Review – The Comedy Crate Weekender, Northampton, 8th & 9th July 2023

Correct me if I’m wrong, gentle reader, but it’s six years since the Comedy Crate held their first weekend festival hosting Edinburgh Preview acts for the pleasure of Northampton audiences. It’s also the first year that Mrs Chrisparkle and I have been able to be present for both days – and it really is an incredible bargain – £40 buys you ten shows from a choice of twenty-five. Your comedy dollar stretches a long way here. 25 acts, 3 venues and loads of laughs. Everyone’s experience will be different, depending on their choices of shows – but here’s what we got up to!

Saturday 8th July

2 pm – Chloe Petts: If You Can’t Say Anything Nice (Black Prince)

I’d heard a lot about Chloe Petts, so was naturally intrigued to see for myself! And her new show is a very enjoyable hour where she examines how she’s a nice person but nevertheless she has anger issues. She’s clearly naturally funny, with an engaging persona even if at time she tries to deliberately put you against her – for example, I loved how she singled out “men who sit in the front row at comedy gigs” as being the worst of the worst, but she also says she hates her own fans – but with a fair justification. I loved her routines about therapists and football, and she has some brilliant material about catching the bouquet at a wedding. Still work in progress, as all these shows are, and it needs a little tightening up and refinement, but I’m sure this will be one to watch when it comes to the Pleasance Courtyard Edinburgh.

3.30 pm – Matt Bragg: Has Nothing Wrong With Him (Black Prince)

We’d seen Matt Bragg once before when he did a ten-minute slot in an otherwise car crash of a show at the Leicester Comedy Festival in 2019 and I picked him out then as One To Watch. Now preparing his debut tour, I can certainly agree with the title that Matt Bragg has absolutely nothing wrong with him at all, in fact this was a tremendously fluid, confident, and extremely funny hour. Mr Bragg’s accent puts you in mind of a younger Frank Skinner and the two bear fair comparison. Extremely engaging and likeable, he puts a fresh angle on some familiar themes, incorporating some excellent callbacks. I loved the story of the Japanese hating Grandad, and the idea of the type of people who name their wedding tables after places they’ve been on holiday – so true. To be honest, if you’re going to include a story about Auschwitz in a comedy routine it’s vital to nail it devastatingly, and that wasn’t quite there yet; the show also needs a stronger ending, but that will come. This isn’t an Edinburgh preview as such, although he is part of an Edinburgh mixed bill line-up that will definitely be worth seeing. I’m predicting Mr Bragg will go from strength to strength and be a big name in the future.

5 pm – Darren Harriott: Roadman (Charles Bradlaugh)

Much to my surprise this was the first time we’d seen Darren Harriott, although he already has a great reputation for stand up. Another very likeable and engaging personality, he has a relaxed but confident way about him that instantly puts you at ease and ensures you’re in for a good time. He explains how he has moved on from being a Roadman (Urban Dictionary is your friend) to being the real him. He also tells us about the ikkk – I think that’s the right spelling – which is the moment that you know that the person you’ve met has just turned you off bigtime for a minor etiquette transgression; look forward to one of the best callbacks of all time. He has some very enjoyable material about his experience on Celebrity Mastermind and why he is satisfied it will never get repeated on TV. When all his comedy ideas have gelled together this will doubtless be an Edinburgh hit at the Pleasance Courtyard in August.

7 pm – Thomas Green: End of Daze (Charles Bradlaugh)

A last minute replacement, Thomas Green is new to me although he’s been on the comedy scene for a few years now, and his show End of Daze, although not going to Edinburgh, is touring the country from September. And if you’re going to see the show, you’re in a for a treat. He’s an outstanding comedian, hugely likeable, a superb communicator, deftly incorporating all the little elements that an audience throws at him, and we didn’t stop laughing the entire hour. The show is based on his Australian upbringing within a very controlling and strict church and how he eventually broke free and became a teacher in Nottingham (where else?) Mrs C was brought up in Australia, and also knows a lot about the church there so there was lots to recognise. There are some lovely moments, like the first time he saw snow (?) and the first time he saw a radiator! Absolutely loved this show and will definitely seek him out in the future. Highly recommended! Book tickets for his tour here.

8.30 pm – Josh Pugh: Existin’ La Vida Loca (Lamplighter)

Purely as an aside, you can’t beat Josh Pugh for coming up with inventive titles for his shows! Battling the extreme heat of the upstairs room at the Lamplighter, which Mr Pugh would be the first to agree was not the most conducive environment to enjoying comedy, he nevertheless treated us to some terrific comedy ideas that will go to form his new show which is scheduled to be a Work in Progress when it reaches the Monkey Barrel in Edinburgh for the early part of the Fringe. Josh is a terrific wordsmith and always brings new observations to familiar situations. His new show is about coping with all the stresses and strains of life now that he and his wife have a young child in the mix. Early days for this Work in Progress but I have no doubt that this will be another cracker on the way.

Sunday 9th July

2 pm – Mark Simmons: New Jokes (Charles Bradlaugh)

I’m a real sucker for Mark Simmons’ brand of comedy – rapid one liners, but delivered at a gentle pace. Trying out all sorts of new material for his Edinburgh show at the Liquid Room, what makes him so effective a comic is the brilliant contrast between his charmingly mild-mannered appearance and delivery and the sometimes savage content of his punchlines. There’s plenty of new examples of this in his new show, which of course I won’t spoil for you, but if you’re a fan of his previous work you’ll certainly love the new stuff. It’s not to everyone’s taste – one gentleman left early, much to the surprise of everyone else in the room, apart from Mark himself, who was kindness itself in accepting that his style isn’t for everyone. Shame – he missed out on some terrific stuff! When Mark’s decided on the final bunch of new jokes for Edinburgh, it’s going to be a blast!

3.30 pm – Ian Smith: Crushing (Charles Bradlaugh)

We’ve seen Ian Smith twice before, so I knew we were going to be in for a good time with his new show, Crushing, which he’s taking to the Tron (Monkey Barrel Comedy) in Edinburgh this year. Ostensibly about going with his hairdresser to smash a car up in Slovakia and watch it crushed by a tank – but there’s lots more to it than that. It’s a very funny collection of routines that are largely based on the idea of stress-busting solutions, plus the problems in life that create the stress in the first place. Mr Smith has a quirky, unpredictable style; there’s a sequence, for example, where he hosts the show from a spare seat in the audience. My favourite part was the story of the aggrieved employee in a vineyard who wrought a very protracted revenge on his employers. Loads of excellent comic ideas here, with a very strong delivery. It still lacks an ending, but as Mr Smith himself said, he still has three weeks….

5 pm – Matt Forde: Inside No 10 (Black Prince)

It’s been a terrible sin of omission, but is the first time we’ve seen Matt Forde, even though he has an outstanding reputation for impersonations and political comedy (of which we’re very fond.) He hits the ground running straight away with a comic assassination of Rishi Sunak (fully deserved, imho), and he weaves loads of other political figures into his narrative. I really enjoyed his bumbling, pompous Sir Lindsay Hoyle, his pinch-voiced Keir Starmer, his bewildered Hamza Yusuf, and his quietly manipulative Mick Lynch. Topical, gritty and pulling no punches on any side of the political spectrum, I didn’t think Northampton audiences normally responded particularly well to political stand up in the past, but this was an exception. He’s still working out which elements of this work in progress show will end up in his Inside No 10 show at Pleasance Courtyard next month, but he’s got a lot to choose from!

7 pm – Nabil Abdulrashid: The Purple Pill (Black Prince)

I’ve not seen Nabil Abdulrashid before and I wanted to see him on the strength of his appearance on Have I Got News For You a few weeks ago, where I thought he was devastatingly funny. There’s no denying he’s a big chap, which leads to a commanding presence on stage. His Edinburgh show description about The Purple Pill (Pleasance Courtyard) is that it is a “show about trying to be a good person while staying a badman.” I’m not sure that really reflects the material he delivered at this Preview, which I felt more concentrated on his family life, coping with two very different daughters, and needing to protect them from the big bad world outside, as well as his own mental health issues – no real detail there, except that he feels he has them, and has a lot of them. He’s a terrific wordsmith, with a tremendous lightness of verbal touch – he has a beautiful sensitivity to the nuances of the language. Occasionally challenging, particularly on the topic of latent racism, and it’s refreshing to hear about life from the point of view of a Muslim Nigerian in Croydon! Plenty of work still to do here, but I’m sure he’ll nail it.

8.30 pm – Abandoman: Future Fest (Black Prince)

I really ought to learn my lesson not to put my hand up in an Abandoman show. I did it at his Preview show last year – and ended up on stage; and I did it again this year, ending up on stage and dragging poor Mrs Chrisparkle into the show as well. Fortunately my fellow Abandoman victims – I mean stage participants – did outstandingly well! The thing about Abandoman is that he is so unthreatening, completely puts you at your ease whilst you’re up there, that you should never be wary of taking part in one of his incredible musical experiences. In Future Fest, (Underbelly, George Square) he poses just three or four questions to the audience, and if you feel you’ve got an appropriate answer, he’ll give you a little interview on stage and then convert all the material you’ve provided into a hilarious rap song. He must have the most extraordinarily flexible brain and memory, and I can only assume that no two Abandoman shows are ever the same. A brilliant way to end a superb weekend of comedy – and a massive thanks to the Comedy Crate team for organising it so splendidly and seamlessly.

There are more Comedy Crate Edinburgh Previews coming up over the rest of July – we’re next up for Tom Stade and Gareth Mutch at the Park Inn on Thursday – see you there!

Review – The Comedy Crate, Five Edinburgh Previews, The Charles Bradlaugh, Northampton, 3rd July 2022

Five Edinburgh Previews for a fiver each? Yes please! It was a full day at the Charles Bradlaugh pub on Sunday to watch these five (well, six really) eager young artists perfecting their comic offerings for our delectation and the future enjoyment of those lucky enough to go to the Fringe in August – including us! Two of these acts are previous winners of Chrisparkle Awards so you already know they’re going to be great. Bear in mind, of course, that all these shows are Work-in-Progress, so it’s unlikely that they’d be comedy perfection yet. One was, indeed, absolutely Edinburgh-ready; two were very close to getting there, and two still needed a fair bit of work, but that’s absolutely The Name of the Game, as Abba would have it. So let’s take them one by one…

Norris and Parker: Sirens (Monkey Barrel Comedy, 21:15, 3-28 August except 17th)

“Let Piscean comedy duo Norris and Parker lure you into their fever dream for a surreal hour of wild, nautical madness. Debauched sketch comedy for lovers of the strange, the sordid, the musical and the dark.” That’s what it says on the Edinburgh Fringe website.

New to us, Norris and Parker are a chirpy couple who clearly have comedy coursing through their veins, and Sirens is a varied show with many highlights but also a few bits that need some refining. The opening number is great, with smart and witty lyrics, and I really loved their ITV drama sequence Deep Sh*t which beautifully assembled all those midweek 9pm northern drama clichés and took the mickey out of them. The interplay between the two performers works very well, hinting comically at all sorts of rivalries with their friendship, and there is lots to enjoy. Maybe the two Lighthouse sequences, where they’re performing Norris’ play, need some tightening up. But I’m sure this will be a great show on the Fringe.

Edinburgh tickets available here!

Markus Birdman – The Bearable Heaviness of Nearly Not Being (PBH’s Free Fringe @  Banshee Labyrinth, 17:10, 6-28 August except 9th, 16th and 23rd)

“The award-winning comedian returns with his 15th solo show. Fresh from supporting Jason Manford on tour, including two nights at The Palladium. It’s about life. It’s about death. It’s about getting knocked down, and getting up again. It’s about laughing in the face of it all. It’s about an hour.” That’s according to the Edinburgh Fringe website.

Winner, not only of the Chrisparkle Award for the Best Screaming Blue Murder Stand-up for 2013, but also the Best Screaming Blue Murder Stand-up for the Decade in my 2020 Honours List, I’m already hooked when it comes to Mr Birdman – he only has to speak a few words and I’m in hysterics. This new show is absolutely ready for Edinburgh, and is a comic account (it could be nothing else) of his recent health journey (yes, the J word), having suffered a second stroke last year which has severely affected his sight. Its very personal nature gives it an unquestionable authority, and although we can’t fail to be moved by his plight, there’s no sense of self-indulgence or begging for sympathy; every observation is as razor-sharp and pinpoint accurate as usual, and the hour is literally crammed with fantastic and consistently top-grade material. Absolutely loved it, it’s going to be a Big Fringe Hit.

Edinburgh details here!

Mark Simmons: Quip Off the Mark (PBH’s Free Fringe @ Liquid Room Annexe/Warehouse, 13:45, 6-27 August, every day)

“The Mock The Week panellist and master of one-liners returns with another show jam-packed with cleverly crafted jokes and improvised gags.” Taken from the Edinburgh Fringe website, with the spelling mistake corrected.

A regular Comedy Crate favourite, we’ve only recently seen Mark at the Albion Brewery in Northampton, and there aren’t many who think faster on their feet than him. The simple basis for this show is that he’s been emptying the loft at his mum’s house and found a box full of comedy memories from when he started stand-up. So he’ll tell a few jokes from his old joke book, share a few pieces of advice that he received from other established comedians, and link a few of these memories to some paintings that were also brought down from the attic. It’s fascinating to see Mark do a work-in-progress because he is so critical of his own material – if it doesn’t get the instant reaction he’s seeking, then it’s out; even though it’s still (in my eyes at least) a really good joke. There’s a wonderful callback saved right to the end which has been looming in plain sight all along but you don’t see it. When he’s decided which bits to keep and which to ditch, this show is going to be amazing. Mr S at his best – you don’t stop laughing all the way through.

Edinburgh details here!

Paul Sinha: One Sinha Lifetime (The Stand’s New Town Theatre, 16:40, 4-28 August except 16th)

“In January 2020, Paul embarked on a national tour, his most ambitious show combining stand-up, music, hula-hooping and tales of romantic validation and neurological degeneration. As it turned out 2020 proved to be the wrong year to embark on a national tour. For everyone. Undeterred, Paul returns, with the difficult second post-diagnosis album. Expect jokes and surprises. Paul has a story to tell. And an absolute banger of a title.” Yes, you guessed it, that’s what the Edinburgh Fringe website says.

Winner of the Chrisparkle Awards for Best Screaming Blue Murder Stand-up for both 2010 and 2012, and of course best known for being a Chaser on TV, Paul Sinha has an incredible gift for comedy and I’ve never seen him not deliver an absolute blinder of a routine. That said, as he himself pointed out, this was only the second Work-in-Progress show he’s scheduled for One Sinha Lifetime (agreed, great title) and there are about another fourteen to come – so he apologised in advance for the rough and readiness of his hour. And it’s true, there is a lot of work ahead of him to get this material – an account of his rise to the delicate balance of health and comedy he enjoys today – to come together. But it will, I have no doubt.

Edinburgh tickets available here!

Abandoman aka Rob Broderick: Discography (Underbelly, George Square, 21:25, 3-28 August except 15th and 22nd)

“Using his innate ability to craft songs on the spot, Rob creates a full discography for a fictional artist created by you, the audience. Using a sample pad necklace to trigger high-production beats, Rob creates the kind of exhilarating live experience that has won him a string of awards, and the highest of international critical acclaim. He continues to sell out his Fringe runs in Edinburgh and Australia each year, wowing audiences wherever he plays.” It will come as no surprise that that’s a direct quote from the Edinburgh Fringe website.

I’d heard great things about Abandoman but never actually seen him before, so I was really looking forward to his set. Full of attack, interacting not only with the audience but with tech in a way you rarely see, he elicits nuggets of information from audience members and then turns them into song. It’s an act that requires not only incredible creativity but also one helluva memory. He even managed to get me up on stage to confess to something naughty I’d done when I was about nine (I’m not proud of it, but I had to be honest) which got converted to the medium of music. I sense he is using new tech for this show, which occasionally let him down and introduced pauses into the procedure that I guess are normally missing. Once he’s mastered the tech, this will be another big hit for him I am sure.

Edinburgh tickets available here!

An absolutely superb night of comedy – and there are still more Edinburgh Previews on their way, keep an eye open on the Comedy Crate website for details.