for example, where he hosts the show from a spare seat in the audience. My favourite part was the story of the aggrieved employee in a vineyard who wrought a very protracted revenge on his employers. Loads of excellent comic ideas here, with a very strong delivery. It still lacks an ending, but as Mr Smith himself said, he still has three weeks….

5 pm – Matt Forde: Inside No 10 (Black Prince)

It’s been a terrible sin of omission, but is the first time we’ve seen Matt Forde, even though he has an outstanding reputation for impersonations and political comedy (of which we’re very fond.) He hits the ground running straight away with a comic assassination of Rishi Sunak (fully deserved, imho), and he weaves loads of other political figures into his narrative. I really enjoyed his bumbling, pompous Sir Lindsay Hoyle, his pinch-voiced Keir Starmer, his bewildered Hamza Yusuf, and his quietly manipulative Mick Lynch. Topical, gritty and pulling no punches on any side of the political spectrum, I didn’t think Northampton audiences normally responded particularly well to political stand up in the past, but this was an exception. He’s still working out which elements of this work in progress show will end up in his Inside No 10 show at Pleasance Courtyard next month, but he’s got a lot to choose from!

7 pm – Nabil Abdulrashid: The Purple Pill (Black Prince)

I’ve not seen Nabil Abdulrashid before and I wanted to see him on the strength of his appearance on Have I Got News For You a few weeks ago, where I thought he was devastatingly funny. There’s no denying he’s a big chap, which leads to a commanding presence on stage. His Edinburgh show description about The Purple Pill (Pleasance Courtyard) is that it is a “show about trying to be a good person while staying a badman.” I’m not sure that really reflects the material he delivered at this Preview, which I felt more concentrated on his family life, coping with two very different daughters, and needing to protect them from the big bad world outside, as well as his own mental health issues – no real detail there, except that he feels he has them, and has a lot of them. He’s a terrific wordsmith, with a tremendous lightness of verbal touch – he has a beautiful sensitivity to the nuances of the language. Occasionally challenging, particularly on the topic of latent racism, and it’s refreshing to hear about life from the point of view of a Muslim Nigerian in Croydon! Plenty of work still to do here, but I’m sure he’ll nail it.

8.30 pm – Abandoman: Future Fest (Black Prince)

I really ought to learn my lesson not to put my hand up in an Abandoman show. I did it at his Preview show last year – and ended up on stage; and I did it again this year, ending up on stage and dragging poor Mrs Chrisparkle into the show as well. Fortunately my fellow Abandoman victims – I mean stage participants – did outstandingly well! The thing about Abandoman is that he is so unthreatening, completely puts you at your ease whilst you’re up there, that you should never be wary of taking part in one of his incredible musical experiences. In Future Fest, (Underbelly, George Square) he poses just three or four questions to the audience, and if you feel you’ve got an appropriate answer, he’ll give you a little interview on stage and then convert all the material you’ve provided into a hilarious rap song. He must have the most extraordinarily flexible brain and memory, and I can only assume that no two Abandoman shows are ever the same. A brilliant way to end a superb weekend of comedy – and a massive thanks to the Comedy Crate team for organising it so splendidly and seamlessly.

There are more Comedy Crate Edinburgh Previews coming up over the rest of July – we’re next up for Tom Stade and Gareth Mutch at the Park Inn on Thursday – see you there!

Review – Comedy Crate at the Waterside, University of Northampton, 21st March 2023

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A new venue for us, the Waterside Bar and Restaurant at Northampton University, and it’s a very welcoming environment. Great sightlines, excellent well-priced wine and a friendly atmosphere. Of course, what can make or break a comedy gig is the subtle blend of venue and audience; and, on last night’s experience, the right blend just wasn’t there. We knew for a fact (they told us many times!) that the acts were expecting a much more studenty crowd than the demographic who had bought tickets; representing the students, there were only wannabe sports coach Jake (19) and his unnamed girlfriend (20) present. The rest of us were of indeterminate older age! Maybe, because it was held at the university, some of the regular Comedy Crate crowd didn’t feel that it was the right venue for them and so stayed away. <RANT>But comedy is comedy, gang! You can have just as good a laugh at a uni venue as you can in a pub or theatre. So have the confidence to book tickets! </RANT>

All four comics plying their trade last night were new to us – something that very rarely happens nowadays, so that gave the evening an additional frisson (for us anyway). Our host was Ross Smith – and a very capable pair of hands he is too. Very welcoming, he instantly put us at ease as he delved into the private lives of those in the second and third rows (including us). Often, when you get targeted by a comic to answer lots of personal questions, something inside you clams up and you just wish they’d go away. Not so with Mr Smith; he has a very engaging personality that invites you to open up and tell things to a perfect stranger (indeed a room full of them) that you wouldn’t normally. He controlled the evening with a true lightness of touch, he’s clearly got a quick comic brain, and I’d really like to see him do a longer set. So far, so good.

Our first act was Michael Mannion, and I can’t pretend it went well. Thrown a) by the fact that we weren’t students and b) from the lukewarm response he received to his opening material, he lost his way somewhat and found it difficult to get back on track. I felt that he sensed that his set was going worse than it actually was, which was an early punch in the stomach of his confidence. He self-deprecates before we’ve had a chance to assess whether he deserves to, describing himself as a c*** several times, too early into the act and without real justification. As a result, when he actually asks the audience at one stage, don’t you think I’m a c***? which, presumably, most student audiences do, we were left thinking no you’re not, just a well brought-up nice young man, in a slightly patronising way. His act is very much based on his appearance and personality rather than its verbal content, and there just weren’t enough well-delivered punchlines for the act to go better. Oh, and, no Michael, we weren’t all 100 years old, despite your muttering it!

Things took a terrific turn for the better with our middle act, Jacob Nussey. A very dour, wry persona, with a quiet but totally authoritative delivery, the audience quickly attuned to his material and pace. He had some wonderful observations about working for Amazon, and a brilliant sequence about casual racism which really turned the subject on its head. Self-deprecating in just the right way and extremely funny. He was perfect for this gig, as all his observations and material were relatable to people of all ages.

Our headliner was Erika Ehler, with a larger-than-life personality and terrific stage presence, but she too was sideswiped by the lack of students in the audience. She has some great material and delivers it with style and conviction, but the majority of it didn’t land. After a while she started to tell us that we wouldn’t like her next lot of material because we were the wrong audience for it; and she was right! A shame because I’m sure under different circumstances she would be a big hit.

The key to success for comedy at this venue is to get more bums on seats! We can’t make the next gig here, on 18th April, but you should – Ross Smith hosting again, and Josh Pugh is topping the bill. Should be great!