In which Gaby and his gang enjoy playing with a broken toy horse, recklessly careering down the streets of Louvigny until one day it is stolen. They seek the help of Police Inspector Sinet to try to retrieve it. But the horse is stolen around the same time as a hundred million francs go missing from the Paris – Ventimiglia Express. A coincidence? Sinet and the gang get to the bottom of both crimes and find they are surprisingly linked….Be warned, there are spoilers, especially in the second part of this blog post where I offer you my chapter-by-chapter synopsis of the book.

A Hundred Million Francs was first published in 1955 by G. P. Rouge et Or under its original French title Le Cheval sans Tête, with illustrations by Pierre Dehay. As A Hundred Million Francs, it was first published in the UK by The Bodley Head in 1957. The literal translation, The Horse Without a Head, was its original title in the first American edition, published by Pantheon in 1958. It was translated by John Buchanan-Brown, who translated nearly all of Paul Berna’s books; and it featured illustrations by Richard Kennedy (1910-1989), who illustrated many notable children’s books and gained his apprenticeship at The Hogarth Press under Leonard and Virginia Woolf.

My own copy of the book, which you can see at the top of this page, is a Puffin edition, reprinted in 1970. As at the time Britain was nearing the change to decimal currency, the price on the back cover is shown as both 20p and 4/-. This is the only Paul Berna book in my possession that was bought new from a bookshop. I also had a new copy of The Clue of the Black Cat, but that was lost in the seas of time. All my other Bernas are second-hand (but largely in very good condition, I’m pleased to say!) The pages have gone a little brown, but pleasantly so; there’s no foxing, tears or other marks. I’ve looked after it well for the last 49 years!

This is the only book by Paul Berna to have been adapted for film; Disney made The Horse Without a Head: The 100,000,000 Franc Train Robbery in 1963, with a cast including Jean-Pierre Aumont, Herbert Lom, Leo McKern, Peter Butterworth, Lee Montague, Peter Vaughan and many other well-known actors. The script was by T. E. B. Clarke, who was responsible for many of the famous Ealing Comedies, such as Passport to Pimlico and The Lavender Hill Mob. Paul Berna hated the film! In an interview with him dated around 1984, by Roger Martin, he said (as translated by me) “I have only one regret about Le Cheval sans Tête, and that’s that it was brought to the cinema by Walt Disney. They made it into a gangster film, distorting it right from the opening scene where we see the mobsters preparing their hold-up of the train.”

The inspiration for the story came from two different sources. Firstly: Berna’s childhood. He grew up as part of a large family and he too had a headless horse that he used to play with as a child. Back to Monsieur Berna to tell us more: “There were seven of us. The three eldest were boys, the Big ones. Then came a girl and the three Little ones, including me. The Big ones used to try to steal our “headless horse” […] I was very familiar with this horse well since it was my favourite toy. I had to hide it from the cellar to prevent them from grabbing it!”

He went on to say that being part of a large family, where there were loads of arguments but nevertheless loads of fun, had a major impact on him, both personally and as a writer for young people. And you can really see the influence of having lots of people around him in his books. No one (that I’ve come across) conveys the thrills, tensions and that sense of belonging and loyalty that you get from being a member of a gang like Paul Berna does. And this is shown to superb effect in A Hundred Million Francs. But he also derived inspiration for writing the book having seen the film of Emil and the detectives, the original one, made in 1935. Although he had not read the novel, he said to himself: “Why not write crime novels for young people?”

The setting. Berna was notable for establishing very precise locations for his books. He would use places that he knew very well personally, such as Aix, Bordeaux, Marseille and Brittany, to give that personal touch, Other than that, he would pore over the most detailed maps he could find, extracting the names of tiny villages, or even street names to stimulate the imagination. Sometimes he would mix these detailed real locations with places that he made up from pure fantasy.

The setting for this book is the town of Louvigny, which exists as a suburb of Caen, in Normandy. However this Louvigny-Triage is a railway town on the route between Paris and Ventimiglia, on the northern Italian coast. We can assume that it is a suburb in to the south-west of Paris. Berna locates the story in and around the rue des Petits-Pauvres, the rue de la Vache Noire, the rue Cécile, and a ruined enclosure called the Clos Pecqueux. The roads and their connections are so intricately described that you could well imagine that this was a real location. But he confirmed in interview, “Louvigny-triage does not exist. It is not Villeneuve St Georges, as was believed, but an imaginary place that seems more real because of its disparate elements of typical working-class suburbs.”

Style. The book won the Salon de l’enfance Award for 1955. However, it also received some criticism at the time for its tone, and the use of slang. Berna defended himself against those criticisms, not believing the slang to be excessive. Personally, I think the tone is just right. Of course, there are a few slight anachronisms and moments where the book surprises you with its use of language, but much of that may be from John Buchanan-Brown’s translation. I understand that Paul Berna’s style in the original French (which I haven’t read) is actually quite adult and mature; and you never get the feeling that he is in any way talking down to his readers – this is a strength that makes it stand out against, say, the children’s crime stories of Enid Blyton, which were from a similar period.

Industrial gloom. It struck me how unsentimental Berna’s description of the railway town is, with its discarded ironwork, trucks, rails, sleepers, and so on. This is not a comfortable, middle-class setting. This is a bleak, industrial wasteland, where you have to pick your way through the machinery of the past to find a place to play. Berna recreates this harsh landscape with superb grit. When Roublot brings Fernand the toy train, the boy rejects it because “if we want trains, we’ve real ones on the tracks at the other side of the road”.

It’s not just the railway industry that has impacted the town. Marion explores Lilac Lane, near a coal-yard. “True, the coal-dust had killed off the original lilacs years ago, but their memory was preserved by the lane, a cut winding between high walls until it brought you to the disused saw-mill, whose empty and crumbling buildings backed on to the rue Cécile.” When the gang members walk home from the shed, we read that “they stumbled in the bomb-craters that five or six Allied air-raids had left in the Clos Pecqueux during the war.”

Even crime in this town is unglamorous. When Sinet is reflecting where the horse might have been hidden, he imagines it’s in “an old shed […] twenty bags of mouldy flour, a cask of rough wine, a roll of shoddy cloth, all sorts of wretched little things taken on the sly”.

But, as if to make up for all this gloom and poverty, there is humour. The slapstick comedy of the woeful crooks breaking into the building. The larking around of the gang members dressed in carnival outfits. The joking behaviour in the Magistrates’ Court. Once the crime has been solved, Inspector Sinet is frequently seen laughing along with the children. And even if those moments of comedy don’t actually make the reader laugh, we appreciate the fact that the characters are basically happy – and that makes us happy too.

Poverty. Berna was attracted to write about people in poverty. Again, from that 1980s interview, he observed: “I like these circles. When I was in military service, I discovered amazing people, peasants, workers, especially chtimis (people from the Nord – Pas de Calais areas of France), people relying on Assistance, desperately alone, who had to borrow six sous to buy tobacco. What they were looking for was a presence to break their inhuman isolation. Since then I have always had a great attraction for the poor.”

It’s obvious that the gang members themselves are from poor families. When they bring food for the gang to eat at the sawmill, it consists of eight potatoes and a stock cube; Criquet sneaks in one cigarette for the entire gang to share. When Marion invites the gang to her house for hot chocolate, before going out on an adventure, we find out that her mother “took these brigands’ visit very well, considering that she found they had eaten up her supply of bread for the weekend during the five minutes they had been there.” And Criquet cannot empty his pockets in front of the reporters, because “his mother had stitched them up to make his trousers last longer.”

Father Brissard says there are eleven in the gang – ten, plus “a boy from Nazareth”. I’m not sure to what extent that’s deadly serious or tongue in cheek. Certainly today I think it’s unlikely you’d share some religious message under those circumstances to a gang of ragamuffins. And one other totally anachronistic moment in the book comes when Marion organises the purchase of some cigars as a present for Sinet. Children allowed to purchase cigars? Only in France!

Gang mentality. What I love most about the book is its depiction of what it’s like to be a member of a gang, its subtle rules and etiquette, and the interdependent relationship between the gang members. As a rather isolated child, reading this book really made me crave being a member of a gang like Gaby’s. It’s sad how Marion and Fernand fear that the loss of the horse could lead to the break-up of the gang. They realise they need an additional purpose to meeting out of school, and not just the general reason of being friends or gang members. They have to be united through a separate reason – and playing with the horse is the perfect reason.

Berna shows several aspects of the gang mentality. The selflessness of individuals, bringing in a potato or a cigarette for everyone to share. There’s the loyalty shown by and to each individual member; for instance, when they all stand silently, intimidating Roublot at the market. They have the ability to all make each other laugh, such as when they dress up in the silly costumes and entertain each other with their inventive charades. They even take it in turns to look after the rusty key.

The gang members all have their own little qualities and traits, but the two stand-out characters are Marion, because of her incredible understanding of dogs, her calmness and practicality under pressure, and her kindness, as well as her daring; and Gaby, who, although is the leader of the gang (because he is the oldest) is only one of two children (the other being Fernand) to express his emotions through crying. So in their way both are surprisingly forward-looking role models for the two sexes – it’s ok for girls to be strong, and it’s ok for boys to be emotional. Another vital element of this particular gang is their over-riding honesty, as shown when they empty their pockets in front of the reporters.

Although the girls are just as daring as the boys – and given Marion’s special position within the gang as treasurer – the times are still traditional enough for it to be expected that the girls will do the gang’s domestic chores, like preparing food and tidying up, whilst Gaby and the boys make plans. It is perhaps a criticism that the younger female members of the gang are its least well described and least interesting characters.

At the end, they’re almost prepared to make Sinet a member of the gang; they always show generosity towards those who have been generous to them. But they don’t trust outsiders as a whole; which is why they make up silly answers to the journalists’ and reporters’ questions that they fear will expose them and give them publicity they don’t want.

Other thoughts that came to mind whilst reading this book were surprise at the genuine moment of peril when the crooks start shooting at the children through the slats in the barricade. The gang members treat the attack with contempt, but, seriously, this could have killed someone! And the sequence where Berna joyfully describes Marion’s gradual summoning of the dogs to come help fight the crooks reminded me of the twilight bark in One Hundred and One Dalmatians, written in 1956. If there’s any sense of copycat about the two scenes, note that A Hundred Million Francs came first!

Given these are all decent people, I was quite surprised at this brief exchange:

Sinet (of Roublot): Did you know he’d already been to prison?
Fernand: No, but you can tell what he’s like by his face.

Talk about judgemental!

Here’s my chapter by chapter synopsis of A Hundred Million Francs. If you haven’t read the book yet and don’t want to see any more spoilers, here’s where you have to stop reading!

Chapter One – Half Holiday. We’re instantly introduced to Gaby and the rest of his gang; ten children careering down the hill between the rue des Petits-Pauvres at the top and the rue de la Vache Noire at the bottom, on the famous Headless Horse toy. It had been bought for Fernand Douin by his father from a rag and bone man (or rather exchanged for three packets of black tobacco) but its head and legs didn’t last long – and it never even had a tail.

Other gang members we meet are Marion, the gang’s treasurer, who rescues and returns abandoned dogs to health; little Bonbon, whose job it is to stand on corners and warn passers-by that the headless horse might be racing through; Tatave, Bonbon’s older and more corpulent brother, who always brakes at the wrong moment; Juan, “the little Spanish boy”; Zidore Loche; Mélie; Berthe Gédéon; Amélie Babin, “the gang’s first-aid expert”; and Criquet Lariqué, “the little darky from the Faubourg-Bacchus”. These were different times, and I’m sure that was not meant to be offensive.

You can tell that Gaby is the leader of the gang by the heroic way in which it’s described that he holds the record for lasting longest on the horse; 35 seconds without once putting on the brakes. Gaby insists on having no one older than twelve in his gang, because “once you’re over twelve, you become a complete fool and you’re lucky if you don’t stay like that for the rest of your life.” Like any generous despot, he plans to extend the age limit to fourteen, so that he himself doesn’t fall foul of his own rules.

We’re in the town of Louvigny-Triage. Clearly a railway town, “all the men were on the tracks, in the sidings, the signal boxes, or the railway workshops, and the women were either shopping in the Quartier-Neuf or were strolling round the Thursday Market.” When Fernand thinks the horse is broken for ever, he thinks “there was nothing like it from Louvigny to Villeneuve-Saint-Georges” (a small commune in the south-eastern suburbs of Paris).

Other local residents whom we meet, largely as a result of their accidental clashes with the horse, are M. Gédéon, Berthe’s father; M. Mazurier, the coalman; César Aravant, the scrap merchant; “Old Zigon”, who gets money for old bottles; Mme Macharel, who has a bakery in the Market; Roublot, another market trader – “a nasty-looking specimen, with a heavy, sallow face that mirrored his petty dishonesty”; Inspector Sinet (of whom more later); M Joye, Gaby’s 17-stone, mechanic father; Mme Louvrier, Bonbon and Tatave’s mother; and Mme Fabert, Marion’s mother.

While the gang are at the market, observing Roublot spouting his selling patter, all eyes turn to the subtle figure of Inspector Sinet, who seems to be following a man in a blue boiler-suit through the market. Roublot appears particularly ill-at-ease seeing this, and before long he’s left all his stock and market stall equipment where it was and fled. On his way back home, Fernand notices the headless horse lying in the middle of the road, far from the safe place he had left it for his father to repair. At that point, Roublot appears, silent and menacing; but Marion, who’s with Fernand, lets out a piercing whistle; three of her biggest doggy friends came to the call, and once more Roublot flees.

Sadly, M. Douin takes a good look at the broken horse and realises he can’t fix it. The problem is a broken fork. Tears fall from Fernand’s eyes. But M. Douin has a plan – the next morning they will visit M. Rossi at the car factory who will be able to forge a new fork for them with ease. The chapter ends with father and son, happily mending other parts of the horse, whilst Mme Douin watches with amusement.

Chapter Two – Goodbye to the Horse. Not a very optimistic chapter title – is this the end of the horse? We’ll find out! But first, an explanation of the Black Cow, as in rue de la Vache Noire. Marion thinks it refers to an abandoned engine – continuing with the emphasis on this being a railway town – with Berna’s lovely phrase describing its out-of-place presence, “as unexpected as a hippopotamus in a field of daisies”. Gaby, Marion and some of the lads keep their promise to Old Zigon to replace the bottles they broke the previous day, emphasising that they’re honest and decent types. They consider going to the pictures, but it’s too expensive, especially as they have to pay for the two poorest members of the gang. Tatave suggests selling the bottles to Old Zigon, but Marion points out that they’re not theirs to sell, and that it would look bad trying to make money out of an old man. Again, that underlines both their decency and how hard-up this environment is. In the end, Marion gets the money from a lady, whose Pekinese Dog Marion had nursed back to health.

Meanwhile, at the Café Parisien, Roublot is seen deep in conversation with some other “toughs” – “deep in conversation, leaning across the table, their hats nearly touching”. Inspector Sinet also turns up at the café, a sticking plaster on his cheek, which gives the gang members something to laugh at. And on Saturday night, M. Douin comes home with the horse. M. Rossi had given it a coat of paint, greased the hubs, put back the wheels and straightened the bent spokes. It’s while the children are testing the horse to see how well it’s running that M. Douin tells his strange tale; that someone at the Café Parisien had offered him five thousand francs for the horse. When Douin refuses, he offers him ten thousand. Ten thousand!!

Whilst the gang members are playing with the horse they notice two men in fur-lined lumber jackets watching them. Somewhat spooked by this, they return home. When M. Douin looks through his window he confirms that the two men are the same two who made the ridiculously expensive offer to buy the horse. A couple of days later, the same two men try to grab the horse off some of the younger members of the gang. Things escalate as the gang continue to refuse to sell, and then the men start to get violent. “Wait till the toe of my boot gets you, my lad” says the one called Pépé; “I bet it doesn’t,” snorted Gaby, “My dad’s the only one who can lay a finger on me, and he has to catch me first.” And just as it seems like there’s going to be a big fight between them all, Marion whistles for her doggy friends, and Hugo, the boar-hound, Fritz and César all come at her command and attack the men. As soon as the one called Ugly cries for help, Marion calls them off; and the two men limp away, defeated, and with their coats ruined. But just why are they so interested in the horse?

M Douin decides to do a bit of investigating himself. He calls on Blache, the rag and bone man, from whom he originally obtained the horse. Blache remembers the unusual circumstances in which he came across the horse – clearing bomb damage in Petit-Louvigny. Whilst he was looking at it, someone told him that the horse had belonged to him before the bomb damage destroyed the house. When Blache tried to identify this man – as he knew the people who had lived in the area – the man told him to beat it, and take the horse with him. But Blache finally remembered the man’s name – Mallart – and had discovered that Inspector Sinet had arrested him last week. And – good news – Blache still owned the head that went with the body.

When Douin gets home, he discovers that Fernand hasn’t arrived home yet, and Mme Douin begins to get concerned. So he goes out to look for him, and thinks he should find Gaby’s dad to ask if he knows where his son is. M. Joye informs him that the horse had been stolen!

Chapter Three – Inspector Sinet. Next day, it’s back out with the gang on the horse, riding high through the neighbourhood. However, on his turn, Fernand loses control of the horse and is flung from the saddle, whilst the horse continues on its merry way, straight into the path of some burly men in a van – including Pépé and Ugly, who take hold of it and speed off with the gang’s prize possession. Hurt and outraged, they decide to report the theft to the police; on the way meeting Father Brissard, who sympathises with their plight.

Inspector Sinet and his colleague Lamy lament how uselessly they spend their days, never grappling with any proper criminals. They long to be allowed to work on an exciting case, like the recent robbery of a hundred million francs from the Paris-Ventimiglia Express. Nevertheless, they listen to the gang tell their story, and in return, Sinet and Lamy promise to help. Sinet is just about to screw up his notes and chuck them in the bin when he remembers that the horse had indirectly helped him to capture Mallart the other evening – so he felt more inclined to help. Then Messieurs Joye and Douin show up, apologising for the kids but explaining that the horse is really all they have. Sinet is now determined to do his best to help.

Chapter Four – A Rusty Key. Going home from school, Marion and Fernand agree they must find a replacement for the horse, or else the gang risks falling apart. Marion suggests training one of her dogs as a gift for Fernand, but he refuses because his mother doesn’t like animals. Fernand lets himself into his house but carelessly fails to close the door properly. He’s soon joined by the intimidating Roublot, foot in the door, holding a large square parcel. Inside is a brand-new train set, which he says the market folk had clubbed together to buy for the gang as a way of saying sorry that the horse had been stolen. Fernand is unimpressed. Furious, Roublot takes it back, and then does his best to search the kitchen cupboards, wardrobes and other hiding places. But Fernand threatens Roublot with the fire poker and he soon flees the scene. Shortly afterwards, Inspector Sinet arrives, wanting to know why Roublot was there. Somewhat improperly, Sinet asks if he could search the house and Fernand assents – but it is to be their secret.

The next day, Roublot sets up his stall as usual. He demonstrates his amazing potato chipper to the crowds and sells a couple. Then he realises there are ten young people still watching him – the gang. All on their best behaviour, quietly intimidating him back. At first he tries to laugh it off, but then he loses his temper and threatens to give them a “cuff around the ears”. But none of the gang breaks rank, and it’s Roublot who packs up his stall and flees.

Fernand and Marion start to set up the abandoned sawmill shed as the new gang HQ. After their meagre meal and one shared cigarette, they start to talk about the stolen horse; specifically, when and why it suddenly created such an interest. Realising that it happened on the night of the big accident, eventually they conclude it must have been something that Fernand and his father removed from inside the horse when they were working on it. Fernand remembers that, amongst the removed items was an old key. Gaby’s convinced that it’s also the key to the mystery and insists they abandon their meal and try to find the key at Fernand’s house. They find it, take it back to the shed and read that it has a label attached: “Billette Works, 224 Ponceau Road”.

Chapter Five – The Abandoned Factory. Inspector Sinet has spent some time trying to follow up the horse-theft but is currently drawing a blank. Roublot is hard to catch, no one has heard of Ugly or Pépé, and he notes that even the children go missing. But he is convinced that the children have accidentally got themselves caught up in some crime or other.

Following a tip-off from an old woman who had seen a fire burning at the gang’s shed every evening, Sinet discovers its whereabouts; and is surprised to be met by the ten children, wearing masks they had found elsewhere in the Billette factory, kicking a cardboard chicken about in some kind of frenzied football game. He doesn’t disclose that he has seen them; it’s useful to him to know where to find them if needed. For several days the gang continue to explore the old factory. It seemed to have stopped, mid-production, with partly made fancy dress clothes and accessories, shortly after the war; and the gang frequently parade around in silly wigs and costumes, making each other laugh with their inventive games.

Walking home one evening, Marion stops and insists on looking inside the Black Cow, to make sure no one is hiding in there. Everyone thinks she’s joking, but she goes in. And, although she keeps it a secret for a short while, she later reports that there were two men hiding inside. The chapter ends with Marion doing her evening walk with her dogs – and noting that they are unusually restless that night.

Chapter Six – All the Dogs in the World. After school on Saturday, all the gang members meet at Marion’s house and then go on into the Clos Pecqueux, ostensibly for a run. But Marion is keeping a look-out; and notices two men get out of the Black Cow once they have walked past. One heads back into the town, the other follows the children. In hiding, Marion and Fernand observe a car drive up in the darkness; then five men emerge and enter the Billette building where the rest of the gang were encamped. Gaby and Fernand attempt to barricade themselves in by shoving old work benches up against the door, whilst Marion remains at the entrance hall, and the younger gang members are still playing with the carnival masks – the barricade looked like the remains of a party, with all the broken boxes of festive items. Room by room, the older gang members make it as difficult as possible for the men to progress, but gradually the men power their way through, somehow or other. When they finally stumble in to the end room, one trips over a pig’s head mask and clatters through some old paint cans. When he gets up the gang all laugh at the fact that he has acquired a false black beard.

Fernand and Gaby can identify three of the men as Ugly, Pépé and Roublot; the other two are masked by the collars of their heavy overcoats. Refusing to respond to the threats of Ugly and Pépé, or the hundred francs bribe offered by one of the other men, Zidore and Juan throw some detonator bangers over the top of the boxes so that it sounds like the men are being attacked by gunshot. The arising confusion allows Gaby and Fernand to rejoin the others. But then the men really do let loose with their pistols and start shooting at the children through the slats. And whilst the gang pelt back with their bangers, Ugly and Roublot drag the bench back from the previous room and use it as a battering ram.

Meanwhile, what was Marion doing? She had whistled and called with all her might, and summoned the presence of no fewer than sixty dogs from all around the neighbourhood! They all run back to the Billette building and lay siege on the helpless crooks from behind.

Chapter Seven – A Hundred Million Francs. It’s M. Douin who first notices the noises and lights coming from the disused factory and rings the station-master’s office to warn him. As a result, Sinet and Lamy are sent to find out what’s going on. They discover Marion, with all the dogs holding guard over the crooks; on her command, the dogs all let go of the bedraggled men, leaving them for Sinet to deal with. The other gang members slowly come to light – although Bonbon keeps his hiding place just a little while longer, thereby causing a few worries – and Sinet tasks them with emptying all the cupboards on the look out for… what?

But there was no need. “There was the Inspector, standing in the middle of the room with his mouth agape and his arms dangling at this sides, up to his ankles in a carpet of banknotes that shimmered in the flickering light of the torches.” Wads of notes were falling from big grey sacks – Lamy counted eleven sacks of banknotes in all. Sinet, Lamy and the children had located the hundred million francs that had gone missing from the Paris – Ventimiglia Express. And then the bombshell – Sinet rounds on Gaby and asks if they’d not gone into the room where all the money had been stashed, and his reply is: “of course we’ve seen them”; and Marion adds “but Inspector […] there’s so much of it! We thought it was false like all the rest.” Sinet gets the children to pick up all the loose notes and pack them back into a sack whilst he watches them, which really offends Gaby. “Thieves? Us? Not likely”.

Fernand loses his temper with Ugly as he was being taken out by the policemen, “and began to pummel his face with both fists, crying at the top of his voice, “where’s the horse?” Sinet is moved by his frustration, but Fernand confirms that “without the horse we wouldn’t have been here tonight and you’d still be looking for your millions!” “How so?” asked Sinet, astonished. “The key was in the horse,” Fernand proclaimed […] “Dad and I had emptied the horse out a few days before, and Dad put the key aside without thinking.”

Chapter Eight – The Sixth Man. In the days that followed, the children were required to accompany Sinet to be questioned by the Examining Magistrate; but they were frustrated by the fact that none of the questions related to the theft of the horse. His prime concern was the identity of the sixth man. Five of the crooks have been accounted for – but who is the sixth? Little Bonbon accuses Sinet, much to the Court’s amusement and Sinet’s embarrassment. The inspector admits he was watching the children – and it was all because of the horse. But as a thank-you, the children give the Inspector five fat gold cigars. And all that matters after that is laughing about what a mockery their Court appearance was.

Sinet and the children reconstruct the time when they watched Roublot at the market a fortnight earlier, trying to work out who the man in the blue boiler-suit was. Eventually it tumbles to Sinet – it was the petty thief he’d arrested that evening, Mallart. He’s the sixth man. He had the key – and because Sinet was on his tail, he dropped into the headless horse. And Mallart was already in jail!

Then the town is besieged by reporters, trying to build up a story to get maximum newspaper sales. The children are happy to put their side of the story, but didn’t trust the reporters not to make it into something sensational. The chief reporter asks Bonbon how much of the money he took. One by one, each gang member empties his or her pockets in front of the reporter, showing how little they had. And then Gaby reports the news that the bank cashiers had counted all the money and the full hundred million francs was still intact – plus one sou, that Tatave had added in as a joke. Not to be defeated, the reporters asked if the children would pose for a photo for the newspaper with all the dogs. They set the photograph up, and when Marion calls for the dogs – they all chase the reporters and photographers who were never seen in Louvigny again.

Chapter Nine – The Horse with a Head. It’s mid-January, and the gang have met up in the club for a slap-up meal of potatoes and hot chocolate. An unexpected guest surprises them – it’s Inspector Sinet wanting to tell them the story behind the whole adventure. The gang can’t wait to hear it.

It had been a well-planned raid on the Paris-Ventimiglia Express, but the problem was that someone had fenced off the end of the road where Mallart was due to take delivery of the money. This meant that the job would take much longer than expected, which is why Mallart decided to dump the money at the Billette Factory and wait for Roublot to join him at a little house rented nearby for the purpose.

But Roublot didn’t come, because he too had had some bad luck. He thought he had received a police summons, and fled to Paris to provide himself an alibi. When he got there, he realised it was only a renewal of his street-trading licence, so he returned to Louvigny but couldn’t find Mallart. Roublot decided to go to the market as usual, and Mallart telephoned him via the local café to arrange a meeting time and place. But Sinet was hot on Mallart’s tail, so he dropped the keys into the horse which had just tripped him up – and the rest is history. However, it looks like there won’t be a reward. The bank never promised one, and the people to whom the money belonged weren’t keen to come to an agreement. The gang members look on the bright side, realising the complications of receiving a lot of money.

But there’s one last surprise. One morning, M. Douin answers the door to discover the horse has been returned. It was old Blache who had found it, miles away, on a rubbish dump. The children are, of course, delighted, and Fernand reunites it with its head. Gaby is chosen to give it its first ride. But as he’s heading down la rue de la Vache Noire, out of control, he collides with Old Zigon and his bottle cart. Sixty bottles smashed – but, good news, there are five hundred down in the Billette Factory that he can take.

However, Gaby is in tears, as he confesses he is twelve years old now and too old to be a gang member. He’s furious with himself that he’s too old even to ride the horse safely. He tells the others they will have to find a replacement for him. But, of course, none of them accepts that. Marion says: “sooner or later we’ll all be twelve, but that’s no reason why we should break away from each other. We’ll grow up together, that’s all.” Old Zigon agrees: “the world’s all right if you’ve got good friends.” The book ends with all the gang members laughing and Sinet watching them – and declining an offer to have a ride on the horse!

To sum up; Paul Berna’s first, and most successful book in terms of his reputation and sales, was and still is an escapist delight. The camaraderie between the youngsters and their willingness to be brave and do the right thing comes across as aspirational – I know that’s how I felt when I read this as a child. It’s no surprise that this is the only Paul Berna book that has never been out of print. If you’ve read the book – or are re-reading it now, I’d love to know what you think about it, so please add a comment below. Next in the Paul Berna Challenge is the book he published the following year – The Street Musician. I look forward to re-reading it and sharing my thoughts about it in a few weeks.