Edinburgh Fringe 2024 Reviews – Dissociation, Fifty Minutes to Save the NHS, Rebels and Patriots, Martin Rowson: Shred the Front Page, Run, and Randy Feltface

Dissociation, TheSpace at Surgeons’ Hall.
4-stars

Reuben Wade’s Dissociation is a powerful and intriguing play that separates the two aspects of an individual with dissociative identity disorder. Rod is perplexed by the presence of his other half, Todd, until Todd starts showing him the way to lead a more fulfilling and successful life. Deliberately ambiguous, it messes not only with the concept of time, but also with your head, as you try to fathom exactly what is going on here. It’s the kind of play that leaves you thinking for hours afterwards. Superbly acted by Christopher Patrick Mullen, Keith Conallen, Heather Michele Lawler and Kimberly Fairbanks. Well worth catching if a production comes your way!

Fifty Minutes to Save the NHS, TheSpace at Surgeons’ Hall.

4-stars

50 Minutes to Save the NHS? It can be done, if you allow Dr Phil Hammond and Dr Clare Gerada to take control of policies. In an extremely funny rattle through all the problems that beset our beloved health service, they highlight the ridiculous underspends and mis-spends, the obvious ways in which prevention is better than cure, and how the Clangers can provide the key to a happy and healthy life. Packed with fascinating insights and – despite the seriousness of the subject – frequently hysterically funny, this is a must-see for everyone.

Rebels and Patriots, Pleasance Courtyard.

3-stars

Floating Shed Theatre – a British/Palestinian/Israeli acting company – have created a bleak and hard-hitting play based on the lives of those teenagers who are conscripted into the Israeli Defence Force. Each of the four characters in the play face the horrors of war in different ways, and it shows the potentially disastrous effect on both their physical and mental health. Nadav Burstein, the writer, was conscripted into the IDF, and the events of the play stem from his own experiences and those of his colleagues. There’s so much to say about the IDF, and this play goes part of the way to tell those stories. Very emotional and effective, well acted and with some very harrowing moments.

Martin Rowson: Shred the Front Page, The Stand Comedy Club 5 & 6.

4-stars

Armed with just his shredder and a projection screen, cartoonist Martin Rowson takes us on a journey through all the newspapers and magazines with whom he has worked; more than you can shake a stick at, in fact, and most of whom he left by being given the sack. Fortunately, there’s always a new publication to try his hand at. Entertainingly illustrated with both his own work and some of history’s cartoon trailblazers, Martin’s reminiscences are funny, astonishing and sometimes just simply bizarre. A tremendous raconteur, and not afraid to tell it like it is!

Run, TheSpace at Surgeons’ Hall.

3-stars

What starts as a charming and touching story of first love and sexual awakening turns sour as a young man is chased after using Grindr, beaten up and ends up in A&E. Taylor Moore gives an excellent, word-perfect performance in a tale that’s both touching and terrifying. The text was occasionally a little difficult to follow, and I felt only sporadically comes to life, sometimes being a little – dare I say it – dull. But Mr Moore makes the very best of the text he is given!

Randy Feltface, Assembly Rooms.
4-stars

There aren’t many puppets – spoiler alert: he is a puppet – that can command the massive stage of the Assembly Rooms Music Hall venue, but Randy Feltface is one such specimen. What you might get if you cross Australian cultural attache Sir Les Patterson with Zippy from Rainbow, Mr Feltface is a hilarious and endearing creation, who has mastered the combined arts of puppet crowd work and satire. He wrung every conceivable comic possibility out of the idea of “First Banana”, and the huge audience hung on his every word.

The Edinburgh Fringe All Month Long – 10th August 2024

It’s still all go, let’s have a look.

Here’s the schedule for August 10th.

11:25 – Dissociation, theSpace @ Surgeons’ Hall. From the Edinburgh Fringe website:

“Dual personalities meet but don’t recognize each other. Are they natural enemies in a fight to the death, or is love a possibility? Brilliant ambiguity leaves the audience with a lot to think about. ‘What an amazing ride from start to finish. Everything about this play was totally relatable and thought provoking. Almost like an outer body experience. Just the right amount of comedy/drama.’ Mark Heany.”

Yet another meaty play to start a Fringe day. It sounds like a thought-provoking experience, so we thought we’d take a lucky punt and hope for the best.

13:10 – Phil Hammond and Dame Clare Gerada: Fifty Minutes to Save the NHS, theSpace @ Surgeons’ Hall.

“Two doctors devise, with your help, a revolutionary health manifesto. Does the NHS need saving, funding or fixing? Will a change of government make much difference? Why can’t we be like Sweden or Singapore? Is ‘Health For All’ an aspiration or a joke? Why are NHS staff so angry and knackered? Do we live too long or not long enough? Where can I buy some end-of-life drugs? Laugh, shout, argue, vote, save the NHS. Seriously subversive. The perfect election wind down. All profits to Doctors in Distress charity.”

We’ve seen Dr Phil a number of times and he never fails to present an intelligent and witty sideways slant at the NHS in all its glory. It will also be interesting to hear his views about how a new government might change things. We’ll see!

15:00 – Rebels and Patriots, Pleasance Courtyard.

“Hath not a Jew eyes? Hath not an Arab eyes? Israeli-Palestinian co-creation following four friends and how mandatory conscription to the IDF affects them. One wants to get out, one’s a pilot, one was never drafted, one’s torn inside. A raw multilingual, physical portrayal that exposes the consequences army life has on the mental-health of the teenagers enlisted. It explores themes like protest against war, self-harm and what it means to be Israeli and peace-pursuing; the critical voice for coexistence under the pressures of politically motivated violence. Who’s a rebel? Who’s a patriot?”

This play couldn’t be more timely; and if it’s bold but fair in its approach, it could be one of those productions that stays with you a long time.

16:55 – Martin Rowson: Shred the Front Page, The Stand Comedy Club 5 & 6.

“Multi-award winning cartoonist, writer, performer and poet Martin Rowson will work his way through the day’s papers while he outlines his hilarious and often acrimonious relationship with the dozens of daily and Sunday newspapers, magazines and publications he’s worked for (and mostly been sacked from). Almost everyone except The Sun. Only because they never asked. With the aid of a shredding machine, extremely strong language, unsettling images and brutal assessments of the people who own, edit and gob off incessantly in our “fearless mainstream media”.”

Full disclosure – Martin is an old school friend (both an old friend and an old school) and when we saw his show last year I gave him four stars because it was excellent but I wanted to keep him on his toes. Let’s see if he earns that extra star this year.

19:55 – Run, theSpace @ Surgeons’ Hall.

“Set over an unforgettable summer and encompassing all of space and time, Run explores what it means to love, to lose and grow from a boy into a man. As a young man’s night unfolds and falls into chaos – some of it real, some of it not – Yonni pulls us into his world. A world filled with school riots, first loves, beached whales, sunshine, cinema, sex, rebellion and political demonstrations. First produced at VAULT 2016, No Frills return with their highly acclaimed production, now starring Taylor Moore (Blood Brothers, Romeo and Juliet, Mary Poppins, Cinderella).”

This sounds like a thoroughly entertaining play about growing up; something we’ve all done (to a greater or lesser extent) so there should be something here for everyone to recognise.

22:00 – Randy Feltface: First Banana, Assembly Rooms.

“The first banana appeared on earth 10,000 years ago. Randy Feltface believes humanity has been in a downward spiral since. The only logical solution is a brand-new comedy show from a felt-faced comedian with an axe to grind. As seen on Netflix and NBC, Randy has spent the past 19 years winning awards and garnering critical praise while amassing a huge, devoted following across the globe. Randy has written and performed a dozen comedy shows, released seven comedy specials, played to sold-out crowds around the world and been nominated for Best Comedy at the Edinburgh Fringe.”

Mr Feltface is new to me but he comes highly recommended. This is an additional performance as his earlier Saturday show sold out pretty quickly. I’m expecting raucous hilarity.

Check back later to see how we enjoyed all these shows!

Edinburgh Fringe 2024 Reviews – Alvin Liu: Rice, Mhairi Black: Politics Isn’t For Me, Goose’s Quizzes Elimination Game, and Cabaret of Filth

Alvin Liu: Rice, Laughing Horse at the Counting House.

3-stars

A bright start to the day with forty-five minutes in the company of Alvin Liu, who delivers a fascinating series of comparisons between his new life in the UK and his childhood and upbringing in China. With entertaining curiosities about use of the English language, Alvin gently points out the delightful differences and surprise similarities between us. And just how do you tell your parents, who survived famine, that you’ve got mental health issues?! Rice is a strongly positive show with the main message being that although we’re all very different, we’re even more same-same. This is a Work in Progress in preparation for a fuller, more polished Edinburgh show next year, but even so it’s full of warmth and hilarious observations, and Alvin’s stage persona is charming and friendly, with a great connection to the audience. Thoroughly enjoyable!

Mhairi Black: Politics Isn’t For Me, Gilded Balloon at the Museum.

Everyone (if you’re interested in UK politics, that is) knows that Mhairi Black was the youngest ever MP when she was elected to Parliament in 2015. What you may not know is that she is one helluva live wire out of politics as well as in it, and her first foray into the Edinburgh Fringe is a hilarious delight from start to finish. She admits she’s no stand-up comedian, although she’s funnier than many; and she undoubtedly is a brilliant storyteller who gives us a fascinating insight into the backstage life at the House of Commons and shows us what it’s really like on the inside. Instantly likeable and completely relatable, the hour flies by in an intriguing mix of laughter and parliamentary documentary. Give this woman a TV chat show this minute! And keep an eye out for returns, as the entire run of her show is currently sold out.

Goose’s Quizzes Elimination Game, Assembly Rooms.

Our first ever exposure to what is clearly a highly popular quiz show, this is the perfect way to spend the first hour or so of your Fringe evening. Don’t bother sitting down, you’ll soon be up on your feet in the middle of the stage floor to answer questions. You do this by simply standing in either the red, green or yellow section of the floor. If you get the answer right, then you carry on to the next round, and so on until one person is the winner – they don’t call it an Elimination Quiz for nothing. And the prizes are well worth winning – from food and drink offers to – well, in fact, yours truly was the winner in one round and ended up with a voucher for a Whisky Tasting experience! Hosted by Goose himself (that’s Andrew Wildgoose), the show is enormous fun; the questions are a good range from the reasonably obvious to the distinctly challenging, and I can completely see how this can become a very addictive show to return to again and again – as there are different questions every night. Very good humoured and welcoming – and a good way to make new friends too! We loved it!

Cabaret of Filth, Laughing Horse at the Three Sisters.
4-stars

Cabaret of Filth is one of these late night, variety-cum-burlesque shows that the Fringe does so well. The featured acts change every night, but all I can say from the lineup we saw is that this production is one of the better examples of the genre. Hosted by the fabulous Kirsty Munro, we had a mixture of stand-up, burlesque and boylesque, all of which was of a very high, not to mention hysterically funny standard. Diva Delicious, Aaron Twitchen, Carlos Sandin and Anna Beros were the guest stars; among that lineup there was a speciality act that I don’t think I’ll ever quite be able to forget – I’ll say no more!! Very funny and a great vibe; an excellent way to end your Edinburgh day.

The Edinburgh Fringe All Month Long – 14th August 2023

How about a list of today’s shows? There’s a big day ahead!

Here’s the schedule for 14th August:

10.00 – Mirandolina, Hill Street Theatre. From the Edinburgh Fringe website:

“Mirandolina, the captivating landlady of an inn, is wooed by a penniless marquess, a wealthy count and her besotted servant. She enjoys their attentions but values her freedom. When sworn bachelor Ripafratta comes to the inn, can Mirandolina bend him to her will? Ranjit Bolt’s sparkling comedy is translated from the original work of Carlo Goldoni, the 18th-century Italian comic playwright best known for A Servant of Two Masters.”

Goldoni is ace, but I only know two of his plays, and Mirandolina isn’t one of them, so this is a good opportunity to fill a gap in my knowledge!

12.00 – In Conversation with… Jack Monroe, The Stand’s New Town Theatre.

“Food writer and anti-poverty campaigner. Joined the Essex County Fire and Rescue Service in 2007 working in their control room. Left 2011, unable to work the night shifts as a single parent with a 20-month-old son. Started writing her blog, A Girl Called Jack, in 2012, in response to a local councillor claiming that ‘druggies, drunks and single mums are ruining the High Street.’ An Oxfam ambassador. Her seventh book Thrifty Kitchen, published January 2023, contains over 120 brand-new, delicious, low-cost recipes, plus money-saving household tricks.”

Cutting down on the Spoken Word shows this year, but we couldn’t resist hearing what Jack Monroe has to say about the world today in person!

13.50 – The Real William Shakespeare… As Told by Christopher Marlowe, Greenside @ Riddles Court.

“’Make my words reside in your language as if they never knew any other.’ Marlowe, murder… Morocco? The truth behind Shakespeare is steeped in blood and political intrigue, but now Christopher Marlowe is ready to tell all. Matchmaker Theatre Productions present a provocative new production that asks: who was the real William Shakespeare? Christopher Marlowe, famed playwright and spy, has the answer. But just how far will others go to protect this secret? ‘Chaotic playfulness… mixing in heaps of Queer history and theory’ **** (CorrBlimey.co.uk, The Masks Of Oscar Wilde, 2022).”

There’s always an abundance of Shakespeare-based shows at Edinburgh and sometimes they’re great and sometimes they’re far from it. Fingers crossed for this one!

15.45 – Olaf Falafel: Look What Fell Out Of My Head, Laughing Horse @ The Pear Tree.

“Join the best-joke-list-bothering, holey-cheese-flinging, diaphragm-jiggling comedian as he presents a hostess trolley full of stuff he finds funny. ‘A big, beautiful bearhug of a show’ **** (Scotsman). ‘Visual gags piled on top of other visual gags’ **** (BeyondTheJoke.co.uk). ‘Several gags to rival his best joke of the Fringe in 2019’ **** (GonzoMagazine.co.uk).”

Edinburgh isn’t Edinburgh without at least an hour spent in the company of Olaf Falafel! I’m sure it will be hilarious as always.

17.20 – I Killed My Ex, The Space @ Niddry Street.

“Enjoy a deliciously wild ride on a brand-new play by writer-director Emilie Biason and confess: some exes are better off dead. I Killed My Ex is a hilarious dark comedy following two dear friends, Tina and Lola, who impulsively kill Tina’s ex after he leaves her at the altar, embarking on a hectic journey to get rid of his body. Jump in the dark with your new fav clumsy killers in this funny, provocative social critique, and let’s face it: a woman should never be left at the altar.”

I love a dark comedy – and the premise for this one sounds brilliant. Let’s hope it delivers!

18.40 – Paved with Gold and Ashes, Greenside @ Infirmary Street.

“Based on a true event in New York City, 1911. With immigrants arriving in floods from all over Europe, for many the Triangle Shirtwaist Factory is one of the most coveted places to work. Some say that in America the streets are paved with gold – full of wealth and opportunities. But as these five young women battle poverty, capitalism, unfair working conditions, and – on one fateful morning in March – one of the deadliest workplace disasters in US history, their dreams soon turn to ashes… ‘An unflinching mirror to today’ ***** (BroadwayBaby.com).”

This sounds like a good, meaty drama – an account of a historical event that is very relevant to today’s world. Hope it goes well.

22.20 – Why I Stuck a Flare Up My Arse for England, The Space @ Niddry Street.

“This is football. This is what defines my happiness. This is what makes or spoils a weekend. This is what fills my soul with joy and despair. Billy is a die-hard football fan. When he goes viral for sticking a flare between his bum cheeks before England’s final, he begins to question his own love of the beautiful game. This new one-man play, written and performed by Alex Hill, asks what it means to be a “die-hard” football fan and explores themes of belonging, tribalism and toxic masculinity.”

As titles go, it’s a classic. Everyone remembers seeing that photo in the news or online – and it will be fascinating to see how the play incorporates it into this examination of toxic masculinity.

Check back later to see how we enjoyed all these shows!

The Edinburgh Fringe All Month Long – 13th August 2023

Another full day of shows in Edinburgh? Yes, although we are also meeting up with a friend!

Here’s the schedule for 13th August:

11.00 – Wiesenthal, Pleasance Courtyard. From the Edinburgh Fringe website:

“Wiesenthal, by Tom Dugan, performed by Christopher C Gibbs, is based on the life of Simon Wiesenthal, who survived the Holocaust and devoted the rest of his life to bringing Nazi war criminals to justice. Filled with hope, humanity and humour, it is the true story of an ordinary man who did extraordinary things. Intelligent, funny, flawed and noble, Wiesenthal was a universal hero. His unbelievable dedication and tenacity over decades is honoured in this play. It takes place on his final day in his Vienna office in 2003.”

Another of these plays that tells a most important story that we must never forget about. If this is well done, I expect it will be very emotional.

12.45 – Tarot: Work in Progress, Monkey Barrel Comedy.

“The best show of 2019 according to Chortle. The sixth-best show of 2022 according to The Guardian. Come watch us continue our slow descent into mediocrity in 2023. This is a work-in-progress show. We’ve made the tickets cheap so you’ve got somewhere to sleep for an hour without having to sell a kidney. ‘Bark out loud funny… the whole show is startlingly live’ **** (Guardian). ‘One of the balls-out funniest show of the Fringe’ ****½ (Chortle). ‘Tarot will not give you nightmares, though you might wake laughing your head off’ **** (Evening Standard). **** (Telegraph).”

This is the first of two shows we’re seeing this year featuring the incredible Tarot pack! We saw them last year and they were brilliant. I have high hopes!

14.25 – The Life Sporadic of Jess Wildgoose, Pleasance Courtyard.

“The creators of smash-hit The Man Who return with an explosive new show. Tarantino meets Pixar in this electrifying thriller, exploring universal themes of ambition, failure, revenge, and high-risk equity trading. Jess has it all – until she doesn’t. After suddenly losing her job, sense of reality, and sexy French beau, Jess embarks on a brutal quest for revenge. With virtuosic acrobatics, live music, and physical theatre, this madcap tragicomedy unnerves and astounds in a genre-defying cinematic adventure. ‘Physical Theatre at its most immaculate’ **** (Scotsman, for ‘The Man Who’).

I admit now, I am much more a Pixar man than a Tarantino one, so I hope this show makes sense to me! We will see! However, we saw The Man Who… last year and thought it was excellent, so we had to give this show a go as well.

16.50 – Giving the Gift of Offence with Martin Rowson, The Stand’s New Town Theatre.

“Multi award-winning political cartoonist, author, ranter, illustrator, broadcaster and poet. In his new show Martin takes us through 40 years of British politics with his personal and cartoon responses to the individuals he has met, including the perennial challenges of working out how to draw the “fresh meat” of each new Prime Minister, alongside the cavalcade of events we’ve all witnessed and he’s depicted. Refreshingly indiscreet in revealing the people beneath the pomp and spin, as well as spilling the beans on the true nature of journalism. This show is fully illustrated.”

I was friends with Martin at school so I am using the show as a shameless vehicle for catching up with him again! But it will be fascinating to hear him talk about his work. I remember seeing the cartoons he did as a teenager and they were brilliant!

20.50 – I Wish My Life Were Like a Musical, Gilded Balloon at the Museum.

“The definitive comedic musical revue revealing all about musical theatre, and the people who love it on both sides of the curtain! Updated version featuring new songs. Lauded with an unprecedented 35 five-star reviews for its previous sell-out fringe and London seasons. ‘Flawless’ ***** (BritishTheatre.com). ‘Sharp satire, undiluted fun’ ***** (BroadwayBaby.com). ‘Delightful’ ***** (BroadwayWorld.com). ‘Hilarious… Wonderfully witty’ ***** (EdinburghGuide.com). ‘Crisp, perfect, immaculate, hilarious. Unmistakable gem!’ ***** (Musical Talk, podcast). ‘Laughs come thick and fast’ ***** (MusicalTheatreReview.com). ‘Loving tribute to world of musicals’ (Matt Lucas). ‘Must-see’ (Tim Rice). ‘Brilliant score’ (Miriam Margolyes).”

A last minute change to the original plan, as the guy flyering for this show did such a good job on me!!!

Check back later to see how we enjoyed all these shows!

Review – Who Cares 2032 – an interactive digital experience co-produced by the Royal and Derngate Northampton, Hydrocracker and Deafconnect – 1st June 2023

The time is 2032; nine years into the future – that’s not that far away. The NHS has remained starved of resources so that it is teetering on the brink of non-existence. Care workers have left the profession in their droves due to poor wages and conditions – there’s just not enough bitcoin to go around. But the government has come up with a potentially smart solution – the Contact App. Is it the cure-all for saving lives in an even worse case scenario than we’re currently facing – or is it an unethical intrusion that marketizes the care industry?

MishJem Wall and Nathan Crossan-Smith have devised this new, challenging and interactive experience, which you can watch and engage with from the privacy of your own laptop. Remember Casper the Friendly Ghost? Who Cares 2032 features another very friendly ghost, Doctor Anna, who loves nothing more than a spot of digital haunting and putting you in control of the future of the nation’s healthcare. She gatecrashes our online lecture to make us face a very important choice. If we want to, we can corrupt the code that will create the Contact App, thus taking it out of society for ever; or, we can let history takes its course and allow it to be introduced. Obviously, that’s a decision that none of us can take lightly, and over the course of a little over an hour Doctor Anna poses some difficult ethical and moral questions for us, and, try as we might, there’s no sitting on the fence with this one.

Mish and GrahamWe’re already used to the concept of having medical appointments over the Internet – for the most part, it’s quicker, easier, and can provide a good back-up service to the general public. So what’s the problem with the Contact App, surely it’s just the natural next stage of development? That’s certainly the attitude of young, deaf, Mish, who finds using it is her primary access to health provision and also allows her to keep tabs on her general health and wellbeing on a regular basis. She strikes up an unlikely friendship with middle-aged Graham in Joe’s Café and encourages him to sign up to the App too. But Graham is from a less technologically trusting era, and insists he doesn’t need the intervention of an interfering and nosy wristband telling him what to do. Are you like Mish, or are you like Graham? As we discover more and more about the App, its benefits and its deficiencies become clearer. How will you respond when Anna finally gets you to nail your colours to the mast?

MishThis is a very entertaining, challenging and intense piece of interactive drama. You have to concentrate hard on what’s going on, as sometimes Anna will put a question to you that demands some time to reflect over. There are no hard and fast easy answers here – but there a lot of soft and slow difficult ones! It’s an invigorating blend of rigorous intellectual stimulation and genuine emotional response, and I found myself quite moved by some of the situations and people to whom we are introduced. At one stage, you can pick and choose to listen to the experiences of a number of people – carers, a teacher, a student, family members; each bearing first-hand witness to the problems of providing healthcare in 2032. Give yourself time to consider the evidence of their lives; you might find, like I did, that during the experience you change your mind.

Graham and MishIt’s very smartly written, with several amusing local references, and a few off-guard moments from Anna that had me snorting with laughter. Faith Omole provides the voice of Anna, and she really gets into your psyche; before long you find yourself telling her all sorts of private things that you wouldn’t normally tell anyone – but rest assured, what happens between you and Anna stays with you and Anna. One exception to this – you can choose to publish your reasoning for either allowing the App to go ahead or nipping it in the bud on a legacy wall; entirely your decision. Jude Akuwudike voices Oladipo, a diabetes nurse, who can only see the benefits provided by the App. Rhiannon May plays Mish with a nice balance of Generation Alpha cynicism and respect for the older Graham’s concerns and feelings, if not his choice of breakfasts; and co-creator Jem Wall plays the decent but backward-looking Graham, who is appalled by the App’s lack of privacy but eventually moves with the times. Other characters are played by members of the Community Actors Company and people who work with Deafconnect, the local charity who are also co-producing the experience.

Contact AppIf I took away one overriding message from the show it would be that it wants to make us think. It wants to make us consider playing a part in framing the health policies that will shape our future. Whether you opt to corrupt the code or push forward with it, this is a highly responsible moment for us all. Pay What You Can for a ticket – £5 is suggested, but not compulsory; and your payment will give you a link to the show that you can watch as many times as you like until the end of July. Visit the Royal and Derngate website for more details, or simply click here. After all, it’s not every day a ghost gives you the opportunity of changing the future of healthcare in the country for ever!

Andrew Marr on the Media and the Monarchy, St Peter’s College, Oxford, 7th March 2012

One day when there isn’t much happening, I’ll tell you about my time as a student. Inter alia, it involved (admittedly on different occasions)Princess Margaret, President Nixon, Salome’s Dance of the Seven Veils, and a promising young actor laddie known as little Hughie Grant. Maybe later.

One of the perks of being an alumnus of somewhere rather prestigious, is that when you get invited back, it’s for rather entertaining events. So Mrs Chrisparkle and I were pleased to go and see a talk by Andrew Marr on The Media and The Monarchy in the College Chapel yesterday.

He was introduced by the Master, Mark Damazer, who took over the post in 2010 and has been succesfully dynamic in turning around the fortunes and profile of the college. I met him last year; a very nice chap with slightly scary undertones of massive intellect.

Andrew Marr has just completed extensive work in the company of the Royal Family for his recently broadcast television series about the Queen in her Diamond Jubilee year; so he has had unrivalled opportunities to observe and assess their contribution to the country. His insights were indeed fascinating. He is very impressed with how hard the Queen and Duke of Edinburgh work – he said the rows of people simply waiting to shake hands could sometimes be extraordinarily long – and he emphasised how some of this work must surely be extremely boring, which is something I had never considered. He feels a number of Prince Philip’s alleged gaffes are simply “look at me!” moments to alleviate the dullness. He is also very impressed with Princess Anne’s wit and wisdom; he feels she is a sensible person who knows Where It’s At. In response to a question, he suggested that when Prince Charles is king he will find it very difficult – but will have no alternative – to keep his mouth shut when on official meetings with leaders of whom he disapproves. Being nice to the Chinese, whilst being a firm supporter of a free Tibet, was one example.

But to go back to the beginning of his talk, Andrew Marr started with a snapshot of the year 1997. It was not only the year Princess Diana died, it was also the start of the Blair era. It struck me that to any first year students attending, 1997 must seem like the dark ages – or at least the stuff of childhood. Strange how I remember it so well. Back in 1997, Andy (as his friends call him) pointed out that the circulation of newspapers was massive and that today, by comparison, it has dropped by approximately 40%. Apparently only the Sun and the Mail have held their own; all other papers have plummeted. In those days he was the editor of The Independent. His observations about newspaper proprietors were very revealing; he said to own a newspaper you need a massive amount of money which you are basically prepared to lose. If you own a newspaper you do it for a different reason other than merely seeking profit. He asked one of the then owners of The Independent, Tony O’Reilly, why he did it – and he said it was because it was simply nice to be able to go through the door of 10 Downing Street and be accepted there.

One of Andrew Marr’s main concerns for the future of journalism is his belief that you have to have professional journalists, who are paid a good wage and who can guarantee a degree of assurance that research has properly taken place and the truth has been fairly arrived at. With the falling numbers of newspapers actually being sold, and some online news sources not reaching sufficient numbers of readers (the Times paywall is a considerable barrier, no surprise), how is the profession going to maintain itself?

Mr Marr also talked about Leveson, and what he thinks its impact will be – which is actually that the current shame being felt by the newspaper world will probably be as low as it gets. He doesn’t think that Rupert Murdoch is the worst thing that’s ever happened to British newspapers; but he did have some revealing information about the recent launch of the Sun on Sunday. Mockups and pilot issues had been created, as the paper started to take shape, but the editors were far from convinced that the definitive format had been created. At a meeting one Sunday, Rupert Murdoch asked the team how the preparations were going. Good, they replied, we are getting there. Excellent, said RM, I want it launched next Sunday. Sharp intakes of breath all round. Erm, are you sure, they nervously proffered. Yes, next Sunday, have it done, was his reply. Given the short time they had to bring out the first edition, Andrew Marr thought it was a remarkably professional achievement.

Mr Marr’s talk was peppered with a number of humorous observations; here are two that I find most memorable. He obviously finished his degree the same year as me, as he said it was a time when there were simply no jobs around – 1981. Actually, the old joke was, “What do you say to an Arts Graduate with a job? I’ll have a Big Mac, please”. I think things may have come full circle. Anyway, I digress. Mr Marr was on his was to Edinburgh for an interview to work on The Scotsman newspaper. He got on the sleeper train at Kings Cross and, on entering the cubicle where he was to have bottom bunk for the night, was met by the top bunk occupant, a Scottish gentleman, brandishing 24 cans of super strength lager and three packets of cigarettes, who said something along the lines of “I hope you’re not a soft southern poof who won’t share a few bevies tonight”. By the time Mr Marr arrived in Edinburgh he was rancid with drink, choked with cigarettes and a blotchy mess. He knew he’d blown his chance of a decent job. However, on arrival at the Scotsman offices he was met by a newsroom full of similarly blotchy, drunken, smoky journos and he knew he had fallen on his feet.

Another nice tale was of his waiting inside a Brighton hotel during conference season, presumably ready to do some reporting, when along bustles John Prescott, a swarm of assistants behind him with folders, files and cases. On seeing Andrew Marr, Prescott firmly marches up to him, stabs him with his pointy finger and says “You bastard! You f***ing bastard! I’ll f***ing get you!” and then he marches off, leaving Mr Marr perplexed and wondering what on earth he’d done to deserve it. About a minute later Prescott returns and says “sorry mate, wrong person” and then walks off again.

All in all a very interesting and enjoyable talk and question and answer session, which was full of fascinating snippets of information and personal anecdotes. Thanks to St Peter’s for the invitation, and for continuing to share the college activities with the alumni.